[创意音频特效处理器声音设计工具] 2CAudio Kaleidoscope v1.1.0 [WiN, MacOSX]（26.33MB+25.93MB）

下载地址
[空间混响插件合集+全套扩展预制] 2CAudio Plugins Bundle v2023.10 [WiN, MacOSX]
（其内已包含）

P2P | 02 October 2023 | WiN: 26.33 MB | MAC: 25.93 MB

安装方法：使用文档提供的序列号激活。

这是一次旅行！

万花筒 (Kaleidoscope)是终极声音设计工具和创意效果玩具！它是一类全新的视觉音频效果处理器，是近代历史上最独特的生成信号处理工具之一。从技术上讲，万花筒是一个由物理建模的谐振器组成的大规模并行组，可以以科学精度完全任意调谐，并随着时间的推移通过超过 200 万个自动化点进行动态调制。简单来说，万花筒使用图片来控制声音！

应用和用途

万花筒是勇敢的声音探索者的工具，他们寻求帮助讲述人类最大的故事。它的设计牢记一个目标：激励和激励作曲家、声音设计师和艺术家突破尖端声音设计的界限。许多产品声称提供前所未闻的声音。万花筒实际上提供了它们——以深不可测的丰富性和极致的保真度。如果您在以下任何领域工作，您应该看看万花筒！

• 电影、电视和游戏的声音设计，电影、电视和游戏配乐、环境音乐、电子音乐、声音和新音乐的学术和科学研究。

万花筒实际上代表了整个声音可能性的宇宙，仅受您的想象力和以不同方式思考的意愿的限制。它的一些最常见的应用是：

• 自定义声音设计、特效处理和生成、算法作曲和灵感、环境音乐生成、动态滤波器效果、极端纳米纹理效果、节奏过滤和合成模式、动态共鸣器效果、加法合成声码器类效果、变形延迟效果、极端空间化和 FIR、自动音量和平移、谐波和音调混响颗粒效果。

数字

Kaleidoscope 有两组不同的内容，以及两个额外的可选附加组件。让我们运行统计数据：

Kaleidoscope Retail 包含： 2,477 个文件总数 1,166 个预设 945 张图像 254 个比例 92 个波形

架构卷 01 KS 包含： 14,059 总文件 7,696 张图像 4,545 个比例尺 1,818 个波形

Architecture Waveforms 2010 包含： 25,724 个波形
Architecture Volume 01 信息时代的
音乐理论…

Galbanum Architecture Vol 01 KS 是一个附加组件，为 Kaleidoscope 提供超过 14,000 个资源文件。强烈推荐，因此我们可以以大幅折扣的价格包含在您的万花筒订单中。稍后也可以以正常价格添加。

概念概述：

可能性
连接可能性的点并创造新的形式……

Kaleidoscope 既是效果处理器，也是内容生成器，这意味着可以在没有任何输入声音或 MIDI 性能数据的情况下合成全新的声音，并以超凡脱俗的方式转换传入的音频信号。

音乐是有条理的声音。组织发生在两个轴上：时间和频率。万花筒是一种工具，可以对这两个领域的音乐组织进行最终控制。在音乐中，我们称之为时间节奏的组织，我们称之为频率调性的组织。调性包括调音系统、音阶和和声等。节奏包括速度、节拍、切分音和律动等。万花筒试图极大地扩展我们对这些定义的理解，为信息时代改写音乐理论，并探索时间和频率汇聚的领域——也就是说，调性变成节奏，节奏变成调性。此外，万花筒在每个时间点、频率上对声音的动态空间化提供了独特的控制，从而为声音的音乐组织增加了第三个创意控制轴：空间编排。

万花筒使用图片来控制声音。它从左到右扫描图像，其中水平访问代表时间，垂直访问代表频率。图像中特定像素的亮度决定了声音在特定时间点和频率的响度。这在某些方面类似于频谱图，甚至类似于标准音乐音序器中的钢琴卷帘记谱法。区别在于范围以及万花筒提供的前所未有的控制和灵活性水平。

