[终极恐怖配乐音效库]Fallout Music Group Desecrator v1.1.0 [KONTAKT]（14.14GB）

P2P | 30 July 2025 | 14.14 GB

Desecrator – 终极恐怖配乐设计师
Desecrator 带你走进虚空，这是一款由五款 Kontakt 乐器组成的强大音效库，专为恐怖音效设计而打造。Desecrator 以诡异的古董、令人不安的现场录音、萦绕心头的弦乐独奏以及失真的合成器为灵感，助你打造令人毛骨悚然的音景。无论你是在为心理惊悚片配乐，设计惊心动魄的电影预告片，还是在挑战黑暗氛围音乐的界限，这款乐器都能让你惊心动魄。

Desecrator 拥有深沉大气的无调性设计师、可播放的打击垫发生器、令人毛骨悚然的立管创建器、电影般的嗖嗖和热门设计师，以及产生怪异滴答节奏的扭曲计时员，让您触手可及的无限声音恐怖。通过完全可配置的随机化，您可以立即生成以前从未听过的超凡脱俗的声音。没有两个创作是相同的——只有恐怖仍然存在。释放亵渎者，将你的噩梦变成声音。

除了 5 种 Kontakt 乐器外，全套 Whooshes、Hits 和 Risers 也以 wav 文件的形式包含在内，以便轻松拖放使用。

氛围设计师
氛围设计师具有 2 层引擎，可让您从 260 多种独特的声源中进行选择和混合。由原始和加工的古董、琴弦、金属、定制物理乐器和现场录音制成，您可以轻松地在瞬间产生微妙或可怕的无调性氛围。

– 所有源均以 24 位、48k 质量
录制 – 大多数源录制至少 30 秒，无缝循环
– 完全且可配置的随机化，允许您随机化 FX、设置和源或您认为合适的
任何组合 – 基于每层的 FX，包括移相器、失真、怪异和延迟
– 可配置的主混响，通过 XY 垫进行湿/干混音
– 可通过 XY 垫配置层体积的混合

垫子设计师
垫子设计器具有 2 层引擎，允许您从 110 种独特的声源中进行选择和混合。由原始和加工的古董、弦乐、金属、定制物理乐器、合成器和现场录音制成，您可以轻松生成微妙或极端的音垫。虽然专为恐怖和紧张而设计，但这款垫子设计师是真正的跨流派。

计时员
计时员不是典型的模式发生器，也不是典型的滴答声时钟发生器。这个真的很特别。它旨在生成滴答作响风格的模式，拥有 2 层引擎和超过 110 个独特的源，每个源有 16 个样本（8 个“滴答声”和 8 个“滴答声”）。来源包括原始古董、机械、金属和其他令人不安的声音（例如黑板刮擦声和树叶嘎吱作响），以及设计和处理的声音。音源的录制方式是在滴答声和嘀嗒声之间留下更重的起音和伪影，以获得比您通常习惯的更自然的声音。这里的目标不是完美，而是为您的曲目提供有机的、出乎意料的和独特的计时。

注意：由于攻击较重，该仪器需要 -125ms 的轨道延迟补偿，如产品 GUI 上所述。

– 所有源均以 24 位、48k 质量
录制 – 所有源均包含一组 16 个独特的样本
– 完整且可配置的随机化，允许您随机化 FX、设置和源或您认为合适的
任何组合 – 一个 16 步音序器和控件，可将您的滴答声模式设置为全音符、二分音符、四分音符或八分音符。
– 基于每层的 FX，包括移相器、失真、怪异和延迟
– 可配置的主混响，通过 XY 垫进行湿/干混音
– 可通过 XY 垫配置层音量混合
– 自动平移选项，包括乒乓球和加倍（乒乓球模式中每侧 2 个音符）

上升设计师
desecrator 上升设计器比我们的任何其他产品都坚固得多。拥有 90 多个来源，每个来源都记录在 2、4 和 8 小节中，可用的组合数量惊人。但最重要的是，上升设计师添加了第三个专业激励器层，并添加了额外的 18 个源，仅在上升的尾端（分别为 2 小节、1 小节和 2 节拍）增加了额外的构建和兴奋感。

这些转管源是根据定制乐器、现场弦乐、破损合成器和高度处理的现场录音精心制作的。只需按一下按钮，即可生成完全独特的有机发声立管，这非常简单。

– 所有源均以 24 位、48k 质量
录制 – 以 2、4 和 8 小节创建的源（这些是独特的样本，而不仅仅是单个样本
的削减 – 完全且可配置的随机化，允许您随机化 FX、设置和源或您认为合适的
任何组合 – 每层的 FX，包括移相器、失真、怪异和延迟
– 可配置的主混响，通过 XY 垫
进行湿/干混音– 可通过 XY 垫配置层音量混合
– 具有音量控制和额外“增强”选项的附加激励器层，可在立管末端提供额外的底鼓
– 虽然源以 140bpm 的速度录制，但它们会拉伸以匹配您项目的节奏

