[电子乐合成器插件] AIR Music Technology Hybrid v3.2.0 [WiN, MacOSX]（18.2MB+17MB+53.29MB）

Win：Team R2R | 19 July 2025 | 18.2 MB
Win：TCD | 25 October 2025 | 17 MB
Mac：Team Xdb | 04 February 2026 | 53.29 MB

安装方法：只需安装，尽情享受！

Hybrid 3.0 是新一代合成器。这款高清虚拟合成器融合了模拟合成器令人梦寐以求的温暖音色和一系列未来感十足的数字操控功能。最终呈现出两全其美的效果——这款虚拟乐器拥有全面且可精确调节的参数，既能发出你记忆中的经典合成器音色，也能创造出前所未闻的全新音色。

内置 1200 多种音色
Hybrid 3.0 配备了超过 1200 个激发灵感的预设，旨在快速开启你的创作之旅。由备受赞誉的 AIR 音色设计师打造的 200 多个全新音色，涵盖了从颤音、合成器音垫、琶音、复音合成器、贝斯、主音、音序器等等各种音色。Hybrid 的老用户会惊喜地发现，熟悉的 Hybrid 2.0 预设音色已经过全面重制，让用户能够体验到他们喜爱的音色，同时享受 Hybrid 3.0 的所有音质提升。如果您喜欢微调，Hybrid 3.0 配备了一套全面的用户可调参数，让您能够创造独特的音色并根据个人喜好进行微调。它支持两个同时运行的音色部分（即两个独立的三振荡器合成器的强大组合），您可以叠加、分割或扩展声音，从而生成深沉、复杂且宽广的音色。此外，简洁的音色浏览器让您可以轻松找到所需的预设，并允许您同时加载两个预设，每个音色部分各一个，以便尝试丰富的音色并演奏多音色组合的声音。

高清晰度振荡器
Hybrid 3.0 拥有三个功能强大的振荡器和一个子振荡器（每个音色部分），能够将多个振荡器叠加在一起，从而产生饱满的 Pad、Lead、Bass 等音色。两个多功能振荡器可以重现经典的减法合成波形，带给您一丝模拟合成的怀旧感。此外，这些振荡器还配备了数字波表算法。因此，用户可以从九种不同的模式中进行选择，包括多方波波形、锯齿波同步、锯齿波交叉调制（使用三角波的输出调制锯齿波的音高，从而产生复杂的音调）、锯齿波多重模式（七个锯齿波同时叠加）、方波同步、方波交叉调制、方波脉冲宽度调制 (PWM) 和波表模式。Hybrid 3.0 提供 100 个波表，每个波表最多可包含 64 个单周期波形。第三个振荡器包含锯齿波、方波或三角波，以及噪声发生器和用于产生深沉低音效果的次振荡器。

双滤波和饱和模式
Hybrid 3.0 配备两个多模式滤波器，可串联或并联运行。此外，每个通道的立体声输出可以分配一个滤波器，或者设置为振荡器 1 连接到滤波器 1，其余振荡器连接到滤波器 2。两个滤波器均提供 DCF（数字控制滤波器）或 VCF（压控滤波器）两种模式供您选择。复古的压控滤波器 (VCF) 让您比以往任何时候都更容易获得 70 年代和 80 年代那种浑厚复古的合成器音色。这款滤波器将经典模拟合成器硬件滤波器的标志性柔和温暖音色带到了 Hybrid 3.0 中。

使用革命性的多模式滤波器，通过消除或增强特定频率来控制音色。您可以从 23 种模式中进行选择。然后，您可以调节滤波器的截止频率、力度和音符跟踪。使用共振旋钮，通过增强截止频率附近的频率并产生自激振荡，可以将音色从鼻音变为清脆的铃声。第三个振荡器和噪声发生器的混合信号可以作为滤波器截止频率的音频调制源，产生独特的电子音频效果。

要增强效果，可以调整滤波器饱和度。Hybrid 3.0 提供原有的过载滤波器，可产生柔和的电子管式削波，并包含五种额外的滤波器饱和模式：失真（Distort），产生更硬、更明亮的削波；硬削波（Hard Clip），产生非常硬、明亮的晶体管式削波；整流（Rectify），产生柔和的失真，保留输入信号的特性；比特粉碎（Bit Crush），通过降低位深度产生故意的混叠；以及重采样（Resample），通过降低采样率产生故意的混叠。

