[吉他音效放大器模拟插件] Vynl Audio The ’65 v1.0.0-GAMESENSE [MacOSX]

GAMESENSE | 20 August 2026 | 794 MB

安装方法：

插件中最真实的音箱音色。纯正的 1965 年音色

一切都开始怀念那种连接真实音箱的人性化感觉。“65”系列音箱正是为了重现这种感觉而打造的。

信号链。我们如何获得这种声音？

效果器（01 – 效果链）：
压缩、过载和合唱——内置于音箱之前。您可以精确调节进入信号链的颗粒感和宽度，使音箱的响应如同真实的效果器板。

音箱（02 – 完整音箱模拟）：
完整的1965 Fender Deluxe Reverb音箱模拟。温暖、饱满、弹簧混响——应有尽有。这款音箱曾为许多最具标志性的吉他音色录音，而它的声音也与原版完全一致。

麦克风（03 – 麦克风摆位 + 箱体IR）：
选择箱体拾音方式——电容麦克风带来空气感和深度，动圈麦克风带来紧致有力的录音室音色。麦克风摆位已预先设置好。听起来就像在真实的录音现场。

EQ（04 – 9段图示均衡器）：
在放大器和箱体之后，塑造最终音色。去除浑浊感，提升临场感，使其更好地融入混音。简单直观，正是您在信号链末端所需要的。

声音。为什么“65”听起来与众不同？
大多数放大器模拟器只模拟前级放大器就结束了。“65”模拟了完整的信号链——前级放大器、被动式音色堆叠、功率放大器、弹簧混响器、颤音器和箱体——因为1965 Deluxe Reverb的音色来自于每个环节与下一个环节的相互作用。缺少任何一个环节，它听起来就不像真的了。

“65”的实际效果。
所有预览均使用“65”进行处理。
’65 Demo · 电吉他 – 默认 · 电吉他 – 过载 · 电吉他 – 热桥 · 电吉他 – 独立合唱 · 电吉他 – 洛杉矶录音室 · 电吉他 – 纳什维尔

所有音色尽在一个插件中。
放大器、弹簧混响罐、前面地板上的效果器，所有当时房间里的设备，都完美还原了那个声音。
电子管放大器 · 弹簧混响 · 颤音 ·​​ 压缩 · 过载 · 合唱 · 箱体脉冲响应 · 9段均衡 · 单声道麦克风 · 立体声麦克风 · 音乐

风格映射。专为各种音乐风格而生。
’65 Deluxe Reverb 的出现次数、录音次数、音乐风格都远超其他任何放大器。插上它，你就能立刻明白个中缘由。
蓝调与灵魂乐：德州蓝调、芝加哥蓝调、三角洲蓝调、蓝调摇滚、灵魂乐、节奏布鲁斯、摩城音乐、新灵魂乐、放克；
乡村与美式音乐：乡村音乐、乡村摇滚、另类乡村、另类乡村、美式音乐、南方摇滚、民谣摇滚、创作歌手；
摇滚与另类音乐：经典摇滚、冲浪摇滚、车库摇滚、迷幻摇滚、独立摇滚、另类摇滚、垃圾摇滚、自赏摇滚、梦幻流行、柔和摇滚、朋克摇滚；
福音与敬拜：福音音乐、南方福音音乐、当代敬拜、当代基督教音乐、赞美诗、赞美

机器。定义美国吉他的音箱。
65 Deluxe Reverb 音箱之所以成为每位优秀吉他手客厅里的必备之选，自有其道理。它并非体积最大或音量最大的音箱，而是音色始终恰到好处的音箱。它拥有足够干净的音色，能够保持纯净，也能在你需要时提供足够的过载失真。

当你坐在真正的 Deluxe Reverb 前，每一个旋钮都能带来切实的感受。弹簧混响为饱满的和弦增添了丰富的层次感。过载效果器在音色边缘便会迸发出恰到好处的失真。音色控制电路会根据你的演奏力度做出相应的调整。这就是 65 Deluxe Reverb 的核心所在。

它并非基于参数表，而是通过对真实硬件的聆听和测试而打造。你可以像在房间里一样调节旋钮，它的反应也与你在房间里演奏时完全相同。即使连接几个效果器，它也能做出同样的响应。

这是插件中最真实的音箱音色。当你坐在真正的 Deluxe Reverb 前，每一个旋钮都能带来切实的感受。这就是“65”的核心理念——并非简单地复制参数表，而是重现实际演奏的体验。

“65”的开发过程：我们以一台1965年的Fender Deluxe Reverb音箱为基础。不是电路图，也不是采样库——而是一台真正的音箱。我们让信号依次通过每个电路级，测量每个环节的响应，并从零开始构建DSP，以重现我们所听到和看到的效果。音色电路是最难的部分。原版Fender的被动式音色网络并非简单的均衡器，而是由多个元件相互作用构成——低音、高音和音量控制都会相互影响。我们使用正确的对数衰减和元件负载对整个被动式网络进行建模，使控制旋钮的行为与硬件上的旋钮完全一致。弹簧混响和颤音是最后完成的。弹簧混响罐有一种独特的颤动和扩散效果，这是算法混响永远无法准确模拟的。我们构建了一个多抽头模拟，并采用了真实的扩散建模。颤音通道采用的是光学颤音——音量调制，而非音高调制。 Fender 在原版音箱上称之为 Vibrato（颤音），我们保留了这个名称，因为硬件上也是这么写的。

’65 信息
格式：VST3 · AU · 独立运行
预设：包含 27 个出厂预设

系统要求
Mac：macOS 10.15 Catalina 或更高
版本 内存：最低 4GB · 推荐 8GB
插件：VST3 · AU · 独立运行 · 需要 64 位宿主程序

超过 4000 位音乐人使用 Vynl Audio

The most authentic amp sound in a plugin. Authentic 1965 tones

Everything is starting to miss the human feeling of plugging into a real amp. The ’65 is built to bring that back.

