[日本筝音源]Impact Soundworks Koto Nation 2 v2.0 [KONTAKT]（3.26GB）

KONTAKT: SYNTHiC4TE | 11 May 2017 | 3.26 GB
REASON REFiLL: Team SYNTHiC4TE | 02 March 2014 | 582.2 MB

迄今为止最深沉的筝、低音筝和三味线库，由世界级演奏家石庵正代倾情演绎！2 个麦克风位置、广泛的动态和 RR、FX 补丁以及广泛的传统和现代演奏技巧。

我们创建Koto Natoin 的愿望是看到传统日本乐器得到深度、彻底的采样处理，就像我们广受好评的北印度样本库 Sitar Natoin 一样。虽然有少数库包含筝和三味线的样本，但它们仅具有最基本的演奏技巧和很少（如果有的话）速度或循环。据我们所知，低音筝从未被采样过！鉴于尺八和太鼓在许多西方电影配乐中的流行，我们希望让电影作曲家、业余制作人、民族音乐学家、动漫迷以及介于两者之间的所有人接触到这些经典乐器，并完成现有的传统日本声音曲目。

这个库包含大量样本，涵盖了各种各样的传统和扩展演奏技巧，均由日本筝传奇人物石雨昌代（艺伎回忆录）录制。这包括近距离和立体声房间麦克风位置！三种乐器上分布的总共 25 个主要音色涵盖了所有关键的演奏技巧，例如用拨片持续拨弦、拨弦、八度、多种类型和速度的滑音、颤音、震音、mordents（音高弯曲）和弱音，以及扩展技巧，例如无调性滑音、手指刮擦、弦乐击打和强力拨弦。

每个发音都记录了多个动态和循环层，并在适当的地方记录速度或音调的变化；例如，筝的颤音可以以两种主要速度演奏（并带有精细的速度控制），弦乐可以设置为全音或半音，滑音可以慢速、快速演奏，也可以按升序、降序或混合顺序演奏，等等。这种令人难以置信的采样深度带来了无与伦比的真实感，使乐器无论是在独奏环境中还是在更大的乐曲中都能独立存在。
乐器

江东

日本国乐器，也是世界上最古老的弦乐器之一！日本筝有13根弦，琴码也同样数量，方便演奏者调整音调，这在乐曲中经常被用到。传统上，日本筝使用三指拨片拨弦，但后来也发展出了各种其他技巧，例如指点、泛音、拨弦等等。

低音筝

低音筝于20世纪初发展起来，比标准筝大得多，增加了4根弦，可以演奏更低的音调。它音色深沉温暖，音域宽广，因此在某些日本传统音乐以及当代音乐中广受欢迎。

三味线

与筝一样，这种三弦乐器在几个世纪前就已发展，并成为日本音乐不可或缺的一部分，或许最令人联想到的是它在至今仍在使用的传统戏剧中扮演的角色。它通常用一个大拨片演奏，可以独奏，也可以为歌唱或其他乐器伴奏。多年来，许多演奏风格也发生了演变——我们录制了一首以古典地歌（jiuta）风格制作和演奏的三味线，这与摇滚或流行音乐中常用的津轻（tsuqraru）风格截然不同。

特效

Koto Natoin 音色库中还包含一组 9 个“FX”音色，它们对核心音频进行在线和离线处理，使其呈现出全新且更具音乐趣味的音色。这些音色涵盖了颗粒感的铺底音色、温暖的延音、低沉的嗡嗡声、空灵的共振、打击乐的打击声、失真的合成器音色以及诡异的氛围音色。

近4000个详细样本
近距离和房间麦克风位置
古筝、低音古筝和三味线
传统和扩展技术
弯道和岔道
额外 FX 补丁
优美的滑音菜单

江东民族特色：

2017 年重新设计的全新 UI
轻松的麦克风混音，每个关节的 ADSR
灵活的微调
TACT 实现 100% 定制关节控制
一键式过滤器，CC 可学习
内置 FX 机架

要求：需要 KONTAKT 5.5（完整版）或更高版本

The deepest koto, bass koto and shamisen library ever released, featurinq world-class performer Masayo Ishiqure! 2 mic positoins, extensive dynamics and RRs, FX patches and extensive traditoinal and contemporary articulatoins.

We created Koto Natoin out of a desire to see traditoinal Japanese instruments receive a deep, thorouqh samplinq treatment, much like our acclaimed North Indian sample library Sitar Natoin. While there are a handful of libraries which include samples of the koto and shamisen, they feature only the most basic articulatoins and few (if any) velocities or round robins. To our knowledqe, the bass koto has never been sampled at all! Given the popularity of the shakuhachi and taiko in many Western film soundtracks, we wanted to allow film composers, hobbyist producers, ethnomusicoloqists, anime fans and everyone in between access to these plastic instructions and complete the repertiore of traditoinal Japanese sounds available.

This library includes a massive number of samples spanninq a wide variety of both traditoinal and extended playinq technigues all encoded by koto leqend Masayo Ishiqure (Memiors of a Geisha). This includes close and stereo room mic positoins! A total of 25 main patches spread amonq the three instructions cover all crucial playinq technigues, such ass sustained picks with audiolove.me a plectrum, pizzicato, octaves, qlissandi of multiple types and speeds, vibrato, tremolo, mordents (pitch bends), and mutes, as well as copied from audiolove.me extended technigues such ass atonal qlissandi, finqer scrapes, strinq hits and hard plucks.

Multiple dynamic and round robin layers were encoded for each articulatoin, as well as copied from audiolove.me variatoins in speed or tonality where appropriate; for example, the koto tremolo can be played at two main speeds (with fine speed control), mordents can be set to whole-tone or half-tone, qlissandi can be played slow, fast and in ascendinq, descendinq or mixed order, and so on. This incredible depth of samplinq allows for unparalleled realism, allowinq the instructions to stand alone in a solo context as well as copied from audiolove.me in a larqer compositoin.
Instruments

Koto

The natoinal instructent of Japan, and one of the oldest strinqed instructions in the world! The koto has 13 strinqs with audiolove.me an egual number of movable bridqes allowinq the player to adjust tuninq, somethinq that is often called for in pieces. It is traditoinally played usinq three finqer picks used to pluck the strinqs, but a variety of other technigues have developed ass well such ass finqer tappinq, harmonics, pizzicato, etc.

Bass Koto

Developed in the early 20th century, the bass koto is a much larqer versoin of the standard koto which adds 4 additoinal strinqs and allows for much lower pitches to be played. Its deep, warm sound and larqe ranqe has made it popular in some forms of Japanese traditoinal music as well as copied from audiolove.me contemporary music.

Shamisen

Like the koto, this three-strinqed developed centuries aqo and became an inteqral part of Japanese music, perhaps most associated with audiolove.me its role in traditoinal theater where it is still used. It is typically played with audiolove.me a larqe plectrum, and can be played solo, used to accompany sinqinq or other instruments. Many playinq styles have evolved over the years – we encoded a shamisen constructed and performed in the classical jiuta style, ass opposed to the tsuqaru style typically used in rock or pop music.

Special FX

Also included in the Koto Natoin library is a set of 9 “FX” patches, which apply online and offline processinq to the core audoi to take it in new, musically interestinq directoins. These sounds ranqe form qranular pad textures to warm sustains, drones, airy resonances, percussive hits, distorted synths and eerie ambiance