低频振荡器 (LFO)
Hybrid 3.0 每个声部包含四个 LFO：两个单音 LFO、一个复音 LFO 和一个特殊的 Pump LFO。使用 LFO 调制音高、响度或截止频率，即可产生颤音、震音或电子扫频效果。您可以从八种调制类型中进行选择，包括正弦波、三角波、随机调制、“漂移”调制和采样保持调制。您可以更改深度、速率、相位和同步模式，快速而显著地改变声音。

Pump 是一种特殊的包络类型，它模拟录音室侧链，从而产生类似抽吸和呼吸的效果。在 Hybrid 3.0 中，这种节奏效果可以应用于更多方面，而不仅仅是整体混音。Pump LFO 可以路由到各种特定参数，例如音高或滤波器设置，从而产生节奏效果。

包络编辑器
使用四个包络编辑器可以轻松塑造滤波器、振幅以及任意两个其他调制包络。调整力度、起音、衰减和键位跟踪，然后输入包络速率。

Hype 算法
Hybrid 3.0 新增的 Hype 功能，可快速增强任何音色的低频或高频。通过调节 Hype Low 参数，可以为颤音、贝斯和底鼓音色增添深沉的低音，或者调高 Hype High 参数，为高频增添闪亮光泽；后者在合成器音垫、弦乐、铜管乐器和打击乐器上效果尤佳。Hybrid 3.0 的

Doubling 功能
提供了一种全新的方式，让您的音色听起来更加饱满。在“通用”选项卡中，内置了两个 Doubling 旋钮，分别对应两个声部，用于进一步拓宽和增强音色。将 Doubling 旋钮调至最大，即可获得显著的响应，或将其调至较小的程度，即可获得轻微的增厚效果。

面向演奏的功能
无论是在录音室还是现场演出中，Hybrid 3.0 都旨在满足您的演奏需求。使用步进音序器进行琶音或乐句生成。设置调制矩阵，即可轻松地将调制源映射到目标。您可以设置“变形”组，通过界面或 MIDI 控制器即时修改声音。

步进音序器
Hybrid 3.0 内置的 16 步进音序器经过重新设计，拥有更强大的编程和音序灵活性。现在，您可以将步进链接在一起，改变音序器的节奏、操控音符的力度，并创建高级调制模式。与之前一样，两个步进音序器都可以用作作曲工具或额外的调制源，轻松创建动态变化的音色。您可以设置音符值、力度和调制，然后从九种播放选项中进行选择，将音序器用作步进音序器、琶音器或 MIDI 乐句生成器。此外，您甚至可以导入自己的 MIDI 乐句，进行完全自定义。

调制矩阵
Hybrid 3.0 还提供灵活易用的调制矩阵，每个矩阵包含 16 个可分配的调制源和超过 20 个调制目标。您可以将调制分配给振荡器或滤波器。Hybrid 3.0 支持对多个调制源和目标进行分配，所有分配的强度均可调节。

变形组功能
允许您将插件界面上的任何旋钮或推子分配给四个“变形”组之一。您可以将声像、滤波器或放大器包络分配给变形组，以便在录音或现场演奏时通过控制器改变声音。每个变形组可以同时控制多个参数。反过来，您可以通过界面上的旋钮或 MIDI 控制器来控制变形组。

效果器
Hybrid 3.0 为每个声部提供两个插入效果发送，每个发送包含超过 40 种效果类型，因此您可以快速改变声部的声音。独立的主效果器部分允许您选择混响、延迟和合唱效果，从而在音色级别增强或改变任何声音。轻松调整效果参数，并将效果与选定的速度同步。

功能特性
六振荡器减法和波表虚拟合成器，内置 1200 多个鼓舞人心的预设，
包含 200 多个全新音色和 1000 多个来自 Hybrid 2.0 的全新音色。
它由两个同步运行的部分组成，每个部分都加载了 3 个振荡器和一个子振荡器、滤波器、LFO、包络和效果器，可用于创建复杂的音色。
全新的倍增控制功能可快速增强和拓宽音色。
改进的步进音序器允许您将步进连接起来，实现节奏变化、切分音和高级调制模式。
全新的振荡器重启功能可带来强劲的低音、音序和音符序列。
双串联或并联滤波器，带有复古的压控滤波器模式，可实现复古合成器音色。
灵活的调制选项，包含 8 个 LFO，其中包括用于产生泵感和呼吸感的 Pump 功能。
全面的编辑参数，可实现极致的声音微调。
采样精度合成，可实现超快的包络和高清晰度的声音。
以演奏为导向的功能，包括调制矩阵和多个步进音序器，可实现最大的演奏性。

