[影视游戏动作类媒体鼓打击乐音源] In Session Audio RUN! with the Expansion [KONTAKT]（4.21GB）

P2P | 04 October 2025 | 4.21 GB

追逐的打击乐动力
强度。力量。动感。张力。RUN! 是一款虚拟乐器，它以快节奏、灵活且前卫的鼓和打击乐音色传达这种意境。

跑！是一种虚拟乐器，通过快节奏、灵活和前倾的鼓声和打击乐声来传达这种意象。

专为为动作型媒体（电影、游戏、流媒体）创作的作曲家而设计，RUN！s 循环和示例库具有易于理解的布局，可以通过多种方式进行处理：

访问按打击乐类别细分的大量声音，例如：计时器、电子、自然、小、自然、大、旋律和底鼓和低附加。

或者，使用众多“声音调色板”预设之一，其中包含这些声音的混合，预先安排并准备好得分提示。

跑！使用比平时更广泛的乐器和声音设计。目的：帮助作曲家将屏幕上的动作与快速变化的纹理和节奏组合相匹配。

其他对作曲家友好的考虑因素包括：

– 循环几乎可以在任何速度下使用，没有人为拉伸或声音衰减。
– 循环已调整，每个部分都标有音高。
– 350+ 可播放样本集，具有循环和/或多速度样本。
作曲家还可以控制预设中每个循环和样本的声音：调整音量、声相、立体声宽度、音高、均衡器、延迟、混响等，并自动显示上次演奏部分的控件。

对于在为动作场面配乐时重视多样化和意想不到的声音组合的作曲家来说，RUN！在其他“电影”鼓工具中填充了一个独特的空间。

鼓困境
原声鼓通常听起来过于平淡。电子鼓可能“不够自然”。“声音设计”的音频需要上下文。

三重奏组合
当以有目的的方式组合时，原声鼓和电子鼓与声音设计元素可以传达出独特的风格化打击乐氛围。

Instruments
RUN 的材料来自所有这三个类别。该图像显示了其创作中使用的一系列乐器。

可播放的 FX
从键盘实时打开和关闭效果：声像、滤波器、粉碎、加热、切片器、延迟和混响。

为了增加表达：通过单击其“MW”按钮将任何效果的主控件连接到模组轮。

让零件帮助
快速发现您需要的声音类型。

银行的组织“恰到好处”，有打击乐类别：计时器、电子、自然、小、自然、大、旋律以及底鼓和低附加。

控制每个循环：
通过每个加载部分的独立混音链，可以为每个循环和样本设置独特的设置（例如，音量、声像、立体声宽度、调音、均衡器、延迟和混响等）。

无需点击：界面始终显示上次播放或选定部分的混音控件。

速度灵活性 以广泛的速度范围
使用任何循环，而不会出现人为拉伸或不需要的音频伪影。

组合乐器中任何位置的声部，无需担心速度。

三连音扩展
三连音扩展将预设数量从 32 个增加到 64 个，翻了一番。

附加预设可以访问已调整为具有三连音感觉的核心材料版本。

如果您不熟悉“三连音感觉”，预设演示视频在其第 4 段中有一个示例。

适用于NI Kontakt Player或NI Kontakt FULL v8.4.1及更高版本！

Percussive Fuel For the Chase
Intensity. Force. Motion. Tension. RUN! is a virtual instrument that conveys this imagery with fast-paced, flexible and forward-leaning drum and percussion sounds.

Designed for composers writing for action-oriented media (movies, games, streaming), RUN!’s library of loops and samples has an easy-to-understand layout that can be approached in a number of ways:

Access large banks of sounds segmented by percussive category, like: Timekeepers, Electronic, Natural Small, Natural Large, Melodics and Kicks & Low Add Ins.

Or, use one of the many “Sound Palette” presets featuring a mixture of these sounds, pre-arranged and ready to score a cue.

RUN! utilizes a wider-than-usual variety of instruments and sound design. The aim: to help composers match on-screen action with quick-changing combinations of texture and rhythm.

Other composer-friendly considerations include:

– Loops can be used at virtually any tempo with no artificial stretching or sound degradation.
– Loops have been tuned, with pitches notated for each part.
– 350+ playable sample sets featuring round-robin and/or multi-velocity samples.
Composers also get control over the sound of every loop and sample in a preset: adjust Volume, Pan, Stereo Width, Pitch, EQ, Delay, Reverb and more, with controls automatically showing for the last played part.

For composers who value diverse and unexpected sound combinations when scoring action scenes, RUN! fills a unique space among other “cinematic” drum tools.
The Drum Dilemma
Acoustic drums can often sound too plain. Electronic drums can be “not natural enough”. And “sound designed” audio needs context.

The Trio Combined
When combined in a purposeful way, acoustic and electronic drums with sound designed elements can convey a uniquely stylized percussive atmosphere.

The Instruments
RUN’s material comes from all three of these categories. The image shows a selection of instruments used in its creation.

Playable FX
Turn effects on and off in realtime from your keyboard: Panner, Filter, Crush, Heat, Slicer, Delay & Reverb.

For added expression: connect any effect’s main control to the mod wheel with a click of its “MW” button.

Let the Parts Help
Discover the type of sounds you need, quickly.

Banks are organized “just right” with percussive categories: Timekeepers, Electronic, Natural Small, Natural Large, Melodics and Kicks & Low Add Ins.

Control Over Every Loop
With independent mix chains for every loaded part, it’s possible to have unique settings for every loop and sample (e.g., Volume, Pan, Stereo Width, Tune, EQ, Delay & Reverb and more).

No need to click around: the interface always displays the mix controls for the last played or selected part.

Tempo Flexibility
Use any loop at a wide range of tempos without artificial stretching or unwanted audio artifacts.

Combine parts from anywhere in the instrument without worrying about tempos.

Triplet Expansion
The Triplet Expansion doubles the amount of presets from 32 to 64.

The additional presets access a version of the core material that has been adapted to have a Triplet feel.

If you’re unfamiliar with the “Triplet feel” the Preset Demo video has an example in its 4th segment.

Works with NI Kontakt Player or NI Kontakt FULL v8.4.1 and higher!

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