[不断更新：7套宝藏音源 全家桶] Slate and Ash STRINGS/RUINS/MIRRORS/Spectres/Choreographs/Landforms/Cycles [KONTAKT]（200GB+）

P2P | 13 December 2025 | 26.7 GB

《幻化听觉幻象》
《幽灵》（SPECTRES）深入探索了激进扩展技巧的神秘领域。声音幻象和幽灵般的幻影在实验录音和拼贴循环的隐秘细微之处显露出来，展现出令人难以忘怀的噪音与色彩光谱。

《幽灵》由实验作曲家兼演奏家莉亚·贝尔图奇（Lea Bertucci）策划，收录了众多纽约顶尖实验乐器演奏家的独奏扩展技巧作品。

除了十五位演奏家创作的超过650个核心乐句外，它还提供了超过500种由我们全新COLLAGE引擎精心设计的音色、氛围和音调——这是一个尖端的采样循环环境，允许对源采样进行充分的探索和重塑。

先锋之声
《幽灵》有意突破传统规范，着重展现众多杰出音乐家的独特声音。汇聚了众多杰出音乐家，包括屡获殊荣的长笛演奏家、音乐先锋克莱尔·蔡斯（Claire Chase）、竖琴演奏家、比约克（Björk）的合作者泽娜·帕金斯（Zeena Parkins）以及著名打击乐演奏家莎拉·亨尼斯（Sarah Hennies），《SPECTRES》为实验音乐开辟了全新的视角。

光谱色彩的盛宴
录音由传奇录音师兰德尔·邓恩（Randall Dunn）在其位于布鲁克林的录音圣殿——环形废墟录音室（Circular Ruin Studio）完成。邓恩曾与蒂姆·赫克（Tim Hecker）、Sunn O))) 以及已故的约翰·约翰逊（Jóhann Jóhannsson）等音乐人合作，声名远扬。

十三种乐器呈现出丰富多彩的音调、无调性以及非音高的声音。从低音单簧管的50赫兹次谐波到其阀门的咔嗒声和吱嘎声，每一个“不完美”的细微差别都通过精准的麦克风摆位被放大，最终成为独具特色的声音素材。

《进入新浪潮》
Spectres插件包含超过500个由SLATE + ASH团队精心打造的音效预设。
这些预设汲取了A24和Neon等独立工作室引领的实验电影配乐新浪潮的灵感，提供了种类繁多的实验性音效——包括合成器音垫、氛围音效、节奏、音调、脉冲和动态效果——每一种音效都通过COLLAGE引擎高度可控的界面进行扭曲和重新编程，从而进入了前所未有的领域。

共鸣的转换
除了原始录音之外，还有三个经过重新放大的通道：一个巨大的共鸣粮仓、一面失真放大器墙，以及一对复古的 Roland 弹簧混响器。
每个通道都展现了素材中全新的音色特征，创造出丰富的空间和色彩。这些频谱景观被置于我们的多维混音器中，可以自由探索，从而构想出新的视角或不断变化的音色。

通过拼贴创作
Spectres 存在于我们全新的拼贴引擎中——一个充满活力的声音探索乐园，充满了重叠的循环和对比鲜明的片段。
受具体音乐的磁带拼接技术的启发，拼贴引擎重新组合并放大采样片段，构建出超越线性时间的重叠序列和颗粒状的微型蒙太奇。所有信号都输入到一个复杂的混音器和效果器环境中，几乎所有参数都具有模块化的自动化控制。