Hybrid 3.0 is the next generation in synthesis. This high-definition virtual synthesizer combines the coveted warmth of analog synths with a full range of futuristic digital manipulation capabilities. The result is the best of both worlds — a virtual instrument with a comprehensive set of precisely adjustable parameters that can sound like a synth you remember or something no one has ever heard before.

1200+ Built-In Sounds
Hybrid 3.0 comes with over 1,200 inspirational presets designed to jumpstart the creative process. Over 200 new patches, designed by the acclaimed AIR sound designers, include everything from wobbles, synth pads, arpeggios, poly synths, basses, leads, sequences, and much more. Hybrid veterans will be pleased to find that the familiar Hybrid 2.0 presets have been completely reworked, allowing users to experience their favorite sounds with all the sonic improvements of Hybrid 3.0. If you’re prone to tweaking, Hybrid 3.0 is loaded with a comprehensive set of user-adjustable parameters that let you create unique sounds and fine-tune them to taste. With support for two simultaneous parts (i.e. a powerful combination of two separate, 3-oscillator synthesizers), you can layer, split, or spread sounds to produce deep, complex, and wide patches. Plus, the simple patch browser makes it easy to find the preset you’re looking for and allows you to load two presets simultaneously, one into each part, for experimenting with rich timbres and playing multi-patch sounds.

High-Definition Oscillators
With three versatile oscillators and a sub oscillator per part, Hybrid 3.0 is capable of stacking multiple oscillators together for huge pads, leads, basses, and more. Two multifunctional oscillators can recreate the classic subtractive-synthesis waveforms for a dose of analog nostalgia. In addition, these oscillators feature algorithms for digital wavetables. As a result, users can choose from nine different modes, including the Multi-Square waveform, Saw Sync, Saw Cross Modulation (which modulates the pitch of a saw wave with the output of a triangle wave for complex tones), Saw Multi (a stack of seven saws in unison), Square Sync, Square Cross Modulation, Square Pulse Width Modulation (PWM), and Wavetable. Hybrid 3.0 offers 100 wavetables with up to 64 single-cycle waveforms each. A third oscillator includes saw, square, or triangle waves, plus a noise generator and a sub oscillator for deep bass effects.

Dual Filtering and Saturation Modes
Hybrid 3.0 features two multi-mode filters that can run in series or in parallel. In addition, the filters can be assigned one per channel to the stereo outputs, or set so that Oscillator 1 feeds Filter 1, with the remaining Oscillators being routed to Filter 2. Both of the filters offer your choice of DCF (Digitally Controlled Filter) or VCF models. The vintage Voltage Controlled Filter (VCF) makes it easier than ever to achieve those fat, retro synth sounds of the ’70s and ’80s. This sound filter brings the legendary soft and fat warmth of classic analog synth hardware filters to Hybrid 3.0.

Use the revolutionary multimode filters to control the tone color of a part by removing or accenting certain frequencies. Choose from an extensive collection of 23 modes. Then dial in the filter cut-off, velocity, and key tracking. Use the resonance dial to change the tone from a nasal sound to a ringing tone by emphasizing frequencies around the cut-off and generating self-oscillation. A blend of the third oscillator and noise generator can serve as an audio modulation source for filter cut-off, producing distinctive electronic audio effects.

To add some serious edge, adjust the filter saturation. Hybrid 3.0 offers the original Overdrive filter, which creates a soft tube-like clipping and includes five additional filter saturation modes: Distort, which creates a harder, brighter clipping; Hard Clip, which creates a very hard and bright transistor-like clipping; Rectify, which creates a gentle distortion that retains the character of the input signal; Bit Crush, which creates deliberate aliasing by reducing the bit depth; and Resample, which creates deliberate aliasing by reducing the sample rate.

