P2P | 11 September 2023 | 3.5 GB
1968 年录音室贝斯手的声音。
Retrograde Bass 重现了 60 年代后期录音室贝斯手的声音。温暖、模拟和复古是 Retrograde Bass 的出发点,但一系列工具可以将声音带入未来。从 1968 年到 2068 年,Retrograde Bass 是真正的贝斯奥德赛。
RETROGRADE BASS 是 NATIVE INSTRUMENTS 免费 KONTAKT 播放器的虚拟乐器插件,兼容所有主流 DAWS(LOGIC、PROTOOLS、CUBASE、FL STUDIO 等)。
复古 Fender P-Bass 的 3 种方式……
棕榈静音
我们用一块毡布粘在琴弦顶部对整个贝斯进行了采样,此外还用手掌使琴弦静音。
轻度棕榈静音
您可以使用 Mod Wheel 在 Palm Muted 和 Light Palm Muted 之间来回切换。我们第二次采样了整把贝斯,但手掌略微抬起,以便琴弦能够更长时间地共振。
开放延音
第三轮采样没有使用毡或手掌闷音,使琴弦能够不受抑制地共振。
观看演练
深入了解 Retrograde Bass 的界面。Jeremy 深入探讨了它独特的信号路径、界面控制以及乐器的创意设计补丁。
1968 Fender Super Reverb
我们找到了一款用于 Retrograde Bass 的 1968 原装 Super Reverb。虽然它通常是一个吉他音箱,但在 60 年代和 70 年代,这款音箱是伴奏乐手的首选乐器,收录了许多你最喜欢的唱片。
4种复古麦克风信号:
DIRECT、RIBBON、DYNAMIC、TUBE
直通信号音色干净、均匀,我们在乐器的默认设置中使用此信号。
复古 Ribbon 麦克风信号音色饱满温暖,包含丰富的中低音信息。
Dynamic 麦克风位置比之前的麦克风位置包含更多的低音信息,并增加了悦耳的音质。
Tube 麦克风信号攻击性更强,声音更具侵略性、更前卫。
Warped 信号
1968 -> 2068
“Warped”信号路径提取原始低音样本的精髓,并对其进行处理,从而产生低保真且富有个性的声音。通过处理、扭曲、弯曲和移动,这种独特的路径可以脱颖而出,或为任何麦克风位置添加纹理。
合成器信号
RETROGRADE / FUTUREGRADE
除了提供广泛的麦克风位置外,您还可以灵活地混合合成信号。我们提供了 3 种合成波形:方波、锯齿波和正弦波。
这可让您为麦克风添加一些低音(使用 LP 滤波器),或以全保真度将其加倍以创建声学/合成混合声音。
效果器架
改变声音
我们精心制作了多种效果,让您可以更富有创意地演绎声音。通过饱和度、混响、调制效果、压缩和低保真颤音,您可以将声音转变为独特而有个性的声音。
The sound of a 1968 session player.
Retrograde Bass recreates the sound of session bass players from the late 60’s. Warm, analog, and vintage is where Retrograde Bass starts, but a whole host of tools can take the sound well into the future. From 1968 to 2068, Retrograde Bass is truly A Bass Odyssey.
RETROGRADE BASS IS A VIRTUAL INSTRUMENT PLUG-IN FOR NATIVE INSTRUMENTS’ FREE KONTAKT PLAYER, COMPATIBLE WITH ALL MAJOR DAWS (LOGIC, PROTOOLS, CUBASE, FL STUDIO AND MORE).
A vintage fender P-Bass 3 ways…
Palm Muted
We sampled the entire bass with a piece of felt taped to the top of the strings, in addition to muting the strings with the palm of the hand.
Light Palm Muted
You can switch back and forth between Palm Muted and Light Palm Muted using the Mod Wheel. We sampled the entire bass a second time, but with the palm slightly lifted to allow the strings to resonate longer.
Open Sustains
A third round of sampling was done with no felt or palm muting, allowing the string to resonate uninhibited.
Get an in-depth look at the interface of Retrograde Bass. Jeremy dives into the unique signal paths, controls of the interface, and the creative Design Patches of the instrument.
1968 Fender Super Reverb
We were able to track down an all-original 1968 Super Reverb for Retrograde Bass. Though it is normally a guitar amp, this amp was the weapon of choice for the session players on many your favorite records from the 60’s and 70’s.
4 Vintage Mic Signals
DIRECT, RIBBON, DYNAMIC, TUBE
The Direct signal gives you a clean, even sounding tone which we use in the default settings for the instrument.
The vintage Ribbon mic signal gives you a rich, warm tone with a lot of low-mid information.
The Dynamic mic position has more low end information that the ones before it, and adds a nice bite.
The Tube mic signal has a lot of attack and a more aggressive, forward sound.
Warped Signal
1968 -> 2068
The “Warped” signal path takes the essence of the original bass samples and processes them resulting in a lo-fi and characterful sound. Through manipulation, warping, bending, and shifting, this unique path stands out on its own or adds texture to any of the microphone positions.
Synth Signal
RETROGRADE / FUTUREGRADE
In addition to offering a wide range of microphone positions, you have the flexibility to blend in a synth signal. We’ve provided 3 synth wave forms: Square, Sawtooth and Sine wave.
This allows you to either add some low end sub to your mics (using the LP filter), or double it up at full fidelity to create an acoustic/synth hybrid sound.
Effects Rack
TRANSFORM THE SOUND
We made a selection of carefully crafted effects available to allow you take the sound further creatively. From saturation, reverbs, modulation effects, compression and a lo-fi warble you can transform the sound to something unique and characterful.
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