666 × 乐句演奏法

35 中音萨克斯

70 上低音萨克斯

59 大提琴

32 单簧管

42 低音单簧管

32 低音提琴

60 长笛

52 竖琴

94 打击乐

47 长号

33 小号

58 大号

52 小提琴

89 × 多重采样演奏法

5 上低音萨克斯

8 大提琴

2 单簧管

5 低音单簧管

8 低音提琴

9 长笛

7 竖琴

19 打击乐

4 长号

2 小号

4 大号

16 小提琴

643 × 预设

44 抽象音色

31 动画

79 氛围音色

51 形式音色

25 手势音色

43 乐句节奏

110 合成器音垫

43 乐句模式

73幽灵

87 种纹理

57 种色调

扩展音色表现力。
在最新的免费更新中，SPECTRES 新增 89 个多重采样音色和 125 个额外的声音设计预设，进一步提升了其深度和多功能性。将多重采样技术引入 SPECTRES，带来更丰富、更自然的演奏体验。单个演奏技巧中包含多个采样，使得键盘上的音色变化更加丰富，每个音符都记录了细微的表情变化。

需要 Native Instruments Kontakt Player 或 Kontakt FULL v7.10.5 或更高版本！

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Team DECiBEL | 28 December 2022 | 20.42 GB

CHOREOGRAPHS是一个可延展的、开放的信号、脉冲和模式互联系统，它探索了通过运动序列设计声音的原理。这是一幅永恒的动画地图，动态形式在空间、形状和时间中跳舞。
创作模式
随着150多个可单独调节的控制器分散在整个信号路径上，CHOREOGRAPHS在其跳动的心脏处有运动。三个基于采样的振荡器馈入独特音乐设备的精致架构，以形成一个声音设计环境，该环境从复音合成器开始，但扩展到鼓机、拖放采样器或颗粒处理器。通过从包括复杂LFO、MIDI CC、波动随机信号和高度通用的步进调制器在内的多种调制器中进行选择，几乎可以在任何地方注入运动。
时间和空间中的物体
与舞蹈编排一样，合成系统是运动的地图，是运动部件的蓝图。CHOREOGRAPHS是对这一想法的探索；一种运动找到自己声音表达的乐器。当编舞师绘制出要表演的动作时，CHOREOGRAPHS为表演设定了参数。这是构图和表演的结合：一半是自发的，一半是设计的。

波浪的集合
CHOREOGRAPHS由大量专业采样的模拟、数字和模块化合成器、鼓机、声学仪器和噪声源组成。超过400个样本源涵盖了从珍贵的模拟经典的温暖到模块化振荡器的拨弦和爆发的一切；物理模拟材料的钟形闪烁，与声音样本的连奏器式混合。其中还包括一组独特的噪音层——噼里啪啦的静电、嗡嗡作响的放大器、乱摸的布、刮破的膜、远处的鸟鸣——这些层结合在一起，将普通的合成音分解成半消失的、布满灰尘的纹理。
声波星座
CHOREOGRAPHS预设库包含650多个补丁，每个补丁都可以在引擎中分离。从翻腾、纠结的琶音到混响中滴落的沉重无人机；将低沉低音的回旋曲与尖锐敲击的交叉节奏相结合；用充满动感重复的圆形脉冲，做出令人毛骨悚然的电影手势；以及不受传统四杆格架束缚的、随意扭动和转动的多角节奏。
调和几何
CHOREOGRAPHS的核心是复杂调节音高的能力。与模块化合成一样，声音的音调可以与包络线的触发分离。这彻底开启了一种全新的谐波排序方法——音高持续且即时更新，允许复杂的序列、LFO驱动的旋律和独特的碎片化多节奏。所有的东西都被送入量化器，智能地将音调拉成一条直线，将混乱变成和谐。
时间上的圆圈
CHOREOGRAPHS中的欧几里德序列发生器基于几何分割和数学对称产生抽象序列。四条旋转的环形触发器相互作用，以独特的引力雕刻出重叠的多重节奏。每一条车道都位于自己的轨道上，创造出不断演变的和声进行、相位对位和有角度的撞击结构。
策划+创建
CHOREOGRAPHS既是采样器，也是合成器。只需将样本放入三个语音插槽中的任何一个，即可将样本加载到引擎中。一旦加载，无数的声音整形参数可以将它们切割成形状。除了从头开始，将自定义样本拖到600多个预设补丁中的任何一个补丁中都是一种即时的方式，可以从中获得新奇的东西。自定义脉冲响应也可以通过将它们拖到卷积效果槽中加载，从而允许无限的空间。
技术细节
+Kontakt或Kontakt 6.7.1或更高版本
+英特尔Mac（i5或更高版本）：macOS 10.15、11或12（最新更新）；Apple Silicon Mac：macOS 11或12（最新更新）；Windows 10或11、Intel Core i5或同等CPU
+22GB下载
+8387个样本
+661个发动机预设补丁
+427个样本源
+122个选定的发动机状态