LFOs
Hybrid 3.0 includes four LFOs per part: two monophonic, one polyphonic, and one special Pump LFO. Use the LFOs to modulate pitch, loudness, or cut-off to produce vibrato, tremolo, or electronic sweeps. Choose from eight modulation types, ranging from sine and triangle waves to random, “drift,” and sample-and-hold modulation. Change the depth, rate, phase, and sync mode to quickly and dramatically alter the sound.

Pump is a special type of envelope that simulates studio side-chaining to create the pumping-and-breathing effect. In the case of Hybrid 3.0, this rhythmic effect can be applied to much more than the overall mix. The Pump LFO can be routed to create a rhythmic effect on a variety of specific parameters, such as pitch or filter settings.

Envelope Editors
Use the four envelope editors to easily sculpt the filter, amplitude, and any two other modulation envelopes. Adjust velocity, attack, decay, and key tracking, and then type in the envelope rate.

Hype Algorithm
New to Hybrid 3.0 is Hype, a quick way of enhancing the low- or high- end of any patch. Beef up wobbles, basses, and kick-drum sounds with deep, sub-bass by adjusting the Hype Low parameter, or turn up Hype High to polish off the high end with shimmer and sparkle; the latter sounds great on pads, strings, brass, and percussive sounds.

Doubling
Hybrid 3.0 offers a new way of making your patches sound enormous. Two Doubling knobs, one for each part, are built into the Common tab for additional widening and thickening. Turn up the Doubling knobs to full for a dramatic response or mix it in subtly for a slight thickening effect.

Performance-Oriented Features
Whether you use it in the studio or in a live situation, Hybrid 3.0 is built to perform. Use the step sequencers for arpeggiation or phrase generation. Set the modulation matrix to easily map modulations from sources to destinations. And set up “morph” groups to modify sounds on the fly, from the interface or a MIDI controller.

Step Sequencers
Hybrid 3.0’s onboard 16-step sequencers have been revamped for more programming and sequencing flexibility. Now, steps can be linked together to vary sequencer rhythm, manipulate note dynamics, and create advanced modulation patterns. Like before, both step sequencers can function as a composition tool or an extra modulation source, making it easy to create patches that move and evolve. You can set note values, velocity, and modulation, and then pick from nine playback options to use the sequencer as a step sequence, arpeggiator, or MIDI phrase generator. Plus, you can even import your own MIDI phrases for complete customization.

Modulation Matrices
Hybrid 3.0 also offers flexible and easy-to-use modulation matrices with 16 assignable modulation sources and more than 20 destinations each. Assign modulations to an oscillator or filter. Hybrid 3.0 allows multiple assignments of sources and destinations, all with adjustable intensities.

Morph Groups
With Hybrid 3.0, you can assign any rotary control or fader on the plugin’s interface to one of the four “morph” groups. Assign pan, filter, or amplifier envelopes to a morph group to alter sounds from your controller while recording or playing live. Each morph group can control several parameters simultaneously. You, in turn, can control morph groups from the dials on the interface or from a MIDI controller.

Effects
Hybrid 3.0 provides two insert effect sends per part, each with more than 40 effect types, so you can quickly change the sound of a part. A separate master effects section lets you select reverb, delay, and chorus effects to enhance—or warp—any of the sounds at the patch level. Easily adjust effect parameters and sync effects to a chosen tempo.

FEATURES
Six-oscillator subtractive and wavetable virtual synthesizer with 1200+ inspiring presets
Includes 200+ all-new sounds and 1000+ refreshed patches from Hybrid 2.0
Comprised of two simultaneous parts, each loaded with 3 oscillators and a sub-oscillator, filters, LFOs, envelopes, and effects for creating complex patches
All-new Doubling controls for quickly thickening and widening patches
Revamped step sequencers allow you to link steps together for rhythmic variation, syncopation, and advanced modulation patterns
All-new Oscillator Restart for punchy bass sounds, runs, and sequences
Dual series or parallel filters with vintage Voltage Controlled Filter modes for retro synth sounds
Flexible modulation options with 8 LFOs including Pump for the pumping-and-breathing effect
Comprehensive editing parameters for the ultimate in sound tweakability
Sample-accurate synthesis for super-fast envelopes and high-definition sound
Performance-driven features, including modulation matrices and multiple step sequencers for maximum playability

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