[音乐会弦乐音源] Kirk Hunter Studios Concert Strings Adaptive [KONTAKT]（9.21GB）

P2P | 24 January 2026 | 9.21 GB

世界上最易演奏且灵活的交响弦乐
在圣莫尼卡第一长老会教堂录制，这里是洛杉矶顶级乐团的录音和演出场所。

– 震撼的交响乐音色；极佳的演奏性能。
– 极其灵活的“合奏”音色。
– 对于“合奏”音色，每个部分可以包含任何短或长的发音（短音、断奏、分离音、拨弦、col legno、巴托克拨弦、延音、颤音、颤音、大颤音、小颤音
）。丝滑顺滑的连奏或弓弦连奏。
– 灵活连奏选择：多音、非复音、强烈、轻柔、弓弦。
– 颤音和力度即使在长音上也能平滑地“追逐”力度。
– 从有力且激烈的马尔卡托转向丝滑流畅的连奏，无需切换键或控制器。
– 两种不同的滑音风格。
– 大量建模以节省内存占用。
– 灵活的颤音控制。
– 新增自动化页面，可通过MIDI CC控制发音、颤音、力度等。

– 完全集成的集合音色
– 完全分离的单个音色
– 所有音色具有相同的功能，因此加载不同音色时无需猜测

每个区段

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– 分段混音器
– 清音/加载
– 连奏开关
– 通过力度或滑杆进行攻击控制
– 高低音区控制
– 短音段选择
– 长音段选择
– 滑音控制
– 短音度力度灵敏度
– 紧致/扩展短音度
– 弓弦变化采样开关
– 小提琴和低音提琴分别有 8 个 va 和 8 个 vb 音色
– 颤音控制
– 独奏/静音

全局控制（主页）

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– “空格”预设 – 管弦乐场的房间风格
– “触感”预设 – 选择乐器如何响应你的演奏风格
– “速度”预设 – 选择响应攻击
– “信息”界面显示当前键开关映射和力度追踪，用于颤音和动态 – 释放时间
– Sordini
– Sul Tasto
– 混响
– 动态
– 自动化界面
– 连奏风格
– 通过力度或滑块控制攻击
– 短音音选择
– 长音音音选择
– 收紧/扩展短音音
– 弓弦变化采样开关
– 8va，小提琴和低音提琴8vb
– 颤音控制

混音器页面

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– 短与长发音选择器
– 短长发音音量
– 短发音力度控制
– 释放采样开关
– 三段参数均衡
– 动态滑块
– 力度力度灵敏度
– 动力追逐力度开关
– 表达力度灵敏度
– 混响与房间大小
– 释放采样音量
– 详细颤音控制
– 小提琴、中提琴、大提琴和贝斯（音量、声平、净音）分段混音器麦克风混音器

幕后花絮

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——循环播放是随机的，所以你从未听到“循环”效果
——教堂环境音的采样被精心混入，营造出非常自然的声音

要求：NI Kontakt FULL v6.6.1或更新版本！

World’s Most Playable and Flexible Symphonic Strings
Recorded at the First Presbyterian Church, Santa Monica where A-list Los Angeles-based orchestras record and perform.

– Stunning symphonic sound; amazing playability.
– Incredibly flexible “ensemble’ patches.
– For “ensemble” patches, each section can contain ANY short or long articulation (spiccato, staccato, detache, pizzicato, col legno, Bartok pizzicato, sustain, tremolo, major trill, minor trill).
Silky smooth slurred or bowed legato.
– Flexible legato choices: Polyphonic, non-polyphonic, intense, mild, bowed.
– Vibrato and dynamics can “chase” velocity smoothly EVEN on held notes.
– Go from punchy and aggressive marcatos to silky smooth legatos with no keyswitching or controllers.
– Two different portamento styles.
– Extensive modeling to conserve the memory footprint.
– Flexible vibrato control.
– Added automation page for controlling such things as articulations, vibrato, dynamics and more via MIDI CC.

– Fully Integrated Ensemble Patches
– Fully Separated Individual Patches
– All have the same features, so there is no guesswork when loading different patches

For Each Section

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– Section Mixer
– Purge/Load
– Legato on/off
– Attack control whether via velocity or slider
– Section high and low note range control
– Short articulation selection
– Long articulation selection
– Portamento control
– Short articulation velocity sensitivity
– Tighten/Broaden Short articulation
– Bow-change samples on/off
– 8va, 8vb for violins and basses
– Vibrato control
– Solo/mute

Global Control (Home Page)

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– “Space” presets – The room style of the orchestra
– “Touch” presets – Choose how you want the instrument to respond to your playing style
– “Speed” presets – Choose the response attack
– “Info” screen showing current keyswitch map and velocity-chasing for vibrato and dynamics
– Release time
– Sordini
– Sul Tasto
– Reverb
– Dynamics
– Automation screen
– Legato style
– Attack control whether via velocity or slider
– Short articulation selection
– Long articulation selection
– Tighten/Broaden Short articulation
– Bow-change samples on/off
– 8va, 8vb for violins and basses
– Vibrato control

Mixer Page

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– Short and Long Articulation Choosers
– Short and Long Articulation Volume
– Velocity control for short articulations
– Release samples on/off
– 3-Band Parametric EQ
– Dynamics slider
– Dynamics velocity sensitivity
– Dynamics chase velocity on/off
– Expression velocity sensitivity
– Reverb and Room Size
– Release samples volume
– Detailed vibrato controls
– Section Mixer for Violins, Violas, Cellos and Basses (Level, Pan, Purge)Microphone Mixer

Under the Hood

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– Round Robin is randomized so that you never hear a “loop” effect
– Samples of the church ambience are carefully mixed in for a very natural sound