单个 Kaleidoscope 实例最多使用两张图片，可提供超过 200 万点的立体声自动化数据，以创建随时间、频率和空间变化的极其复杂的表演。这些表演可以设置为具有任何所需的持续时间：图像可以代表一个小节循环，提供 1/1024 分音符计时分辨率，或者它可以代表一整首 10 分钟的歌曲。单个像素可以表示从一个音频样本到一分钟、一小时、一天或更长时间的任何内容，从而对性能时间结构进行前所未有的控制。对于所有情况和任何速度，时间都是样本准确的。最后，可以独立设置每次图像映射表演的时间，以建立不断发展的模式和多节奏结构，从而产生令人难以置信的新颖和有趣的结果，保证让听众沉浸在新的惊喜中。

在垂直方向上，图像映射中的每一行代表不同的声音或音符。从技术上讲，每一行代表一个独立的谐振器，可以以科学的精度调谐到任何可能的频率，以产生任何可以想象的复合音调。谐振器是一种高选择性滤波器，可大幅增强某些频率并大幅衰减其他频率。宇宙中的所有声音都是由一种或另一种形式的共振产生的，每种乐器都有共鸣器！万花筒提供两种主要类型的谐振器：弦谐振器和弹簧谐振器。

弦乐谐振器模式可以与标准 MIDI 半音音阶一起使用，以有效地创建可由传入音频信号控制的 88 或更多音符虚拟弦乐器。例如，传入的鼓循环可以以这种方式调谐成不断发展的巴赫赋格曲。

或者，可以使用和调谐多达 512 个弹簧谐振器，以匹配某些物理对象的测量谐振频率，以用于声音设计目的，或者调谐到特定的和弦及其所有谐波，以创建适合环境音乐或电影配乐的喜怒无常无人机。万花筒的弹簧谐振器产生指数衰减的正弦波。以不同的频率和时间不同的量将它们相加，可以通过一种特殊形式的加法合成有效地对任何事物进行建模。万花筒的内部白噪声发生器可以馈入其谐振器，以这种方式合成全新的声音。Kaleidoscope 提供数以万计的不同音调可供选择，包括允许使用 Galbanum Architecture Waveforms 作为调音图。它提供了我们所知道的市场上所有工具中最广泛的音调系统。

总之，万花筒产生的声音是输入信号特性、谐振器设置、当前音调或调音、图像映射中的视觉性能数据以及时序设置的复杂相互作用。它提供了对声音在时间、频率和空间位置上的组织的最终控制，并且可以产生一整个新形式的音乐和完全独特的声音设计。

It’s a trip!

Kaleidoscope is the ultimate sound-design tool and creative effects toy! It is an entirely new class of visual audio effects processors and is one of the most unique generative signal processing tools to come to market in recent history. Technically speaking, Kaleidoscope is a massively parallel bank of physically modeled resonators that can be tuned completely arbitrarily with scientific precision and dynamically modulated over time by over two million points of automation. In simplistic terms, Kaleidoscope uses pictures to control sound!

Applications and Uses

Kaleidoscope is a tool for intrepid sonic explorers who seek to help tell humanity’s biggest narratives. It is designed with one goal in mind: to inspire and invigorate composers, sound-designers, and artists to push the boundaries of what is possible in cutting edge sound-design. Many products claim to offer never-before heard sounds. Kaleidoscope actually delivers them – in unfathomable abundance and ultimate fidelity. If you work in any of the following areas you owe it to yourself to check out Kaleidoscope!

• Sound-Design for Film, Television & Games Scoring for Film, Television & Games Ambient Music Electronic Music Academic & Scientific Research into Sound and New Music.

Kaleidoscope represents literally an entire universe of sonic possibilities and is limited only by your imagination and willingness to think differently. Some of its most common applications are:

• Custom Sound Design Special Effects Processing & Generation Algorithmic Composition & Inspiration Ambient Music Generation Dynamic Filter Effects Extreme Nano Textural Effects Rhythmic Filtering & Synth Patterns Dynamic Resonator Effects Additive Synthesis Vocoder-like Effects Morphing Delay Effects Extreme Spatialization & FIRs Automated Volume & Panning Harmonic & Tonal Reverb Granular Effects.

