[东京弦乐2完整独立库：日本动漫游戏弦乐音源] Impact Soundworks Tokyo Scoring Strings v2.0.1 [KONTAKT]（199GB+）

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[更新：康泰克采样器] Native Instruments Kontakt 8 v8.11.0 [WiN, MacOSX]

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 P2P | 15 November 2024 | 199 GB 

Tokyo Scoring Strings 融合了突破性的连奏技术和卓越的工作流程，并拥有日本享誉世界的室屋浩一郎弦乐的完美音色和灵活操控性。这是一款功能全面的录音室弦乐音源库，适用于各种音乐风格，尤其适合（但不限于）日式音乐。Tokyo Scoring Strings 功能强大且易于使用，让您轻松实现几乎任何乐谱。

TSS 2.0 版本经过彻底重建，具有更加多样化和自然流畅的连奏、新的演奏技巧、增强的 Lookahead、合奏音色等等。

关于音色库：
在众多弦乐音色库中，Tokyo Scoring Strings 以其独特的声音、非凡的前瞻技术和极其简便的工作流程脱颖而出。

在开发 Tokyo Scoring Strings 时，我们希望它既有趣、富有启发性又易于使用，同时还要足够强大，能够创作出真正逼真、栩栩如生的演奏。我们花费了大量精力来打磨和完善连奏功能，使其听起来完全自然真实，无论您创作的是富有表现力的乐段还是快速的乐段。

东京配乐弦乐完整版为您提供了令人难以置信的精细控制，以及非凡的细节水平，并且由于扩展的演奏技巧，能够模拟更广泛的演奏。

世界级录音棚音质，无限混音可能。
您可以从以下三种麦克风混音中选择，或从四个独立的麦克风位置中设计您自己的混音。
– 调音台混音：由相泽光典使用其在 Sound City 的硬件设备制作的前置混音。
–动画混音：轻盈通透的混音，最适合灵动细腻的乐曲创作。
–电影混音：深沉柔和的混音，适合电影配乐和低音弦乐合唱。

麦克风混音器中的各个麦克风信号：
– 近场：非常干涩的单声道信号，可用于增强清晰的细节。
– Decca：使用心形指向麦克风的“Decca 树”麦克风布置。
– 侧场：一种“外置”信号，提供比 Decca 树更宽广的立体声像。
– 后场：指向墙壁的铝带麦克风，音色较暗，可用于增强温暖感。

TSS1.0 用户请注意：在 Tokyo Scoring Strings 2.0 中，近距离麦克风位置经过重新调整，消除了串音，使其声​​音更加近距离、更加集中。“环绕”和“房间”位置已被移除，取而代之的是“侧”和“后”位置，从而提供更强的对比度。

Lookahead：革新您的工作流程
Lookahead 是让 MIDI 编程尽可能逼真便捷的理想解决方案。只需单击一下即可启用此引擎模式，让您直接在网格上工作，所有演奏技巧和连奏速度均保持一致的延迟，并且无需您额外操作即可完美实现复音连奏。

为了获得极致的真实感并节省时间，您甚至可以选择可选的简易发音模式，该模式可以复音选择发音，而无需使用键切换。

光谱融合驱动的连奏
更新改进后的东京弦乐2.0采用我们自主研发的光谱融合系统，打造出惊艳逼真、流畅一致的连奏效果。运用专有的DSP软件、编辑和编程技术，我们对超过60,000个连奏采样进行了精心平衡和匹配，使其与所有源音符和目标音符的组合完美契合，包括相关的录制力度。

通常情况下，由于涉及的采样数量庞大，这种处理方式是无法通过任何手动操作实现的。因此，连奏的录制、编辑和编程是创建逼真采样库中最耗时的部分，也是为什么最终效果往往不尽如人意的原因——例如过渡生硬、音色从源到目标变化过快、录音空间突然出现“吸音”效应，导致声音听起来毫无生气等等。

Spectral Fusion System 前所未有的全库平衡性并没有影响连奏的多功能性或范围；Tokyo Scoring Strings 包含总共七种不同的连奏和滑音类型，以及四种独立的速度曲线，可以在所有力度和速度下实现惊艳而一致的演奏。

全方位音色控制技术 (TACT)
音乐创作是一项极其个人化的创作行为，而您的工作流程偏好也同样独一无二。我们的 TACT 系统让您可以个性化定制 Tokyo Scoring Strings 的使用方式，以适应您最佳的工作方式，无论您偏好哪款 DAW，也无论您是否使用 MIDI 控制器。您是依赖键位开关、坚持使用 MIDI CC、完全通过力度设置，还是三者结合使用？

如果你能构想出完美的音色映射，你就可以在 Tokyo Scoring Strings 中将其变为现实。

Articulations & Content
Tokyo Scoring Strings 包含五个独立录制的声部（小提琴 1、小提琴 2、中提琴、大提琴、低音提琴），以及一个合奏音色库，采用典型的日本合奏规模（8/6/4/4/3），适合小型和大型制作。