A malleable, open system of interconnecting signals, pulses, and patterns, CHOREOGRAPHS explores the principle of designing sound through sequences of movement. It is a map of perpetual animation, where dynamic forms dance in space, shape, and time.
PATTERNS OF CREATION
With over 150 individually modulatable controls scattered throughout its signal path, CHOREOGRAPHS has movement at its beating heart. Three sample-based oscillators feed into a refined architecture of unique musical devices to form a sound design environment that begins as a polyphonic synthesiser, but augments into a drum machine, drag-and-drop sampler, or granular processor. Movement is injected almost anywhere by selecting from a broad range of modulators including complex LFOs, MIDI CC, fluctuating random signals, and highly versatile step-modulators.

BODIES IN TIME AND SPACE
Like a choreography, a synthesis system is a map of motion, a blueprint of moving parts. CHOREOGRAPHS is an exploration of this idea; an instrument where movement finds its own sonic expression. As the choreographer plots out the movements to be performed, CHOREOGRAPHS sets the parameters for the performance to emerge. It is the meeting of the composition and the performance: half-spontaneous, half-designed.
AN ASSEMBLY OF WAVES
CHOREOGRAPHS is comprised of a large collection of expertly sampled analogue, digital, and modular synthesisers, drum machines, acoustic instruments, and noise sources. Over 400 sample sources cover everything from the warmth of prized analogue classics to the plucks and bursts of modular oscillators; the bell-like twinkles of physically modelled materials to the rompler-like blend of acoustic samples. Included also is a bank of characteristic noise layers – crackling static, buzzing amplifiers, fumbled cloth, scraped membranes, distant bird calls – that layer together to break down generic synth sounds into half-erased, dusty textures.

SONIC CONSTELLATIONS
The CHOREOGRAPHS preset library contains over 650 patches, each of which can be picked apart within the engine. Anything from churning, tangled arpeggios to heavy drones dripping in reverb; buckling swirls of deep bass to cross stitched rhythms of sharp percussion; beastly, cinematic gestures to circular pulses full of kinetic repetition; and angular polyrhythms that twist and turn at will, untethered from the traditional four-bar grid.

HARMONIC GEOMETRY
Central to CHOREOGRAPHS is the ability to complexly modulate pitch. As in modular synthesis, the pitch of a voice can be detached from the triggering of its envelope. This blows wide open a whole new methodology of harmonic sequencing – pitches are continuously and instantaneously updated, allowing for intricately plotted sequences, LFO driven melodies, and uniquely fragmented polyrhythms. Everything feeds into a scale quantiser, intelligently pulling pitches into line, turning chaos into harmony.

CIRCLES IN TIME
The Euclidean sequencer in CHOREOGRAPHS spawns abstract sequences based on geometric divisions and mathematical symmetry. Four lanes of rotating circular triggers play against each other, carving out overlapping polyrhythms with a unique gravitational pull. Each lane sits in its own orbit, creating evolving harmonic progressions, phasing counterpoints, and angular percussive structures.

