[影视摇滚管弦乐音源] HandHeldSound MAD RockScore [KONTAKT](11.05GB)

P2P | 29 September 2025 | 11.05 GB

MAD – RockScore 扩展了 MAD 系列,新增了一个音色库,可轻松融入管弦乐或混合乐谱。我们在一个大型录音棚录制了 3 套标志性鼓组,并开发了一套独特的功能,以最大程度地控制音色平衡和氛围。

现在可以完全控制直达声与房间的互动方式,使鼓组轻松适应任何编曲。通过对信号流的充分控制,声音可以进行戏剧性的塑造,而不会损害鼓组未经处理的原始特质。

标志性和复古摇滚架子鼓
我们挑选了复古且广受欢迎的鼓和古董铙钹。
这些架子鼓具有重量级的声音和大量的延音,重新定义了“比生活更伟大”的声音!

扩展麦克风混合
在大型计分室录音只是一个开始。
我们开发了一种扩展的混音引擎,它超越了传统的信号流,可以完全控制麦克风出血。
可以轻松控制房间声音的大小和影响,以适应
任何规模的合奏。

动态表达
MAD RockScore 具有宽广的动态范围,保留了您对打击乐器的所有细微差别的期望。这允许自定义力度曲线以适应您的演奏风格,并能够使用新的速度偏移功能进行实时渐强/减弱表演。

新的可玩性
水平鼓具有扩展的发音功能,包括广泛的左手/右手样本。我们的对称 MIDI 音符映射使其易于演奏并快速创建逼真的模式。
借助我们广受赞誉的踩镲引擎、力度整形工具以及连奏军鼓优雅音符和多采样镲钹扼流圈,您可以立即了解每一点细微差别。

MAD RockScore 可灵活地用于任何制作
,可完全控制信号流,因此也可以很好地适应非管弦乐流派。
通过完全控制房间声音和麦克风出血,您可以控制编曲的原始声音和音调平衡。

专用凹槽引擎
包括 500 多个凹槽,系统地组织有核心模式以及各自的备用和填充。所有凹槽都可以作为 2 小节 MIDI 剪辑放入您的 DAW。

乐器
想象一下经典的鼓声环绕在管弦乐队周围,让乐谱充满
冲击力和厚实的立体声图像……

3 个套件中的每一个都具有相似的信号路径,同时具有独特的声音特征。点麦克风通道通过全面的麦克风出血矩阵以及立体声 Room 和支腿麦克风视角进行了扩展。

结果是适合任何大小乐谱的动态鼓音!

派珀

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Ludwig 砧板包裹饰面,1972 年

低音鼓 – 14“ X 22”
军鼓 – 5“ X 14” 6 凸耳 Ludwig Pioneer(1950 年代)
汤姆鼓 1 – 8“ X 12”
汤姆鼓 2 – 9“ X 13”
落地式嗵鼓 – 16“ X 16”

雾霾/雾霾扫帚

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WFL 海洋珍珠包装,1950 年代后期

低音鼓 – 12“ X 22”
军鼓 – 4“ X 14” 6 凸耳 Ludwig 重铜管(1920 年代)
汤姆鼓 – 9“ X 13”
落地式嗵鼓 – 16“ X 16”

棕土

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Mayer Bros. Drums 香槟闪闪漆面,2003 年

低音鼓 – 14“ x 24”
军鼓 – 5.5“ x 14” Ludwig Suprasonic (1965)
汤姆鼓 – 9“ x 13”
落地式汤姆鼓 – 13“ x 16”


镲在套件
之间共享 – 踩镲 – 14 英寸 1960 年代早期 Zildjian A’s
– Crash 1 – 18“ 博斯普鲁斯海峡(新月之前) 古董系列
– Crash 2 – 19” 博斯普鲁斯海峡(新月之前) 大师系列
– 骑行 – 22 英寸 1950 年代 Zildjian A

杂项
– 棍子 – Cooperman Persimmon 签名系列 / Promark 扫帚
– 低音鼓击球器 – 中号和软号击球器(仅限 Haze 套件)
– 皮肤 – Remo 的所有皮肤

凹槽
– 500+ 图案 – 核心凹槽图案
– 核心图案 – 每个核心图案 5 个凹槽交替
– 交替/填充 – 每个核心图案 5 次填充

功能与技术
Mad RockScore 旨在成为管弦乐编曲和混合史诗配乐的有影响力的伴侣。

录音会议在一个大型配乐室中进行,使用精心设计的麦克风阵列,将亲密的焦点与空间和房间反射相结合。该库保持开放的混音架构,因此您有机会通过完全控制麦克风混合、广泛的麦克风出血控制和 2 个独特的评分阶段视角来塑造每个套件。

