[零延迟调音台风格通道条] Lemur Audio SAMUEL v1.0.19 Incl Patched and Keygen-R2R [WiN]

Team R2R | 11 October 2026 | 52.35 MB

安装方法：安装并注册，若要运行 .r2rwm 文件，您需要安装“TEAM.R2R.System.v1.5.3-R2R”（点击下载）。

SAMUEL 是一款具备零延迟特性的调音台风格通道条，集成了前置放大器饱和、噪声门、反馈式压缩器及四段均衡器功能。

四段调音台式均衡器
SAMUEL 位于显示屏两侧的 LF（低频）与 LMF（中低频）均衡频段
包含两个搁架式（shelf）频段和两个钟形（bell）频段，所有频段始终处于信号通路中：当处于中心位置时，频段不会对信号产生任何改变，因此无需频繁开关频段。LF 搁架频段范围为 30 至 450 Hz，HF（高频）为 1.5 至 16 kHz；LMF 覆盖 200 Hz 至 2.5 kHz，HMF（中高频）覆盖 600 Hz 至 7 kHz，每个频段均具备 0.5 至 3 的 Q 值调节。两个量程切换按钮可调整钟形频段的频率范围——“÷3”将 LMF 移至低中频段，“×3”将 HMF 提升至约 21 kHz——且每个频段的增益调节范围均为 ±17 dB。各频段对增益和 Q 值的响应特性与真实调音台通道一致，确保低频与“空气感”频段保持深厚的质感。

高通与低通滤波器
SAMUEL 的高通与低通滤波器旋钮及其对应的 LED 指示灯
高通滤波器范围为 20 至 350 Hz，低通滤波器范围为 12 kHz 至 3 kHz。当旋钮置于“OFF”位置时，滤波器完全从信号通路中移除；旋钮下方的小型 LED 指示灯会显示滤波器当前是否处于激活状态。“EQ ON”开关可将整个均衡器（包括滤波器）从通路中移除，以便快速进行处理前后的对比。

前置放大器饱和（MIC 与 LINE 模式）
SATURATION（饱和度）驱动旋钮及其 ON（开启）与 LINE（线路）切换开关
位于通道条前端的前置放大器级。LINE 模式保持高频段的纯净，同时为低频段增添温暖感；MIC 模式则呈现更宽广、明亮的音色特征。驱动量（Drive）调节范围为 -12 至 +24 dB，该级电路保持输出电平不变，因此调节旋钮只会改变音色而非音量——低于 0 dB 时声音比单位增益（unity gain）更纯净，高于 0 dB 时谐波成分随之增加。整个电路级采用过采样（oversampling）技术运行，确保谐波不会折叠回可听频率范围内。具备调音台风格特性的噪声门
SAMUEL 的噪声门部分包含阈值（Threshold）、范围（Range）、释放时间（Release）和迟滞（HYST）控制。阈值范围为 -30 至 +10，衰减范围为 0 至 40 dB，释放时间为 0.1 至 4 秒，并设有用于控制启动速度（Attack）的“FAST”开关。HYST（迟滞）参数设定了噪声门在低于开启点多少电平时重新关闭，从而避免衰减中的通鼓（tom）或余音较长的小鼓（snare）在阈值附近产生频繁开关（chatter）的现象。左侧的 LED 指示灯显示了噪声门当前的衰减量。

SAMUEL is a console-style channel strip with preamp saturation, gate, feedback compressor and four-band EQ, at zero latency.

A four-band console equalizer
SAMUEL’s LF and LMF equalizer bands beside the display
Two shelves and two bells, every one always in the signal path: at its centre setting a band adds exactly nothing, so there is no need to switch bands on and off. LF shelves from 30 to 450 Hz and HF from 1.5 to 16 kHz; LMF covers 200 Hz to 2.5 kHz and HMF 600 Hz to 7 kHz, each with its own Q from 0.5 to 3. Two range buttons move the bells — ÷3 takes LMF down into the low mids, ×3 lifts HMF up to about 21 kHz — and every gain runs ±17 dB. The bands answer gain and Q the way a console channel does, and the bass and the air keep their depth.

High- and low-pass filters
SAMUEL’s high- and low-pass filter knobs with their LEDs
The high-pass runs from 20 to 350 Hz and the low-pass from 12 kHz down to 3 kHz. Parked at OFF, a filter drops out of the path entirely; the small LED under each knob tells you it is in. The EQ ON switch takes the whole equalizer out, filters included, for a quick before and after.

Preamp saturation — MIC and LINE
The SATURATION drive knob with its ON and LINE switches
A preamp stage at the head of the strip. LINE keeps the top end clean and puts its warmth in the lows; MIC is the broader, brighter voicing. Drive runs from −12 to +24 dB, and the stage hands the same level back out, so turning it up changes the colour, not the volume — below 0 it is cleaner than unity, above it the harmonics grow. The whole stage runs oversampled, so the harmonics do not fold back into the audible range.

A gate that behaves like a console gate
SAMUEL’s gate section — threshold, range, release and HYST
THRESHOLD from −30 to +10, RANGE from 0 to 40 dB of attenuation, RELEASE from 0.1 to 4 s and a FAST switch for the attack. HYST sets how far below the opening point the gate closes again, so a decaying tom or a ringing snare does not chatter on the threshold. The left column of LEDs shows how much the gate is taking away.

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