Signal Chain. How We Got The Sound

Pedals (01 – Effects Chain)
Compression, overdrive, and chorus – built in before the amp hits. Dial in exactly how much grit and width you want going into the chain, so the amp responds the way it would to a real pedalboard.

Amp (02 – Full Amp Simulation)
A complete 1965 Fender Deluxe Reverb. The warmth, the bloom, the spring reverb – all of it. This is the amp behind some of the most iconic guitar tones ever recorded, and it sounds exactly like it should.

Mic (03 – Mic Stage + Cabinet IR)
Choose how the cabinet gets captured – a condenser for air and depth, or a dynamic for that tight, punchy studio sound. The mic placement is already dialed in. It sounds like a real recording session.

EQ (04 – 9-Band Graphic EQ)
Shape the final tone after the amp and cabinet. Cut the muddiness, bring out the presence, make it sit in a mix. Simple, visual, and exactly what you need at the end of the chain.

The Sound. Why The ’65 sounds different
Most amp sims model the preamp and stop. The 65 models the full chain – preamp, passive tone stack, power amp, spring reverb tank, vibrato, and cabinet – because the tone of a 1965 Deluxe Reverb comes from every stage interacting with the next one. Leave any of it out and it stops sounding like the real thing.

The ’65 in action
All previews are processed exclusively with The ’65.
The ’65 Demo · Electric Guitar – Default · Electric Guitar – Driven Crunch · Electric Guitar – Hot Bridge · Electric Guitar – Indie Chorus Wash · Electric Guitar – LA Session · Electric Guitar – Nashville

Everything in one plugin
The amp, the spring tank, the pedals on the floor in front of it. Everything that was in the room when that sound was made.
Tube Amp · Spring Reverb · Vibrato · Compressor · Overdrive · Chorus · Cabinet IR · 9-Band EQ · Mono Mic · Stereo Mic

Genre Map. Built for everything.
The ’65 Deluxe Reverb was in more rooms, on more records, in more genres than any other amp. Plug in and you’ll hear why immediately.
Blues & Soul: Texas Blues, Chicago Blues, Delta Blues, Blues Rock, Soul, R&B, Motown, Neo-Soul, Funk
Country & Americana: Country, Country Rock, Outlaw Country, Alt Country, Americana, Southern Rock, Folk Rock, Singer-Songwriter
Rock & Alternative: Classic Rock, Surf Rock, Garage Rock, Psychedelic Rock, Indie Rock, Alt Rock, Grunge, Shoegaze, Dream Pop, Soft Rock, Punk Rock
Gospel & Worship: Gospel, Southern Gospel, Contemporary Worship, CCM, Hymns, Praise

The Machine. The amp that defined American guitar.
There’s a reason the ’65 Deluxe Reverb ends up in every great guitarist’s living room. It’s not the biggest amp or the loudest – it’s the one that always sounds right. Clean enough to stay clean, pushed enough to break when you want it to.

Sit down in front of a real one and every control does something you can feel. The spring reverb splashes on big chords. The drive breaks up right at the edge. The tone stack responds to how hard you’re playing. That’s the experience The ’65 is built around.

Built by ear against the real hardware – not from a spec sheet. Adjust the knobs the way you would in a room and it responds the same way. Throw a few pedals in front and it reacts to them the same way too.

The most authentic amp sound in a plugin. Sit down in front of a real Deluxe Reverb and every control does something you can feel. That’s what The ’65 is built around – not modeling the spec sheet, but recreating the experience of actually playing through one.

How The ’65 was developed: We started with a 1965 Fender Deluxe Reverb. Not a schematic, not a sample library – an actual amp. We ran signal through every stage, measured the response at each point in the chain, and built DSP from the ground up to replicate what we heard and saw. The tone stack was the hardest part. The original Fender passive tone network is a component interaction, not a simple EQ – the Bass, Treble and Volume controls all affect each other. We modeled the full passive network with the correct logarithmic tapers and component loading so the controls behave exactly the way the knobs did on the hardware. The spring reverb and vibrato came last. Spring tanks have a specific kind of flutter and diffusion that algorithmic reverbs never get right. We built a multi-tap simulation with real diffusion modeling. The vibrato channel is optical tremolo – volume modulation, not pitch. Fender called it Vibrato on the original amp and we kept the name, because that is what it says on the hardware.

The ’65 Info
Formats: VST3 · AU · Standalone
Presets: 27 factory presets included

System requirements
Mac: macOS 10.15 Catalina or later
RAM: 4GB minimum · 8GB recommended
Plugin: VST3 · AU · Standalone · 64-bit host required

4,000+ musicians using Vynl Audio

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