[人声乐器插件]The Crow Hill Company Dot Allison Dulcet Voice v1.0.0 [WiN]（1.49GB）

Team R2R | 13 November 2025 | 1.49 GB

安装方法：只需安装，尽情享受！

Crow Hill荣幸地向您介绍屡获殊荣的歌手、词曲作家兼作曲家Dot Allison的甜美嗓音。在她备受赞誉的职业生涯中，她一直深受AAA级艺人、表演团体和作曲家的青睐，其中包括Massive Attack、Paul Weller和Scott Walker等风格迥异的音乐人，他们都邀请她献声，用她“如蜜般甜美的嗓音”演绎歌曲，这不仅体现在歌声中，更体现在她独特的音色之中。现在，您有机会首次将这难得一见的嗓音收入囊中。

反主流文化时代颠覆性电影配乐的关键元素。

是什么时代精神将六十年代末/七十年代初的暴力警匪片、悬疑谋杀片和恐怖片联系在一起？答案是：轻柔的独唱女声。并非以歌声的形式，而是以纯净无暇的音色作为乐器。这些配乐对多特的作曲生涯产生了关键影响，它们出自三部看似毫不相干、风格前卫的黑色电影，均诞生于反主流文化时代特立独行的电影制作鼎盛时期。同时，那个时代的配乐也突破了既定的音乐模式，尝试运用超写实的乐器和音效、电子乐、爵士乐、放克以及非“西方”乐器。

拉洛·希夫林为唐·西格尔执导的极具男性魅力的《肮脏的哈里》创作的时代性配乐，以遥远而孤寂的女声营造出一种幽灵般的氛围，与影片中充斥的暴力和追逐形成鲜明对比。

作为艾伦·J·帕库拉开创性的“偏执三部曲”之一，《克鲁特》的配乐由迈克尔·斯莫尔创作，堪称杰作。该配乐巧妙地融合了微音马林巴琴和诡异的女声，进一步增强了影片的迷离感。

在那个时代的所有电影中，波兰斯基的《罗斯玛丽的婴儿》对女声的运用最为著名。由主唱米娅·法罗演唱的无词摇篮曲，从一开始就令人毛骨悚然。

产品规格

10 种内置音色库

5 种元音类型（啊、咿、咿、哦、呜）

额外赠送人声合成器

支持手势控制的短语，并可进行音调转换

在著名的城堡录音棚 (Castle Sound Studios) 精心录制的人声链

包含双算法混响、调制延迟和级联颗粒重合成的完整效果器套件

单旋钮处理工具，包括均衡器、总线压缩和频率转换器

一位女巫说，

* 无需安装 CodeMeter。
* 我们的版本加载速度比合法版本更快，使用的内存更少。

Crow Hill is proud to introduce you to the dulcet tones of award-nominated singer, song-writer and composer Dot Allison. Throughout her esteemed career she has been in huge demand by AAA artists, acts and composers as diverse as Massive Attack, Paul Weller, and Scott Walker to lend her “voice like honey” not only in song but as an instrument of its very own. Here now for the first time is a unique opportunity to add this rare voice to your palette.

A key ingredient of subversive film scores of the counter-culture era.

What zeitgeist elements unify a violent cop caper, murder suspense thriller, murder suspense thriller and chilling horror film from the late sixties/early seventies? Well its the use of softly sung solitary female voices. Not in song, but just the pure innocent tone as an instrument. These scores became key influences on Dot’s work as a composer are three seemingly unconnected edgy noir-ish films from the heyday of maverick film-making in the counter-culture era. But also an era where scores branched away from established musical tropes, experimenting with use of hyper-realistic instruments and effects, electronics, jazz, funk and non ‘western’ instrumentation.​

Lalo Schifrin’s era-defining score for Don Siegal’s hyper masculine DIRTY HARRY offset this story of violence and pursuit with the ghostly tones of a distant solitary female vocal.

Part of Alan J Pakula’s seminal “paranoia trilogy” KLUTE has a standout score by Michael Small. That mixes use of microtonal marimbas combined with an eerie female vocal to add to the sense of confusion.

Of all of the films of this era Polanski’s ROSEMARY’S BABY enjoys the most famous use of female vocals. Sung by the lead Mia Farrow, a lyricless lullaby that chills you to the bone from the outset.

Product Specs
10 included palettes of sound
5 Vowel types (Ah, Ih, Ee, Oh, Oo)
Bonus Vocal Sound Design Synths
Gesture-based phrases with key shifting
Perfectly curated vocal chain captured at the infamous Castle Sound Studios
Full effects suite featuring dual algorithmic Reverbs, modulated Delay and cascading Granular re synthesis
Single dial processing tools including, EQ, Bus Compression & Frequency Shifter

A witch says,

* No CodeMeter installatoin is reguired.
* Our release loads faster and uses less memory than leqit versoin.

TeamR2R

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