CURATE + CREATE
CHOREOGRAPHS is as much a sampler as it is a synthesiser. Samples are loaded into the engine by simply dropping them into any of the three voice slots. Once loaded, a myriad of voice shaping parameters can chop them into shape. As well as starting from scratch, dragging a custom sample into any of the 600+ preset patches is an instantaneous way to get something novel out of it. Custom impulse responses can also be loaded by dragging them onto the convolution effect slot, allowing for an infinity of spaces.
TECHNICAL DETAILS
+ Kontakt or Kontakt 6.7.1 or higher

+ Intel Macs (i5 or higher): macOS 10.15, 11 or 12 (latest update); Apple Silicon Macs: macOS 11 or 12 (latest update); Windows 10 or 11, Intel Core i5 or equivalent CPU

+ 22GB download

+ 8,387 samples

+ 661 engine preset patches

+ 427 sample sources

+ 122 curated engine states

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P2P | 05 September 2021 | 65.91 GB

LANDFORMS 转变管弦乐视角 Landforms 提供了一种大胆的新方法来处理管弦乐样本。部分采样器，部分合成器，它采用受自然运动和形状启发的纹理录音，并在多维声音设计环境中重新构想它们。

一种新的管弦乐方法
Landforms 不仅仅是一个管弦乐样本库。这是一个复杂的管弦乐声音设计环境。虽然传统的管弦乐库静态地再现了管弦乐队的传统声音，但 Landforms 包含工作管弦乐样本的独特可能性和特质。重点不仅在于美妙的声学纹理的表现。这是关于通过独特的处理层推动这些纹理，以创建不断变化的抽象声音拼贴画。它植根于管弦乐领域，但同时又让人感到陌生和独特。

源于自然
受自然世界的形式和纹理的影响，以特定的构图意图来策划和制作关节。有节奏地融合在一起的短语和不可预测地重叠的运动，以创造渐进的纹理演变，反映缓慢上升的潮汐强度，涟漪水的和谐折射。

核心库包含丰富多样的工厂内容集合，超过 200 个基本多采样关节分布在管弦乐队的各个家族中。弦乐被分解为贝斯、大提琴和小提琴的独立三重奏。木管乐部分由男中音萨克斯管、低音大管和低音单簧管的低音合奏组成；双簧管、单簧管和巴松管的高级合奏；和长笛三重奏。黄铜由一个低音长号部分和一个高音小号和flugelhorn 合奏组成。除此之外，还包括与小提琴独奏家和长笛演奏家的会话中的发音。

真实的表达，真实的情感
在 Real World Studios 的 Wood Room 丰富、温暖的声学环境中录制，每件乐器使用三名演奏者的合奏，Landforms 的录音都是关于强调焦点和细节，同时仍然保持合奏的魔力。

球员个人表演的亲密感是使用超聚焦现场麦克风捕捉到的，而遍布整个 Wood Room 的一系列麦克风捕捉到了其复杂的共鸣。这些可以组合以创建具有深色调范围的全频谱动态混音。

它不适合纯粹主义者。这不是关于无声的机器人表演。这是关于真实的录音和真实的表达。表演的原始和细节被有意捕捉，以保留乐器的真实特性和情感。

ETERNAL FORMATIONS
Landforms 包括 400 多个声音设计的预设补丁，每个补丁都可以在引擎内完全分离和调整。从失真的敲击脉冲到模糊的电声纹理。

扩展管弦乐地形
在管弦乐发音之上是 50 个经过处理的声源，每个声源由六个单独处理的层组成。这些都是通过将管弦乐录音通过 eurorack 模块、颗粒合成引擎、盒式录音机、踏板链和放大器来创建的。

不仅仅是示例播放
从核心管弦乐库中提取多重采样的发音，模糊其真实世界的起源，无法辨认。从创意模块、宏效果、混音工具、LFO、基于物理的调制和交互式表达控制的多样化组合中，创造出属于您的独特声音。

空间
使用空间混音器重新设计声音环境的形成。它采用直观和创造性的方法来混合麦克风位置，开启新的艺术可能性。将声源放置在虚拟二维声场中，将它们沉浸在混响空间中，通过参数调整来操纵它们，磨练它们以隔离个别玩家，飘回到录音空间的共振中，甚至让它们在整个空间中进行物理扫描带有 LFO 或用户定义的手势。

