[免费开源DAW] Silverdaw v1.10.0 DAW for remixing & mashups [WiN]

FREE | WiN | 201 MB

安装方法：免安装，直接运行。

用你喜爱的音频进行混音、混搭和创作。Silverdaw是一款开源 DAW（数字音频工作站），专为混音、混搭和采样驱动的音乐制作而设计。导入音频后，即可进行编排、剪辑、音调调整和速度匹配，最终完成混音。

Silverdaw 是什么？

Silverdaw是一款 Windows 桌面应用程序，用于利用现有音频创作曲目。导入你的歌曲、循环乐段、人声和采样，将它们拖放到时间轴上，然后进行编排、剪辑、音调调整和速度匹配，最终完成混音。它专为卧室 DJ、制作人和混音师设计——任何想要通过组合和重塑现有音频轻松创作混音和混搭的人。它面向 DJ 和制作人，是一款录音室创作工具，而非现场演出乐器。你还可以在播放编曲的同时录制自己的音频——人声、乐器或线路输入——并像使用其他音频片段一样使用该录音。支持的 MIDI DJ 设备还可以直接从音频录制可编辑的黑胶唱片风格刮擦效果到混音中，将设备控制与非破坏性录音室工作流程相结合。

重塑音频所需的一切

Silverdaw 让音频整理变得简单——大多数任务只需拖拽、双击或点击一个菜单项即可完成。

混音和混搭：首先
对现有音频进行分层和混合，并自动检测速度和音调，进行速度匹配和音高转换。

非破坏性编辑：
速度、音调和修剪都是剪辑设置，因此您的原始文件永远不会被更改，并且可以修改编辑内容。

分轨分离
将任何音轨拆分成人声、鼓、贝斯和其他部分，然后自由地进行混音和重新组合。

循环切片
将片段按照节拍网格或用手放置的标记切成片段，然后将它们重新排列成新的内容。

混音器和效果器：
每轨均衡器、DJ 式滤波器、压缩器、混响和延迟发送，带主输出和实时电平表。

跟踪自动化
绘制断点曲线，以自动控制时间线上的滤波器、声像、发送、增益等。

MIDI 卡座控制
使用支持的 MIDI 卡座控制器来控制编曲时间线和选定轨道效果，或录制和完善可编辑的刮擦模式。

DJ 转盘效果
在片段末尾添加黑胶唱片风格的刹车或倒转，或者完全反转片段——经典的转盘动作，全部都是非破坏性的。

混音导出
将整个项目渲染为 WAV、FLAC、AIFF 或 MP3 格式，并可选择进行响度标准化。

将任何音轨拆分成多个音轨

将人声、鼓、贝斯和其他乐器声部分离，然后分别拖放到各自的音轨上进行混音和重新组合。高品质的音源模型能够完成这些工作，并提供快速/平衡/最佳三种速度控制模式以及可选的一键式清理功能。

利用效果和自动化功能塑造混音

给每个音轨添加音调均衡器、DJ风格滤波器、压缩器以及混响和延迟发送，然后绘制断点曲线来实现随时间变化的自动化控制。所有效果都能实时播放，导出时也完全一致。

切片循环并重新构建它们

将片段在小节或节拍网格上切成片——从整小节到 1/32——或者用手动放置的标记，然后将这些片放回时间线上，或者将每个片保存为单独的样本。

像刮唱片一样刮擦，然后把它放进混音里。

连接支持的 MIDI DJ 控制器，即可进行真正的搓碟——如果没有硬件，也可以使用屏幕上的虚拟控制器。在搓碟编辑器的乐谱视图中调整搓碟效果，然后将其保存为采样并直接添加到您的项目中。

Remix, mash up, and build tracks from the audio you love. Silverdaw is an open-source DAW for remixing, mashups, and sample-driven music making. Import audio, then arrange, trim, re-pitch, and tempo-match it into a finished mix.

What is Silverdaw?

Silverdaw is a Windows desktop application for building tracks out of existing audio. Import your songs, loops, vocals, and samples, drag them onto a timeline, and arrange, trim, re-pitch, and tempo-match them into a finished mix. It is designed for bedroom DJs, producers, and mixers — anyone who wants to create mixes and mashups easily by combining and reshaping existing audio. It is geared towards DJs and producers as a studio creation tool, not a live-performance instrument. You can also record your own audio — a vocal, an instrument, or a line input — over the arrangement as it plays, and use the take like any other clip. Supported MIDI DJ decks can also record editable vinyl-style scratches directly from audio into a mix, combining deck control with a non-destructive studio workflow.

Everything you need to reshape audio

Silverdaw keeps arranging audio simple — most tasks are a drag, a double-click, or a single menu item away.

Remix & mashup first
Layer and blend existing audio with automatic tempo and key detection, tempo matching, and pitch shifting.

Non-destructive editing
Tempo, pitch, and trim are clip settings, so your original files are never altered and edits can be revised.

Stem separation
Split any track into vocals, drums, bass, and other parts, then remix and recombine them freely.

Loop slicing
Chop a clip into slices on a beat grid or with hand-placed markers, then rearrange them into something new.

Mixer & effects
Per-track EQ, a DJ-style filter, compressor, and reverb and delay sends, with a master output and live metering.

Track automation
Draw breakpoint curves to automate filter, pan, sends, gain, and more across the timeline.

MIDI deck controls
Use a supported MIDI deck controller to control the arrangement timeline and selected-track effects, or record and refine editable scratch patterns.

DJ turntable effects
Add a vinyl-style brake or backspin to the end of a clip, or reverse it entirely — classic turntable moves, all non-destructive.

Mixdown export
Render your whole project to WAV, FLAC, AIFF, or MP3 with optional loudness normalisation.

Split any track into stems

Separate vocals, drums, bass, and other parts, then drop each onto its own track to remix and recombine. High-quality models do the work, with a Fast / Balanced / Best speed control and optional one-click cleanup.

Shape the mix with effects and automation

Give each track a Tone EQ, a DJ-style filter, a compressor, and reverb and delay sends, then draw breakpoint curves to automate them over time. Everything plays live and renders identically on export.

Slice loops and rebuild them

Chop a clip into slices on a bar or beat grid — from a whole bar down to 1/32 — or with hand-placed markers, then lay the slices back on the timeline or save each as its own sample.

Scratch it like vinyl, then drop it in the mix

Connect a supported MIDI DJ deck controller and scratch for real — or use the on-screen deck if you don’t have hardware. Reshape the take in the Scratch Editor’s notation view, then save it as a sample and add it straight to your project.

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