嗖和命中设计师
嗖嗖这些声音由各种经过高度处理的现场录音、打击乐、弦乐打击乐以及各种古董和物品制成，非常适合重击猛击、微妙的兴奋器或可怕的跳跃恐慌。每个源都独特地录制和处理了 2 拍、1 拍和 1/2 拍的嗖嗖声，这些嗖嗖声将根据您的项目节奏延伸，使其只需排列您的嗖嗖声。您可以只播放击球，3 次定时嗖嗖声中的每一次，或者只播放 3 次没有击球的嗖嗖声。它们都始终映射到键盘上，以实现完全的灵活性。

该引擎还添加了一个简化的第三层，称为基础。该层有 19 个额外的可用源，它们提供了更多的基线、标准命中、轰鸣和猛击，为您的命中创作奠定了基础。当然，这些也有 3 个与之相关的定时嗖嗖声，这些嗖嗖声将混合到您的总混音中。

基础层还有一个选项，可以使层遵循层 1 或层 2 设置（嗖嗖声音量、释放、均衡器、滤波器设置）。或者它可以在默认设置下独立存在。

– 所有源均以 24 位、48k 质量
录制 – 每个源都以 2、1 和 1/2 节拍时序创建独特的嗖嗖声（这些是独特的样本，而不仅仅是单个样本
的削减 – 完全且可配置的随机化，允许您随机化 FX、设置和源或您认为合适的
任何组合 – 每层的 FX，包括移相器、失真、怪胎和延迟
– 可配置的主混响，通过 XY 垫进行湿/干混音
– 可通过 XY 垫配置层音量混合
– 带有音量控制层“跟随”选项的附加基础层，为您的热门作品提供坚实而强大的基础”

版本 1.1.0 发行说明

已修复 | 问题：
- 修复了 Atmosphere Designer、Pad Designer、Whoosh & Hit Designer 和 Rise Designer 中的小错误，该错误导致高通滤波器旋钮在设置新值后无法默认恢复为“HP 滤波器”
- 修复了所有乐器中可能导致在随机化过程中在两个图层上选择相同声源的错误

新增 | 功能：
- 为所有乐器添加了将 Midi CC 数字映射到 X（源混合）和 Y（干湿混合）控件的功能。默认为 Midi CC 14（源混合）和 15（干湿混合），但可以使用 GUI 控件进行修改
- 计时员：在 C2 至 D#2 上添加了键盘按键开关，用于控制播放速度值
- 计时员：在 C4 至 D#5 上添加了手动播放选项，允许手动播放滴答音阶

需要NI Kontakt Player或Kontakt FULL v8.1或更高版本！

Desecrator – The Ultimate Horror Scoring Designer
Step into the void with Desecrator, a terrifyingly powerful collection of five Kontakt instruments built for horror sound design. Crafted from eerie antiques, unsettling field recordings, haunting solo strings, and mangled synths, Desecrator is your gateway to spine-chilling soundscapes. Whether you’re scoring a psychological thriller, designing bone-rattling movie trailers, or pushing the boundaries of dark ambient music, this instrument is built to disturb.

Featuring a deeply atmospheric atonal designer, a playable pad generator, a hair-raising riser creator, a cinematic whoosh & hit designer, and a twisted timekeeper producing eerie tick-tock rhythms, Desecrator gives you limitless sonic terror at your fingertips. With fully configurable randomization, you can instantly generate otherworldly sounds that have never been heard before. No two creations are alike—only the horror remains. Unleash Desecrator and turn your nightmares into sound.

In addition to the 5 Kontakt instruments, the full set of Whooshes, Hits and Risers are also included as wav files for simple drag n drop use.

ATMOSPHERE DESIGNER
The atmosphere designer features a 2-layer engine, allowing you to choose and blend from over 260 unique sound sources. Made from raw and processed antiques, strings, metals, custom physical instruments and field recordings, you can easily generate subtle or terrifying atonal atmospheres in an instant.

– All sources recorded at 24bit, 48k quality
– Most sources recorded for at least 30 seconds with seamless looping
– Full and configurable randomization, allowing you to randomize FX, settings and sources or any combination you see fit
– FX on a per-layer basis, including phaser, distortion, freak and delay
– Configurable main reverb with wet/dry mix via XY pad
– Blending of layer volume configurable via XY pad

PAD DESIGNER
The pad designer features a 2-layer engine, allowing you to choose and blend from 110 unique sound sources. Made from raw and processed antiques, strings, metals, custom physical instruments, synths and field recordings, you can easily generate subtle or extreme tonal pads. While made specifically for horror and tension, this pad designer is truly cross-genre.