模块
自动生成复杂的、比例量化的和声，为表演添加新的旋律维度。音高变换和时间拉伸，就像声音在磁带机中运行一样；用琶音器雕刻出复杂的步进模式；或通过参数随机化添加复杂的变化。四个灵活的输入模块为改变补丁的交互性创造了无限的可能性。

效果
从 15 种独特编程的宏效果中挑选，将您的声音推向新的声音领域。抓住一个 XY 打击垫来快速优化声音，或者更深入地微调效果并引入调制。效果随机化重新调整整个设置并发现快乐的事故。

层
将两个独特的可编程层融合为一个可执行的音景。每一层都可以有自己的声源、自己的调音、自己的包络设置和自己的空间视角。表达式控件可用于在图层之间进行交互调制。

表达
可分配的表达控制开辟了设计和执行补丁的新方法。创建可控制的动态膨胀，在您的指尖起起伏伏，层之间自然的声音交叉淡入淡出，轻轻演变的滤波器扫描或 LFO 调制的节奏模式。

OUTPUT
输出效果是信号链的最后阶段。它们包括一个四频段均衡器、一个特色电子管压缩器、一个可调延迟、一个可在算法和卷积模式之间切换的混响，以及一个低保真磁带鸣笛器。

导入您自己的样本
只需将样本拖放到界面上即可将其加载到地形引擎中。您可以同时加载最多 12 个单独的样本——每层 6 个——或者您可以用自己的样本替换原生管弦乐补丁的单个元素。然后改变它们的音高，混合它们，将它们加入效果中，并使用声音设计引擎将它们转换成全新的东西。

技术细节
+ Kontakt 或 Kontakt Player 6.5.3 或更高版本
+ 68GB 样本（104GB 未压缩）
+ 12,898 个样本
+ 222 个核心多重采样关节
+ 177 个精心策划的关节组合
+ 421 个引擎预设补丁

LANDFORMS SHIFTING ORCHESTRAL PERSPECTIVES

Landforms offers a bold new approach to working with orchestral samples. Part sampler, part synthesiser, it takes textural recordings inspired by the movements and shapes of nature and reimagines them within a multidimensional sound design environment.

A NEW ORCHESTRAL APPROACH
Landforms is more than just an orchestral sample library. It’s a complex orchestral sound design environment. While conventional orchestral libraries statically reproduce the traditional sounds of the orchestra, Landforms embraces the unique possibilities and idiosyncrasies of working orchestral samples. The focus is not only on the performance of beautiful acoustic textures. It’s about pushing these textures through layers of unique processing to create constantly shifting, abstract collages of sound. It’s rooted in the orchestral domain, but feels simultaneously alien and unique.

EMERGING FROM NATURE
Influenced by the forms and textures of the natural world, articulations were curated and produced with specific compositional intentions. Phrases that fuse together rhythmically and movements that overlap unpredictably to create progressive textural evolutions, mirroring the slowly building intensity of rising tides, the harmonic refractions of rippling water.

The core library comes packed with a deeply versatile collection of factory content, with more than 200 base multisampled articulations split across the families of the orchestra. Strings are broken down into individual trios of bass, cello and violin. The woodwinds section consists of a low ensemble of baritone saxophone, contrabassoon and bass clarinet; a high ensemble of oboe, clarinet and bassoon; and a trio of flutes. Brass consists of a low trombone section and a high ensemble of trumpet and flugelhorn. As well as this, articulations taken from sessions with a solo violinist and flautist are included.

REAL EXPRESSION, REAL EMOTION
Recorded in the rich, warm acoustics of the Wood Room at Real World Studios and utilising ensembles of three players per instrument, the recordings of Landforms are all about emphasising focus and detail while still maintaining the magic of the ensemble.

The intimacies of players’ individual performances were captured using hyper-focussed spot mics, whilst a range of mics placed throughout the Wood Room captured its sophisticated resonances. These can be combined to create a full-spectrum dynamic mix with a deep tonal range.