东京录音室弦乐音色库包含一套音色饱满、细节丰富的演奏技巧。我们尤其注重呈现出色的连奏，以及日本小型弦乐团特有的灵动和清脆的短音。您将能够轻松创作和模拟恢弘的旋律、细腻的连奏以及充满活力的灵动乐段。

关节

Console模块化效果器机架和混音器：
全新升级的Tokyo Scoring Strings 2.0包含我们精美的全新Console模块化效果器机架和混音器。在这里，您可以访问超过40种不同的模拟和数字建模效果，涵盖均衡器、压缩器、限制器，以及多种混响和延迟效果。您无需使用任何外部插件，即可在Console中完全塑造和调整Tokyo Scoring Strings的音色！

五个管弦乐弦乐组和合奏音色，包括
8 把第一小提琴、6 把第二小提琴、4 把中提琴、3 把大提琴、3 把低音提琴，以及一个方便高效的新合奏音色。

在传奇空间中录制的四个麦克风位置，
原始的 24 位、48kHz 采样（由 96kHz 降混而来），录制于 Sound City：近距离、Decca、侧面和背面。

您可以从 3 种手工打造的麦克风混音中选择，或者创建您自己的混音。
您可以选择 Mitsunori Aizawa 的前置调音台混音（使用他在 Sound City 的硬件设置）、我们手工打造的 Anima 混音（一种轻盈空灵的混音，最适合灵活而复杂的创作）或 Cinema 混音（一种黑暗、流畅的混音，适合电影配乐和低音弦乐合唱），或者使用提供的麦克风信号创建您自己的混音。

所有重要的演奏技巧：
延音、拨奏、断奏、断奏、连奏、连续连奏、颤音、和声、颤音（全音、半音）、长短渐强和强强

表现力强弱及颤音：
每个发音最多可有五种强弱（pp、mp、mf、f、ff），颤音有三种等级（senza、con、molto）。

业界领先的连奏技术，
五种独特的连奏类型：弓奏连奏、滑音连奏、抒情连奏、超灵动的快速连奏以及强劲有力的重音连奏（包含可调节的弓噪）。两种滑音类型：弓奏和滑音。所有类型均提供两次循环练习。

CHANGELOG

Version 2.0.1
- Cellos NKIs now load properly in Kontakt Player (no DEMO mode)
- Violins II NKIs now have correct articulation settings and name in top left corner of the interface
- MIDI CC condition in TACT now works properly

Version 2.0.0
- Full sample set reprocessed for consistency
- Engine completely rebuilt from the ground up
- Added two new mixes: Anima and Cinema
- Added three new legato types: Lyrical, Runs, and Marcato, and overhauled all legato playback
- Mic Mixer now has Close (Mono), Decca, Side, and Back signals
- Added optional purging for dynamic and vibrato layers
- Added optional 300 ms “short” Lookahead mode

NOTE: Please make sure there is 400 GB available free space for the installation of this update!

需要 Native Instruments Kontakt Player 或 Kontakt FULL v7.8.1 及更高版本！

Tokyo Scoring Strings combines groundbreaking legato and a brilliant workflow with the perfection and agility of Japan’s world-renowned Koichiro Muroya Strings. A well-rounded studio string library that holds its own across all genres, especially — but not limited to — Japanese-inspired music. Tokyo Scoring Strings is powerful yet user-friendly, allowing you to easily realize virtually any score.

Recently rebuilt from the ground up for v2.0, TSS features even more versatile and natural-sounding legato, new articulations, enhanced Lookahead, an ensemble patch, and more.

About the Library
In a crowded field of string libraries, Tokyo Scoring Strings stands out for its unique sound, extraordinary lookahead technology, and remarkably easy-to-use workflow.

In creating Tokyo Scoring Strings, we wanted it to be fun, inspiring, and easy to use, while still powerful enough to create truly realistic, lifelike performances. We’ve gone to great lengths to polish and perfect our legato so that it sounds perfectly natural and real, whether you’re writing expressive or rapid passages.

The Complete version of Tokyo Scoring Strings gives you incredible fine-grained control, as well as extraordinary levels of detail and the ability to mock up an even wider range of performances due to expanded articulations.

World-Class Studio Sound, Endless Mix Possibilities
Choose from the following three mic mixes, or design your own from four individual mic positions.
– Board Mix: An upfront mix by Mitsunori Aizawa, using his hardware setup at Sound City.
– Anima Mix: A light and airy mix most suited to agile and intricate writing.
– Cinema Mix: A dark, smooth mix suitable for cinematic scoring and low string chorales.

Individual mic signals in the Mic Mixer patch:
– Close: A very dry mono signal that can be used for adding more crisp detail.
– Decca: A “Decca tree” mic arrangement using cardioid mic.
– Side: An “outriggers” signal, providing a wider stereo image than the Decca.
– Back: Ribbon mics pointed at the wall, with a darker tone that can be used to bring out warmth.

Note for TSS1.0 users: In Tokyo Scoring Strings 2.0, the Close mic position has been reworked to remove bleed mics, giving it a more close and focused sound. The ‘Surround’ and ‘Room’ positions have been removed in favor of the ‘Side’ and ‘Back’ positions, which provide more contrast.