TIMEKEEPER
The timekeeper is not your typical pattern generator, nor is it your typical tick-tock clock generator. This one is truly special. Made to generate tick-tock style patterns, it boasts a 2-layer engine and overs 110 unique sources, each with 16 samples (8 “ticks” and 8 “tocks”). The sources include raw antiques, mechanicals, metals, and other unsettling sounds (such as chalkboard scratching and leaves crunching), as well as designed and processed sounds. The sources have been recorded in such a way as to leave heavier attacks and artifacts in between the ticks and tocks for a much more natural sound than you might typically be used to. The goal here is not perfection, but organic, unexpected, and unique timekeeping for your tracks.

Note: Because of the heavier attacks, this instrument requires a -125ms track delay compensation as noted on the product’s GUI.

– All sources recorded at 24bit, 48k quality
– All sources include a set of 16 unique samples
– Full and configurable randomization, allowing you to randomize FX, settings and sources or any combination you see fit
– A 16-step sequencer and controls to set your tick-tock pattern to whole notes, half notes, quarter notes or eighth notes.
– FX on a per-layer basis, including phaser, distortion, freak and delay
– Configurable main reverb with wet/dry mix via XY pad
– Blending of layer volume configurable via XY pad
– Auto-panning options including ping-pong and doubling (2 notes per side in a ping pong pattern)

RISE DESIGNER
The desecrator rise designer is much more robust than any of our other products. Boasting over 90 sources, each recorded in 2, 4 and 8 bars, the number of combinations available is staggering. But to top it off, the rise designer adds a 3rd, specialty Exciter layer with an additional 18 sources that add extra build and excitement only at the tail end of the rises (2 bars, 1 bar, and 2 beats respectively).

These riser sources have been carefully created from custom made instruments, live strings, mangled synths, and highly processed field recordings. It is extremely simple to generate organic sounding risers that are completely unique, all at the touch of a button.

– All sources recorded at 24bit, 48k quality
– Sources created in 2, 4 and 8 bars (these are unique samples and not just cut cut downs of a single sample
– Full and configurable randomization, allowing you to randomize FX, settings and sources or any combination you see fit
– FX on a per-layer basis, including phaser, distortion, freak and delay
– Configurable main reverb with wet/dry mix via XY pad
– Blending of layer volume configurable via XY pad
– Additional Exciter layer with volume control and extra ‘enhance’ option for an extra kick at the end of your risers
– While the sources have been recorded at 140bpm, they will stretch to match your project’s tempo

WHOOSH & HIT DESIGNER
The whoosh & hit designer comes in heavy with nearly 120 unique sources in a 2-layer engine. Made from various highly-processed field recordings, percussion, string percussion, and various antiques and objects, these sounds are perfect for hard hitting slams, subtle exciters or terrifying jump scares. Each sources has uniquely recorded and processed 2 beat, 1 beat, and 1/2 beat whooshes which will stretch to your project tempo, making it simply to line up your whoosh hits. You can play just the hit, each of the 3 timed whoosh hits or just 3 whooshes without the hit. They are all mapped to the keyboard at all times for complete flexibility.

This engine also adds a simplified 3rd layer called Foundations. This layer has 19 additional sources available, which provide more baseline, standard hits, booms and slams made to be foundations for your hit creations. Of course, these also have 3 timed whooshes associated with them, which will be blended into your total mix.

The foundations layer also has an option to make the layer follow the layer 1 or layer 2 settings (whoosh volume, release, eq, filter settings). Or it can stand on its own with default settings.

– All sources recorded at 24bit, 48k quality
– Each sources created with unique whooshes in 2, 1, and 1/2 beat timings (these are unique samples and not just cut cut downs of a single sample
– Full and configurable randomization, allowing you to randomize FX, settings and sources or any combination you see fit
– FX on a per-layer basis, including phaser, distortion, freak and delay
– Configurable main reverb with wet/dry mix via XY pad
– Blending of layer volume configurable via XY pad
– Additional Foundation layer with volume control layer ‘follow’ option to give your hit creations a solid and powerful foundation’

Version 1.1.0 Release Notes

FIXED | Issues:
- Fixed minor bug in Atmosphere Designer, Pad Designer, Whoosh & Hit Designer and Rise Designer that caused the High Pass Filter knob to not default back to "HP Filter" after setting a new value
- Fixed bug across all instruments that could cause the same sound source to be selected on both layers during randomization

ADDED | Features:
- Added functionality to all instruments to allow mapping of Midi CC numbers to the X (source blend) and Y (wet/dry blend controls. Defaults to Midi CC 14 (source blend) and 15 (wet/dry blend) but can be modified using GUI controls
- Timekeeper: Added keyboard keyswitches on C2 through D#2 to control the playback speed values
- Timekeeper: Added manual playback option on C4 through D#5 to allow manual playback of the tick-tock steps