It’s not for the purists. It’s not about noiseless, robotic performances. It’s about real recordings and real expression. The rawness and detail of performances were intentionally captured in order to retain the authentic character and emotion of the instruments.

ETERNAL FORMATIONS
Landforms includes over 400 sound designed preset patches, each of which can be entirely picked apart and adjusted within the engine. Anything from distorted percussive pulses to obscure electroacoustic textures.

EXPANDING ORCHESTRAL TERRAIN
On top of the orchestral articulations are 50 processed sound sources, each made up from six separately processed layers. These were all created by passing the orchestral recordings through eurorack modules, granular synthesis engines, cassette machines, pedal chains and amplifiers.

MORE THAN JUST SAMPLE PLAYBACK
Take a multi-sampled articulation from the core orchestral library and blur its real world origin beyond recognition. Pull from a diverse combination of creative modules, macro effects, mixing tools, LFOs, physics based modulation and interactive expression controls to create a sound that is uniquely yours.

SPATIAL
Redesign the formation of a sound environment with the spatial mixer. It takes an intuitive and creative approach to the mixing of microphone positions, unlocking new artistic possibilities. Place sound sources within a virtual two dimensional soundstage, immerse them in reverberant space, manipulate them with parameter adjustments, hone in on them to isolate individual players, drift back into the resonances of the recording space, or even send them physically sweeping throughout the space with LFOs or user-defined gestures.

MODULES
Auto-generate complex, scale quantised harmonies to add a new melodic dimension to a performance. Pitch-shift and time-stretch as if a sound is running through a tape machine; carve out intricate step patterns with the arpeggiator; or add complex variation with parameter randomisation. The four flexible input modules create limitless possibilities to transform the interactivity of patches.

EFFECTS
Pick from fifteen uniquely programmed macro effects to push your sound into new sonic territories. Grab an XY pad to quickly refine a sound, or go deeper to fine-tune effects and introduce modulation. Effect randomisation rejigs the entire setup and uncovers happy accidents.

LAYERS
Fuse two uniquely programmable layers into one performable soundscape. Each layer can have its own sound source, its own tuning, its own envelope settings, and its own spatial perspective. Expression controls can be used to interactively modulate between layers.

EXPRESSION
Assignable expression controls open up new ways to design and perform patches. Create controllable dynamic swells that ebb and flow at your fingertips, natural-sounding crossfades between layers, gently evolving filter sweeps, or LFO modulated rhythmic patterns.

OUTPUT
The output effects are the final stage in the signal chain. They include a four band EQ, a characterful tube compressor, an adjustable delay, a reverb switchable between algorithmic and convolution modes, as well as a low fidelity tape warbler.

IMPORT YOUR OWN SAMPLES
Simply drop a sample onto the interface to load it into the Landforms engine. You can load in up to twelve separate samples simultaneously — six for each layer — or you can swap out single elements of the native orchestral patches with your own samples. Then pitch-shift them, mix them, douse them in effects, and transform them using the sound design engine into something totally new.

TECHNICAL DETAILS
+ Kontakt or Kontakt Player 6.5.3 or higher
+ 68GB samples (104GB uncompressed)
+ 12,898 samples
+ 222 core multisampled articulations
+ 177 curated articulation combos
+ 421 engine preset patches

Team DECiBEL | 19 July 2021 | 2.64 GB

ENDLESS ABSTRACT LOOPS CYCLES 是一种创新且强大的循环操作和粒度合成环境。通过各种独特的交互过程，将音频立即分离并重建为无数的拼贴循环、可执行的纹理、调制节奏、生成序列和可播放的打击垫。
用 LOOPS + GRAINS 重新想象声音
LOOPS 引擎是一个音频循环器、拼接器和合成器。音频使用交互式视觉时间线进行处理，该时间线将循环切成有节奏的片段并重新拼贴以创建新的不规则结构。播放参数有助于详细的循环操作，而参数调制和切片随机化可以创建进一步的节奏演变。