将这种方法与我们对宽动态范围和扩展发音的痴迷相结合,这些鼓变得具有独特的表现力,并将为任何编曲注入活力。

郁郁葱葱的配乐舞台声音。
完全控制房间氛围

体验令人惊叹的电影音效,每一点细节和终极控制。

扩展了完整的点麦克风阵列和立体声头顶配置,我们添加了两个额外的视角:立体声室和立体声支腿。这些增加了鼓的宽度和空间,使它们非常适合 Scoring 混音。

通过完全控制信号流并利用自定义麦克风出血矩阵,可以定制房间氛围的各个方面。

广泛的可玩性。
简单且响应迅速

与我们的其他文库一样,重点是捕获超宽动态范围、几乎无噪声的样本以及所有动态层的清晰清晰度。

该库具有 4 个循环交替和多达 14 个动态层,以及军鼓、嗵鼓和踩镲的专用左手/右手样本。

我们广受赞誉的踩镲引擎具有扩展的清晰度,包括 6 度的近开调制。自动跺脚和可变起音可实现超逼真的踩镲动作。

此外,我们还自定义了语音堆叠,以模拟反复敲击后发生的自然共振积累,而不会让它吞噬您的动态余量!

最后,我们在各种镲片发音上使用了释放样本和发音交叉淡入淡出,以呈现不同踩镲发音之间的扼流圈、滚动和过渡的真实感。

最后,我们扩展的自定义脚本增强了性能,同时保持了即时性和非常易于使用。

卓越的混合。
从亲密到巨大
混音器是界面中最复杂的方面。

我们进一步远离传统混音,设计混音器引擎以提供对信号流的非传统控制。

– 房间和支腿麦克风视角可以用作辅助回音 – 因此现在您可以将实际房间氛围的任意组合添加到特定的点通道!
– 我们构建了一个全面的麦克风出血矩阵。
这是一个经常被忽视的概念,它允许您以多种方式组合信号,并为鼓的原始声音添加多样性和细微差别。
– 每个混音器通道都可以总线连接到您的 DAW 以进行独立混音。

槽的。
核心模式、替代和填充

Groove 引擎是您可以快速试听节奏想法并将它们作为构建块或按原样在 DAW 中使用的地方。MAD RockScore 带有 500 多个摇滚和电影核心律动。每个核心槽有 5 个交替图案和 5 个填充。

Alts 和 Fills 从微妙到极端,同时保留了各自核心律动的上下文。律动未经量化以保持原始鼓手的感觉,并且可以作为标准 MIDI 剪辑拖到您的 DAW 中。

需要 Native Instruments Kontakt FULL v5.5.1 及更高版本!

MAD – RockScore expands the MAD collection with a library designed to easily blend within Orchestral or Hybrid Scores. We recorded 3 iconic drum kits in a large scoring room and developed a unique set of features for maximum control over tonal balance and ambience.

It’s now possible to fully control how the direct sound interacts with the room, making the drums easily fit any arrangement. With so much control over signal flow, the sound can be dramatically shaped without compromising the drums’ unprocessed raw character.

Iconic and vintage Rock drum kits
We picked vintage and well sought after drums and antique cymbals.
These drum kits feature a heavyweight sound with lots of sustain that redefines what ‘bigger than life’ sounds like!

Extended microphone blending
Recording in a big scoring room was just the beginning.
We developed an expanded mixing engine that goes beyond traditional signal flow with total control over microphone bleed.
The size and impact of the room sound can be easily controlled to fit
any size ensemble.

Dynamic Expression
MAD RockScore features a wide dynamic range that retains all the nuances you’d expect from percussion instruments. This allows for customization of velocity curves to fit your playing style and the ability for real-time crescendo/diminuendo performances using the new Velocity Offset feature.

New level of playability
The drums feature extended articulations including extensive left/right hand samples. Our symmetrical MIDI note mapping makes it easy to play and quickly create realistic patterns.
With our acclaimed Hi-Hat engine, velocity shaping tools, and along with legato Snare grace notes and multi-sampled Cymbal chokes, you have immediate access to every bit of nuance.

Flexible in any production
MAD RockScore brings total control over signal flow and therefore can fit nicely with non Orchestral genres as well.
With total control over room sound and microphone bleed, you are in control of the raw sound and tonal balance for your arrangement.

Dedicated Groove Engine
Includes over 500 grooves systematically organized with Core patterns and respective Alternates and Fills. All grooves can be dropped to your DAW as 2 bar MIDI clips.

The Instruments
Imagine a classic Drum sound that’s wrapped around the Orchestra and fills the score with
impact and a thick stereo image…

Each of the 3 kits feature a similar signal path while having a distinct sonic signature. The spot microphone channels are expanded with a comprehensive mic bleed matrix and stereo Room and Outriggers microphone perspectives.