Lookahead: Revolutionize Your Workflow
Looahead the ideal solution to make programming parts in MIDI as realistic and easy as possible. This engine mode, available with a single click, allows you to work directly on the grid with consistent delay for all articulations and legato speeds, and polyphonic legato that works perfectly with no additional effort on your part.

For the ultimate in realism and saving time, you can even choose the optional Easy Artic mode, which selects articulations polyphonically without needing to use keyswitches.

Spectral Fusion-Powered Legato
The updated and improved Tokyo Scoring Strings 2.0 features stunningly realistic, consistent, and smooth legato created using our in-house developed Spectral Fusion System. Using proprietary DSP software, editing, and programming techniques, all 60,000+ legato samples have been carefully balanced and matched to all combinations of source and destination notes, including the associated recorded dynamics.

Normally, this processing would be impossible to achieve through any manual process due to the sheer number of samples involved. That’s why legato recording, editing, and programming is by far the most time-consuming part of creating realistic sample libraries, and why results often come up short — lumpy transitions, rapidly-changing timbre from source to destination, a “sucking” effect that makes the recording space sound suddenly lifeless, and more.

The unprecedented, library-wide balance from the Spectral Fusion System does not compromise the versatility or range of legato either; Tokyo Scoring Strings includes a total of seven distinct legato and portamento types along with four independent speed profiles which allow stunning and consistent performances at all dynamics and tempos.

Total Articulation Control Technology (TACT)
Writing music is a deeply personal act of creation, and your workflow preferences are just as unique. Our TACT system allows you to personalize how you use Tokyo Scoring Strings to suit how you work best, regardless of which DAW you prefer or whether you use a MIDI controller or not. Do you rely on keyswitches, stick to MIDI CCs, set everything by velocity, or use a combination of all three?

If you can dream up the perfect articulation mapping, you can make it real in Tokyo Scoring Strings.

Articulations & Content
Tokyo Scoring Strings features five independently recorded sections (Violins 1, Violins 2, Viola, Cello, Bass), as well as an Ensemble Patch, in a typical Japanese ensemble size (8/6/4/4/3) suitable for small and large productions alike.

Tokyo Studio Strings includes a well-rounded set of articulations recorded in superb detail. We have paid particular attention to delivering outstanding legato as well as the agility and crisp short notes that are such a strength of smaller Japanese string sections. You’ll be able to easily write and mock-up sweeping melodies, intimate legato, and aggressive agile passages.

Articulations

Console Modular FX Rack & Mixer
A beautiful new version of our Console modular FX rack and mixer is included with the updated Tokyo Scoring Strings 2.0. Here, you can access over 40 different analog and digitally-modeled effects ranging from EQs, compressors, and limiters, to multiple flavors of reverbs and delays. You can sculpt and shape Tokyo Scoring Strings entirely in Console without using a single external plugin!

Five orchestral string sections & Ensemble patch
8 violins 1, 6 violins 2, 4 violas, 3 cellos, 3 basses, plus a convenient, efficient new Ensemble patch.

Four mic positions in a legendary space
Pristine 24-bit, 48kHz samples (downmixed from 96kHz) captured at Sound City: Close, Decca, Side, and Back.

Choose from 3 hand-sculpted mic mixes or make your own
Choose from Mitsunori Aizawa’s own upfront Board Mix (using his hardware setup at Sound City), our hand-sculpted Anima Mix (a light and airy mix most suited to agile and intricate writing) or Cinema Mix (a dark, smooth mix suitable for cinematic scoring and low string chorales), or build your own with the provided mic signals.

All crucial playing techniques
Sustains, pizzicato, staccato, staccatissimo, spiccato, spiccato secco, tremolo, harmonics, trills (whole-tone, half-tone), long & short decrescendo and sforzando

Expressive dynamics and vibrato
Up to five dynamics per articulation (pp, mp, mf, f, ff) and three vibrato levels (senza, con, molto).

Industry-leading legato
Five distinctive legato types: Legato Bow, Legato Slur, emotional Lyrical Legato, super-agile Runs Legato, and powerful Marcato Legato incorporating adjustable bow noise. Two portamento types: bowed and slurred. 2x round robins for all.

CHANGELOG

Version 2.0.1
- Cellos NKIs now load properly in Kontakt Player (no DEMO mode)
- Violins II NKIs now have correct articulation settings and name in top left corner of the interface
- MIDI CC condition in TACT now works properly

Version 2.0.0
- Full sample set reprocessed for consistency
- Engine completely rebuilt from the ground up
- Added two new mixes: Anima and Cinema
- Added three new legato types: Lyrical, Runs, and Marcato, and overhauled all legato playback
- Mic Mixer now has Close (Mono), Decca, Side, and Back signals
- Added optional purging for dynamic and vibrato layers
- Added optional 300 ms “short” Lookahead mode

NOTE: Please make sure there is 400 GB available free space for the installation of this update!

Requires Native Instruments Kontakt Player or Kontakt FULL v7.8.1 and higher!

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