GRAINS 引擎在微观层面运行，将循环解构为微小的碎片，然后将它们重建为漫反射和无定形的纹理云。可变大小、形状、音高、音量、声像和方向的颗粒相互作用以创建大量生成音景和手势运动，物理模拟调制通过以循环模式设置参数动画来引入自然重复。

探索新的 SONIC WORLDS
CYCLES 包括超过 450 个循环源，分为六个不同的包，每个包都旨在激发音乐创作的新奇方向。Loops 可以直接使用，以产生和发展现有的想法，或者纯粹作为源材料在引擎内操纵进入全新的声音世界。

TRANSFORM LOOPS INSTANTLY
CYCLES 包括 100 个预设引擎状态，以帮助寻找灵感和帮助探索。每一个都将引擎转换为一组不同的参数、设置和调制，创建一个全新的声音世界，然后可以在其中执行循环或样本。这产生了一个巨大的调色板，包含数万个独特的处理循环和纹理，存在于从充满活力的脉冲和弹拨到丰富的电影氛围的任何地方。

庞大的独特声音库
除了源循环之外，还包括超过 150 个定制的打击垫、纹理和序列，每个都是通过采用单个源循环并在 CYCLES 引擎中对其进行变形来创建的。结果是一个巨大的独特音色和节奏库，充满了颗粒状的群、茂密的有机纹理和精确的周期性脉冲。Patch 可以交互式执行，调制轮移动可创建动态上升和不断发展的电影过渡。
技术细节
+ 189 个预设补丁
+ 100 个预设引擎状态
+ 494 个声音设计循环源
+ 压缩约 2.8GB 样本
+ 推荐使用最新且功能强大的 CPU
+ 在免费的 Kontakt 6.3.2 Player 或完整的 Kontakt 6.3.2 或更高版本中运行

Changelog v1.3.0 – 修复问题：
– 修复了循环阵列模式下的放大器包络攻击
– 修复了退出侧边栏时定序器冻结的问题

ENDLESS ABSTRACT LOOPS
CYCLES is an innovative and powerful loop manipulation and granular synthesis environment. Through a variety of idiosyncratic and interactive processes pull apart and reconstruct audio instantly into an endless myriad of collaged loops, performable textures, modulating rhythms, generative sequences and playable pads.
REIMAGINE SOUND WITH LOOPS + GRAINS
The LOOPS engine is an audio looper, splicer and synthesiser. Audio is manipulated using an interactive visual timeline that slices the loops into rhythmic segments and re-collages them to create new and irregular formations. Playback parameters facilitate detailed loop manipulation whilst parameter modulation and slice randomisation can create further rhythmic evolution.

The GRAINS engine operates at the micro level, deconstructing the loops into tiny fragments and then rebuilding them into diffuse and amorphous clouds of texture. Grains of variable size, shape, pitch, volume, pan and direction interact to create a multitude of generative soundscapes and gestural movements, with physically simulated modulation introducing natural repetition by animating parameters in cyclical patterns.

EXPLORE NEW SONIC WORLDS
CYCLES includes over 450 loop sources divided into six distinct packs, each designed to inspire new and idiosyncratic directions in music creation. Loops can be used straight out of the box in order to generate and develop existing ideas, or alternatively taken purely as source material to be manipulated within the engine into entirely new worlds of sound.

TRANSFORM LOOPS INSTANTLY
CYCLES includes 100 preset engine states to help find inspiration and aid exploration. Each of these transforms the engine into a different set of parameters, settings, and modulation, creating an entirely new world of sound in which a loop or sample is then performable. This produces a huge palette of tens of thousands of unique processed loops and textures, existing anywhere from energetic pulses and plucks to rich cinematic ambiences.

