[复古弦乐] Big Fish Audio Vintage Strings [KONTAKT]（4.75GB）

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[铜管长笛萨克斯音源]Big Fish Audio Vintage Horns [KONTAKT]

P2P | 26 October 2018 | 4.75 GB

Vintage Strings 是 Kontakt 5 的虚拟乐器，旨在模拟 1960 年代和 1970 年代 R&B、Soul 和 Funk 唱片的经典小提琴弦乐部分声音。无论您是经验丰富的编曲家还是休闲制作人，Vintage Strings 都旨在让您快速轻松地为您的作品创建音质出色的弦乐轨道。与其姊妹产品 Vintage Horns 一样，Vintage Strings 并不是被设计成一种闪亮、听起来完美的虚拟乐器。相反，Big Fish Audio 试图捕捉 60 年代和 70 年代弦乐部分的声音;包括明显不古典的演奏风格和为这些部分增添个性并使它们听起来如此出色的小缺陷。

对于复古弦乐，Big Fish Audio 使用老式 Neuman U-87 麦克风录制了 6 件小提琴部分，Royer 带状麦克风穿过一个出色的发音 SSL 板。为了捕捉真正的复古弦乐声音，他们使用了近距离麦克风、房间麦克风和基于旧摩城和费城灵魂乐录音会话的实际会话音符的弦乐部分定位。他们没有在宏伟的音乐厅或其他大型共鸣的录音空间中录制小提琴，而是在一个时髦的旧录音室中录制他们的演奏者，该录音室有一个较小、混响较少的房间，其特征类似于用于录制经典灵魂乐和 R&B 唱片的房间。使用他们在这个空间录制的曲目，然后创建了三种类型的部分：

2 把小提琴：

2VLN 音色对于创建较小弦乐部分的声音非常有用。即使以 3 声部和声演奏，这些补丁听起来也像一个 6 件部分，而不是一个完整的管弦乐部分。2VLN 补丁在混音中占用的声音空间要少得多，而且还具有听起来像许多旧的 Soul 和 R&B 唱片上使用的较小类型的弦乐部分的优点，这些唱片没有时间或预算来录制更大的部分。

6 把小提琴：

6VLN 音色非常适合录制模拟真正 6 小提琴部分声音的同音（1 部分）线，这在许多旧的 Soul 录音中非常常用。当用于 2 声部和声或八度音阶时，这些补丁可用于复制配音的 6 小提琴部分（即人造 12 小提琴部分）的声音，这是许多摩城录音过程中使用的非常常见的录音技术。

12 把小提琴：

12VLN 音色对于创建同音（1 部分）弦线非常有用，听起来像配音的 6 小提琴部分。如果您想获得更大的声音和更大的管弦乐部分的大小，而没有大型回奏大厅或交响乐空间中存在的颜色和特征，请使用 2 或 3 声部和声的弦乐部分的音色。

结果是一种虚拟乐器，其声音和特征与基于管弦乐的采样弦乐库明显不同。Vintage Strings 的声音故意不大、不丰富、不有光泽。这是一种更小、更亲密、更“人性化”的声音，更准确地模拟了那些经典老唱片上的弦乐声音。

使用预设补丁快速简便地制作弦乐部分

如果您没有太多弦乐创作经验，或者即使您是一位经验丰富的弦乐编曲家，而且期限紧迫，Vintage Strings 还提供了许多预编程的乐器音色，可以帮助您快速创建音质出色的弦乐部分。其中包括音调和声补丁，其中包含用于 2、3 和 2 小提琴的 3 声部和 4 声部补丁。只需用一根手指在键盘上演奏，您就可以轻松地将弦线写成 2 个声部（音程）、3 个声部（三和弦）或 4 个声部（七和弦）。其次，音调和声补丁包括固定和弦和音程补丁，包含 2 声部、3 声部和 4 声部和弦音色，适用于 2、6 和 12 把小提琴。这些音色被编程为根据音色类型在 12 个不同键中演奏特定的音程或和弦。

复古字符串 GUI

Vintage Strings 图形用户界面 （GUI） 非常简单易用。界面的主页包括对磁带饱和度、高均衡器和混响的控制，其中包含 15 个自定义选择的卷积混响。

Vintage Strings is a virtual instrument for Kontakt 5 designed to emulate the classic violin string section sounds of R&B, Soul, and Funk records from the 1960’s and 1970’s. Whether you’re an experienced arranger or casual producer, Vintage Strings was designed to make it quick and easy for you to create great sounding string tracks for your productions. Like its sister product, Vintage Horns, Vintage Strings was not designed to be a shiny, perfect sounding virtual instrument. Instead, Big Fish Audio tried to capture the way string sections sounded back in the ’60s and ’70s; including the decidedly not classical playing style and minor imperfections that added character to those sections and made them sound so good.

For Vintage Strings Big Fish Audio recorded a 6 piece violin section using vintage Neuman U-87 mics and Royer ribbon mics run through a great sounding SSL board. To capture a true vintage string sound, they used close mics, room mics, and string section positioning based on actual session notes from old Motown and Philly Soul recording sessions. Rather than record the violins in a magnificent concert hall or some other large and resonant recording space, they recorded their players in a funky old studio with a smaller, less-reverberant room that had characteristics similar to the rooms used to record classic Soul and R&B records. Using the tracks they recorded in this space, then created three types of sections:

2 VIOLINS:

The 2VLN patches are very useful for creating the sound of smaller string sections. Even if played in 3-part harmony, these patches sound like a 6 piece section, rather than a full orchestral string section. The 2VLN patches take up a lot less sonic space in the mix, and also have the advantage of sounding like the smaller types of string sections used on a lot of old Soul and R&B records, which didn’t have the time or budget to record a larger section.

6 VIOLINS:

The 6VLN patches are great for recording unison (1 part) lines that emulate the sound of a true 6 violin section, which was very commonly used in many old Soul recordings. When used for 2-part harmonies or octaves these patches can be used to replicate the sound of an overdubbed 6 violin section (i.e., a faux 12 violin section), which was a very common recording technique used on many Motown recording sessions.

12 VIOLINS:

The 12VLN patches are very useful for creating unison (1 part) string lines that sound like an overdubbed 6 violin section. If you want to get a bigger sound with the size of a larger orchestral string section, without the color and character present in a large recroding hall or symphonic space, use the patches for string parts in 2 or 3 part harmonies.

The result is a virtual instrument that has a sound and character that is distinctly different from orchestral based sampled string libraries. The sound of Vintage Strings is intentionally not big, rich, and glossy. It’s a smaller, more intimate, and more “human” sound, which more accurately emulates the string sound on those classic old records.

FAST AND EASY STRING SECTION PARTS USING PRE-SET PATCHES

If you don’t have a lot experience writing for strings, or even if you’re an experienced string-arranger on a tight deadline, Vintage Strings also offers a number of pre-programmed instrument patches that can help you quickly create great sounding string parts. These include the Tonal Harmonization Patches, which contain 2 part, 3 part, and 4 part patches for 2, 6, and 12 violins. Playing with just one finger on your keyboard you can easily write string lines in 2 parts (intervals), 3 parts (triads), or 4 parts (seventh chords). Secondly, the Tonal Harmonization patches include Fixed Chord & Interval Patches containing 2 part, 3 part, and 4 part Chord Patches, for 2, 6, and 12 violins. These patches are programmed to play a specific interval or chord according to the type of patch in 12 different keys.

THE VINTAGE STRINGS GUI

The Vintage Strings graphical user interface (GUI) is very simple and easy to use. The main page of the interface includes control over tape saturation, high EQ, and reverb with 15 custom selected convolution reverbs.

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