The result is a dynamic drums tone that will fit any size score!

Piper

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Ludwig butcher block wrap finish, 1972

Bass Drum – 14″ X 22″
Snare – 5″ X 14″ 6-lug Ludwig Pioneer (1950’s)
Tom 1 – 8″ X 12″
Tom 2 – 9″ X 13″
Floor Tom – 16″ X 16″

Haze / Haze Brooms

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WFL marine pearl wrap, late 1950’s

Bass Drum – 12″ X 22″
Snare – 4″ X 14″ 6-lug Ludwig heavy brass (1920’s)
Tom – 9″ X 13″
Floor Tom – 16″ X 16″

Umber

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Mayer Bros. Drums champagne sparkle lacquer finish, 2003

Bass Drum – 14″ X 24″
Snare – 5.5″ X 14″ Ludwig Suprasonic (1965)
Tom – 9″ X 13″
Floor Tom – 13″ X 16″

Cymbals
Cymbals are shared between the kits
– Hi Hat – 14″ early 1960’s Zildjian A’s
– Crash 1 – 18″ Bosphorus (pre-Crescent) Antique Series
– Crash 2 – 19″ Bosphorus (pre-Crescent) Masters Series
– Ride – 22″ 1950’s Zildjian A

Miscellaneous
– Sticks – Cooperman Persimmon signature series / Promark Broomsticks
– Bass Drum beater – Medium and soft beaters (Haze kit only)
– Skins – All skins by Remo

Grooves
– 500+ patterns – Core groove patterns
– Core patterns – 5 groove alternates per core pattern
– Alternates / Fills – 5 Fills per core pattern

Features & Tech
Mad RockScore aims to be an impactful companion to Orchestral arrangements and hybrid epic soundtracks.

Recording sessions were held in a large scoring room using an elaborate microphone array that combines intimate focus with space and room reflections. The library maintains an open mixing architecture so you’re given an opportunity to shape each kit with full control over microphone blending, extensive mic bleed control, and 2 unique scoring stage perspectives.

Combining this approach with our obsession about a wide dynamic range and extended articulations, these drums become uniquely expressive and will energize any arrangement.

Lush Scoring Stage Sound.
Total Control Over Room Ambience

Experience a striking cinematic sound with every bit of of detail and ultimate control.

Expanding a complete spot microphone array and a stereo overheads configuration, we’ve added two additional perspectives: a Stereo Room and Stereo Outriggers. These add width and space to the drums making them very suitable to fit in a Scoring mix.

Every aspect of the room ambience can be tailored by having full control over the signal flow and utilizing the custom mic bleed matrix.

Extensive Playability.
Easy And Responsive

As with our other libraries, the emphasis was on capturing an ultra wide dynamic range, virtually noiseless samples, and clear definition across all dynamic layers.

The library features 4 round robin alternates and up to 14 dynamic layers with dedicated Left/Right hand samples for Snare, Toms, and Hi-Hat.

Our acclaimed Hi-Hat engine features extended articulations including 6 degrees of close-to-open modulation. The automatic foot stomp and variable attack make for ultra realistic Hi-Hat action.

Additionally, we have customized the voice stacking to simulate the natural resonance buildup that occurs after repeated hits without letting it chew up your headroom!

And finally, we used release samples and articulation crossfading on various cymbal articulations to bring out the realism of chokes, rolls, and transitions between different hi-hat articulations.

And finally, our expanded custom script enhances the performance while keeping things immediate and very easy to use.

Superior Mixing.
From Intimate To IMMENSE
The Mixer is the most involved aspect of the interface.

Moving further away from traditional mixing, we designed the mixer engine to offer a non traditional control over signal flow.

– The Room and Outriggers microphone perspectives can work as auxiliary returns – so now you can add any combination of actual room ambience to specific spot channels!
– We built a comprehensive microphone bleed matrix.
This is an often overlooked concept, which allows you to combine signals in a variety of ways and add variety and nuance to the raw sound of the drums.
– Each mixer channel can be bussed to your DAW for independent mixing.

Groovy.
Core Patterns, Alternates, And Fills

The Groove engine is where you can quickly audition rhythmic ideas and use them in your DAW as building blocks or as is. MAD RockScore comes with over 500 Rock and Cinematic Core grooves. Each Core Groove has 5 alternate patterns and 5 fill-ins.

Alts and Fills go from subtle to extreme while retaining the context of their respective core grooves. The grooves are un-quantized to maintain the original drummer’s feel and can be dragged to your DAW as standard MIDI clips.

Requires Native Instruments Kontakt FULL v5.5.1 and higher!

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