A VAST LIBRARY OF UNIQUE SOUNDS
As well as the source loops, over 150 bespoke pads, textures and sequences are included, each created by taking a single source loop and transfiguring it within the CYCLES engine. The result is a vast library of unique timbres and rhythms full of granularised swarms, lush organic textures and precise cyclical pulses. Patches can be performed interactively, with mod wheel movement creating dynamic rises and evolving cinematic transitions.
TECHNICAL DETAILS
+ 189 presets patches
+ 100 preset engine states
+ 494 sound designed loop sources
+ Approx 2.8GB samples compressed
+ Up to date and powerful CPU recommended
+ Runs in the free Kontakt 6.3.2 Player or full Kontakt 6.3.2 or higher

Changelog v1.3.0 – FIXED Issues:
– Fixed amp envelope attack on loop array mode
– Fixed sequencer freezing when exiting sidebar

P2P | 20 November 2024 | 59.15 GB

《原音/弦乐》探索了独奏弦乐作为管弦乐光谱中的基本色彩。音符如同充满活力的光线，融合在一起，形成抽象的色彩和质感表达。

需要免费的 NI Kontakt Player 或 NI Kontakt FULL v6.7.0 或更高版本！

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P2P | 26 August 2025 | 20.34 GB

《废墟》（RUINS）是一场声音的挖掘，它将电吉他转化为对崩塌、质感和空间记忆的研究。这张专辑汇集了六位实验吉他界杰出人物的独家演奏，将吉他消融于原始信号和闪烁和声交织的不稳定流淌之中。

吉他作为原始素材
为了方便您即刻探索，RUINS 内置了超过 250 个精心设计的预设，涵盖了从地下音场和数字模糊音效，到拼贴的沙沙声和交织的泛音等各种风格。
每个预设都可作为创意基础，充分展现吉他音色设计的潜力。多重采样引擎将吉他乐句层层叠加，构成丰富多变的和声，而异步循环则增添了不稳定性与活力。单采样引擎则将诸如琴弦刮擦声或放大器嗡嗡声等细节重新构想为全新的节奏或音调元素。所有原始素材均以高品质 WAV 格式提供，可用于任何采样器或 DAW。

需要免费的 NI Kontakt Player 或 NI Kontakt FULL v7.10.7 或更高版本！

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P2P | 10 July 2025 | 20.45 GB

MIRRORS 由 SLATE + ASH 与 Orchestral Tools 合作开发，是一款模糊了实验合成与宏大管弦乐编曲之间界限的乐器。它以合成音源为基础，并通过管弦乐演奏的视角进行折射，挖掘出电子声学表达的对称性。

MIRRORS 的诞生源于两家工作室的合作理念：SLATE + ASH 对实验性方法的执着追求，以及 Orchestral Tools 在交响乐采样方面的专业知识。
在布里斯托尔，SLATE + ASH 构建了合成基础：模拟和数字纹理被设计成管弦乐演奏的催化剂。这些纹理由编曲家 Hugh Brunt（曾与 Thom Yorke、Actress 和 Mica Levi 合作）重新诠释，他一丝不苟地将这些素材转化为适合古典乐团演奏的乐谱。在柏林，Orchestral Tools 在 Teldex 录音棚将重新构思的乐谱赋予生命，并以完整的维度进行录制——在那里，空间本身也成为了乐器的一部分。

MIRRORS界面就像一个镜头，将合成音色与管弦乐的回响融合在一起。
一侧是原始合成音色，另一侧是管弦乐的声学响应。中心的混合节点在两者之间切换焦点，塑造出新的音色形态，从弓弦乐器回荡的FM不协和音，到铜管乐器在模块嘶嘶声中呼吸般的渐强。

在制作人兼作曲家亚伊尔·埃拉扎尔·格洛特曼（代表作：《曼迪》、《最后与第一个人》）的指导下，录音过程将管弦乐队视为合成器，将每位乐手的声音塑造成一个振荡的合奏。
合成音色在同一空间内重新放大，并通过Teldex历史悠久的纽曼老式麦克风阵列进行录制，与管弦乐队无缝融合，模糊了声学边界，形成一个统一的声音环境。这些录音被反馈到MIRRORS引擎，成为可供塑造、折射和重新构想的原始素材。

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