[印度尼西亚传统定音打击乐器] Soundiron Angklung [KONTAKT]（2.06GB）

Team MAGNETRiXX | 12 January 2014 | 2.06 GB

欢迎来到 Soundiron Angklung 音色库。Angklung 是一种源自印度尼西亚的传统定音打击乐器，音域宽广，其历史可追溯至公元 7 世纪左右。在过去的一千年里，它已广泛传播至东南亚和波利尼西亚地区，并出现在各种传统和现代音乐中，从加麦兰乐团到流行乐队和爵士乐团，都能听到它的身影。

Angklung 实际上是由几个独立的单音乐器组成，每个乐器都由一对高低音八度的竹管组成，通过一个松散的沙铃发出声音。最终呈现出一种独特而饱满、清晰但持续时间较短的干涩音色。为了打造这个庞大的 Angklung 多重采样音色库，我们录制了 18 个 Angklung 音符，音调涵盖近三个八度的大调音阶。我们在干燥的录音棚和大型开放大厅分别使用近、中、远三个麦克风位置进行了录制。我们分别录制了每个上拨和下拨，干声部分每个力度/每个音符有 48 个循环变奏（24 个上拨/24 个下拨），而厅堂采样部分每个力度/每个音符有 16 个循环变奏（8 个上拨/8 个下拨）。我们还录制了不同速度和强度的自然手弹延音循环，并在各层之间实现了平滑的动态交叉淡入淡出，同时还提供了可调节的释放采样。最后，我们利用原始录音素材制作了一系列与乐器音色相得益彰的环境音景。

我们将此音色库与我们备受赞誉的 Uberpeggiator 元琶音系统进行了全新升级。它允许您使用具有流畅起音、延音和释放特性的多采样预设创建逼真的安格隆延音滚奏，并提供精确的实时速度/节奏和强度控制，以及可选的宿主速度同步和力度图显示。这让您能够完全掌控乐器，并将其融入几乎任何类型的音乐中，同时又能完美地模拟乐器在现实世界中的音色和触感。我们设计这款乐器主要是为了配合 Uberpeggiator 的 EZ-Roll 模式，但它在其他 Uber 模式下也同样出色。当然，关闭 Uberpeggiator 后，它也可以作为一款单击木槌调音的竹制打击乐器使用。

您还可以通过我们可与宿主程序自动控制的起音、偏移、释放、渐强和微调旋钮，完全掌控乐器的紧致度和音色特性。您还可以调整乐器的合奏“宽度”，以增加或减少各个安格隆琴声部之间的立体声左右声道宽度。此外，我们还加入了自定义卷积混响房间/效果脉冲选择器和一个三段参数均衡器。我们在构建安格隆音色库时，充分考虑了用户控制、音质和功能深度，同时保持了即插即用的便捷性，让您能够快速上手，真正演奏这款独特的乐器。安格隆

音色库大小为 3.5 GB，包含 7 个 Kontakt 预设、超过 6700 个采样和超过 50 个自定义卷积脉冲。一如既往，我们还提供了一系列可自动控制的均衡器、混响和声音塑形工具，进一步拓展了这款音色库的创作可能性。

Angklung 音色库包含一系列专有功能，包括最新版本的 Uberpeggiator 琶音系统、自定义卷积效果、参数均衡器和标准演奏塑形参数。音符起音和采样偏移功能可让您轻松收紧音色或创建类似 Pad 的效果。扩展的衰减范围设置、独立的释放采样音量和麦克风位置混合（在 Hall 预设中）使用户能够真正微调乐器的音色。

微调和宽度功能可让您精细调整 Angklung 在与其他乐器混音时的位置。“宽度”功能尤其可以控制基于琴键位置的立体声声像定位量，模拟乐器在管弦乐环境中的自然立体声宽度。

音色库

• 干声录音室录制多重采样
• 湿声录音室多重采样
• 湿声录音室循环延音（带释放
） • 3 个可混合麦克风位置（录音室）
• 专为 Uberpeggiator 设计
• 环境音效

NKI 程序预设

此音色库专为 Kontakt 4 或更高版本的完整零售版设计（也支持 Kontakt 5）。免费的 Kontakt Player 只能在锁定演示模式下运行此音色库 15 分钟。它包含 7 个适用于 Kontakt 4/5 的预设，环境音效由源素材创建，使用户能够尝试各种音景和效果。

我们定制的用户界面包含前面板控制，用于调节音量、起音、偏移、释放、释放音量、微调（音高）、宽度、按钮栏等。按钮栏可让您访问内置效果器，例如均衡器、混响和 Uberpeggiator。

•6,798 个样本（标准 pcm wav）
•7 个 .nki 文件 K4（开放格式）
•已安装 3.5 GB
•24 位/48kHz 立体声 PCM wav 格式
•格式：Kontakt 4 .nki 和 pcm .wav

We welcome you to the Soundiron Angklung. This library is a full-ranged traditional tuned percussion instrument originating from Indonesia, dating back to roughly the 7th Century AD. Over the past thousand years, it has spread widely throughout Southeast Asia and Polynesia and can be heard in a variety of traditional and modern music, from gamelan orchestras to pop bands and jazz ensembles.