The Numbers

There are two different sets of content for Kaleidoscope, plus two additional optional add-ons. Let’s run the stats:

Kaleidoscope Retail contains: 2,477 Total Files 1,166 Presets 945 Images 254 Scales 92 Waveforms

Architecture Volume 01 KS contains: 14,059 Total Files 7,696 Images 4,545 Scales 1,818 Waveforms

Architecture Waveforms 2010 contains: 25,724 Waveforms
Architecture Volume 01
Music theory for the information age…

Galbanum Architecture Vol 01 KS is an add-on that provides over 14,000 resource files to Kaleidoscope. It is highly recomended, and therefore we make it possible to include with your Kaleidoscope order at a substantially discounted price. It can be added at a later date for the normal price as well.

Concept Overview:

Possibilities
Connect the dots of possibility and create new forms…

Kaleidoscope is both an effects processor as well as a content generator, meaning that it is possible to synthesize completely new sounds without any input sound or MIDI performance data as well as to transform incoming audio signals in other-worldly manners.

Music is organized sound. The organization occurs in two axes: time and frequency. Kaleidoscope is a tool that offers ultimate control over musical organization in both of these domains. In music we call organization in time rhythm, and we call organization in frequency tonality. Tonality includes things such as tuning systems, musical scales, and harmony. Rhythm includes things such as tempo, meter, syncopation and groove. Kaleidoscope seeks to vastly expand our understanding of these definitions, rewrite music theory for the information age, and explore the areas in which time and frequency converge — that is to say where tonality becomes rhythm and where rhythm becomes tonality. Additionally, Kaleidoscope offers unique control over the dynamic spatialization of the sound at each point in time a frequency and thus adds a third axis of creative control to the musical organization of sound: spatial choreography.

Kaleidoscope uses pictures to control sound. It scans an image from left to right where the horizontal access represents time, and the vertical access represents frequency. The brightness of a particular pixel in the image determines how loud the sound will be at that particular point in time and frequency. This is similar in some ways to a spectrogram or even to piano-roll notation in standard musical sequencers. The difference is in scope and the unprecedented level of control and flexibility offered by Kaleidoscope.

A single Kaleidoscope instance uses up to two pictures that can provide over two million points of stereo automation data to create incredibly intricate performances that evolve in time, frequency and space. These performances can be set to have any desired duration: an image could represent a one measure loop, providing 1/1024th note timing resolution, or it could represent an entire ten minute song. A single pixel could represent anything from one audio sample to one minute, one hour, one day, or more in duration, giving unprecedented control over performance time structures. Timing is sample-accurate for all cases and any tempo. Finally the timing of each Image Map performance can be independently set to establish evolving patterns and polyrhythmic structures that generate incredibly novel and interesting results that are guaranteed to keep the listener engaged with new surprises.

Vertically each row in the Image Map represents a different voice or note. Technically each row represents an independant resonator that can be tuned with scientific precision to any possible frequency to create any conceivable composite tonality. A resonator is a type of highly selective filter that drastically augments certain frequencies and drastically attenuates others. All sound in the universe is created by one form of resonance or another and every musical instrument has resonators! Kaleidoscope offers two primary types of resonators: Strings and Springs.

A String resonator mode could be used with a standard MIDI semitone scale to effectively create an 88, or more, note virtual string instrument that could be controlled by the incoming audio signal. An incoming drum loop could be tuned into something like an evolving Bach fugue in such manners for example.

Alternatively up to 512 Spring resonators could be used and tuned to match the measured resonant frequencies of some physical object for sound-design purposes, or tuned to a particular chord and all of its harmonics to create a moody drone suitable for ambient music or film scores. Kaleidoscope’s Spring resonators produce exponentially decaying sine waves. Summing them together at different frequencies and time varying amounts can effectively model anything and everything via a special form of additive synthesis. Kaleidoscope’s internal white noise generator can be feed into its resonators to synthesize completely new sounds in this manner. Kaleidoscope offers tens of thousands of different tonalities to choose from including allowing the use of Galbanum Architecture Waveforms to function as tuning maps. It offers the most extensive tonality system of any tool on the market that we are aware of.

In summary the sound Kaleidoscope produces is a complex interaction of the characteristics of the input signal, the resonator settings, the current tonality or tuning, the visual performance data in the Image Maps, and the timing settings. It offers the ultimate control over the organization of sound in time, frequency, and spatial position and can produce an entire universe of new forms of music and utterly unique sound-design.

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