The Angklung is actually best thought of as a set of several individual single-note instruments, each one comprised of a pair of bamboo tubes in a higher/lower octave pair sounded by a loose rattle. The result is a uniquely full, clear but short-sustaining, dry note. For this massive dedicated Angklung multi-sample library, we’ve recorded a set of 18 Angklung notes, tuned over a major scale spanning nearly 3 full octaves. We captured them up close in a dry studio and out in a large open hall with 3 mic positions (close, mid, far). We recorded each up and down stroke separately, with 48 round-robin variations per-velocity/per-note for the dry (24 up/24 down) and 16 round-robin variations per-velocity/per-note for the hall samples (8 up/8 down). We also recorded natural hand-played sustaining loops at different speeds and intensities, with smooth dynamic cross-fading between layers and adjustable release samples. And finally, we created a set of ambient soundscapes crafted from the raw source recordings that complement the sound of the instrument.

We’ve integrated this library with a newly upgraded version of our celebrated Uberpeggiator meta-arpeggiation system. It allows you to create realistic sustaining angklung rolls with the multi-sample presets that have completely fluid attack, sustain and release behavior, with precise real-time speed/tempo and intensity controls, with optional host tempo-syncing and velocity graphing. This gives you total control and the ability to weave the instrument into just about any type of music, while preserving a completely life-like simulation of the instrument’s real-world sound and feel. We’ve designed the instrument primarily to use our Uberpeggiator’s EZ-Roll mode, but it sounds just as good in the other Uber modes as well. Of course, with the Uberpeggiator turned off, it also works as a single-strike wooden mallet tuned bamboo percussion instrument.

You also have full control over the tightness and character of the instrument with our host-automatable attack, offset, release, swell and micro-tuning dials. You can also adjust the ensemble “width” of the instrument to increase or decrease the stereo left-right spread of the individual angklungs relative to one another. We’ve also incorporated our custom convolution reverb room/FX impulse selectors and a 3-band parametric EQ. We’ve built our Angklung library with full user control, sound quality and feature depth in mind, while maintaining instant plug-and-play usability that will let you jump right in and truly play this unique instrument.

Weighing in at 3.5 GB, Angklung features 7 Kontakt presets, over 6700 samples and over 50 custom convolution impulses. As always there is a range of automatable EQ, Reverb and sound-shaping to expand on the creative possibilities that this library offers.

The Angklung library features a range of proprietary features, including the latest version of our Uberpeggiator arp system, custom convolution effects, parametric EQ and standard performance shaping parameters. Note attack and sample offset allow you to simply tighten the sound or create pad-like effects. Release timing with extended decay range settings, independent release sample volume and mic position blending (in Hall presets) allow users to really tune the sound of the instrument.

Micro-tuning and width allow you to fine-tune how the angklung sits in a mix with other instruments. The “width” in particular controls the amount of stereo panning based on key position, simulating the natural stereo width of the instrument in an orchestral environment.

Articulations

•Dry, Studio-Recorded Multisamples
•Wet, Hall Multisamples
•Wet, Hall Looping Sustains w/Release
•3 Blendable Mic Positions (Hall)
•Designed for Uberpeggiator
•Ambiences

NKI Program Presets

This library is designed for the full retail version of Kontakt 4 or later (Kontakt 5 is also supported). The free Kontakt Player can only run this library in locked demo mode for 15 minutes. It features 7 presets for Kontakt 4/5, with ambiences created from the source material allowing users to experiment with a wide range of soundscapes and FX.

Our custom UI features front panel controls for Swell (volume), Attack, Offset, Release, Release Volume, Micro-Tuning (pitch), width, a Button Bar and more. The button bar gives you access to built-in effect such as EQ, Reverb and Uberpeggiator.

•6,798 Samples (standard pcm wav)
•7 .nki files K4 (open format)
•3.5 GB installed
•24 bit / 48kHz stereo PCM wav format
•Format(s): Kontakt 4 .nki and pcm .wav

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