[简易管弦乐器合集音源] Impact Soundworks Palette Orchestra Complete v1.0.2 [KONTAKT]（77.02GB）

P2P | 23 March 2026 | 77.02 GB

一套功能齐全、易于使用的管弦乐器合集，助您将创意变为现实。
满足您将电影配乐构想变为现实的一切所需！包含弦乐、铜管、木管、打击乐、合唱、室内乐和完整乐团、独奏、预设组合、快速乐句、琶音和随机音效，所有音色均在优美的音乐厅录制，由世界知名演奏家倾情演绎，并拥有丰富的表现力。

包含原版调色盘交响草图板，以及由Red Room Audio！最初发行的旋律、跑动与琶音和管弦乐效果扩展包。

关于图书馆
调色板收藏是一套易于使用且强大的管弦乐配器工具。在专属音乐厅录制，邀请世界知名表演者参与，呈现世界级音效，同时尽可能快速简便，获得真实逼真的效果。

自然，你可以用调色板创作从史诗般戏剧性的配乐到亲密的室内乐、高亢的连奏主题、紧张的配乐和令人毛骨悚然的氛围。不过，凭借多麦克风和清晰的音色，它在流行、摇滚、金属或任何需要极佳管弦乐音效的曲目中都能表现出色，无需花费大量时间调整和编程。

拥有50多个乐器音色、三个麦克风位置、丰富的房间音色且氛围感不过多（1.2秒混响尾部）、丰富的演奏技巧、真正的连奏、3层动态层次以及最多7次轮流演奏，这张专辑真的是你下一次管弦乐制作的一站式选择。

《调色板完整版》包含四个由Red Room Audio最初创建和发布的库：调色交响速写板、调色板-旋律、调色板-管弦乐效果和调色板-琶音与跑动。这些都被合并成了一个产品！

核心合奏徽章
调色盘管弦乐团的核心是弦乐、铜管和木管乐器的合奏徽章。我们的演奏者在舞台上各处标准的座位位置，我们齐声录制了每个乐团从最低到最高音的全音域。当乐器的音域重叠时会一起演奏，达到极限时则会消失。我们将这种方法称为“真正的合奏录音”。结果是一个丰富、可玩的补丁，自然且充满生命力——立刻令人满足，非常适合快速提出创意而不牺牲真实感。

为了增加灵活性，我们录制了两种规模的合奏——全合奏和室内乐。这些并非通过叠加采样实现——它们是两组独特的录音，每组包含不同数量的演奏者。这让你能够达到理想的广度，无论是强而有力的戏剧性，还是宁静感人的作品。

合唱、打击乐、钢琴、竖琴与附加音
团 24人合唱团设有独立的男女声部，分别演奏延音和断奏发音，分别使用3个元音（Ah、Oh和Mm）。

调色盘管弦乐团还提供23种基本的调性和无调性管弦乐打击乐器，采样最多7个力度，左右手轮流演奏5个轮流（如适用）。包含标准击打、滚奏及其他独特的发音方式。鼓、镲片和辅助乐器被简单地融合成一个GM风格的音色，以减少曲目数量。我们还加入了6人合奏的预告鼓和手击乐补丁。

我们的钢琴是一架漂亮的斯坦威B级大钢琴，在音乐厅录制，采用6个动态层和多次轮换音阶。

音乐会竖琴音色采用标准拨弦和独特的“滑奏器”脚本，模拟真实踏板，只需上下扫动手柄键，即可在任意长度和速度下演奏数百个音阶。

没有一套定制的音效设计和预告片工具，能为配乐增添即时冲击力，现代一体化电影解决方案就不完整。《调色板管弦乐团》包含7个类别——冲击、次爆、反转、呼啸与过渡、上升、消沉和爆音——全部由我们的声音设计师团队定制制作。还有一个双层减法合成器音色，为管弦乐增添额外的粗糙感或低频。

旋律组合与独奏者
创作出优美、富有戏剧性且有力的旋律，包含18个旋律片段！该库子集包含12首最具戏剧性和力量的预配器组合，以及6位独奏者，这些作品均取自我们最喜欢的电影和古典作曲家的作品。每个组合均录制于共同演出时（非人工剧本！）。每种乐器最多包含9个关键的演奏，包括真正的连奏。

我们录制了一个高亢的小提琴组演奏八度音符，皇家号角演奏，俏皮的长笛和短笛，诡异的低音单簧管和低音巴松管八度音，庞大且令人畏惧的低音弦乐与低音铜管乐团，以及许多其他乐队。我们觉得加入独奏者也很重要，因为他们经常被用来演绎旋律，所以我们也录制了其中6位。图书馆里18件乐器中有17件是真正的连奏（例外是我们的长号和大号）。

不过，你并不局限于使用“旋律”来创作旋律。这些乐器拥有多达12种常见的演奏方式（大多数包含4种不同的短音！），因此也可以用于传统管弦乐创作，为你的作品增添独特的色彩。

我们的独奏者在标准的管弦乐座位位置录制，麦克风有三个视角——近麦克风、德卡树麦克风和大厅麦克风。组合时我们增加了第二个近麦克风（共4个麦克风），这样你可以对每个乐器进行一定的控制。

跑音与琶音
我们认为，没有比完整录制这些独特表达方式更好的方式了，而不是巧妙地组合采样来制造人为乐句。因此，我们更进一步，录制了弦乐和木管乐器合奏，演奏六大主要音阶模式——大调、自然小调、和声小调、旋律小调、全音和半音阶——每种模式最多可有13个变奏。

还有20种琶音，分为4种模式——大调、小调、减弱和增强。每个跑动/琶音有两个循环，可以在所有调性中演奏，并能与主持人的速度同步。总计，跑音与高音工具包含超过1600场表演！

现代且易用的GUI总是显示当前的跑动/琶音符号，这样你就能直观地看到管弦乐团的动作。对于制作模型并计划将成品交给管弦乐团的作曲家，我们还提供了每次演出的MIDI数据拖拽到DAW的功能。你也可以用它轻松地叠加表演和其他采样。

我们增加了多个便捷的设置功能，比如Downbeat Sync，确保演出的最后一个音符总是落在下一小节的第一拍。节奏控制允许你与主机节奏同步，或手动设置BPM。“In Quantize”旋钮将演奏开始量化为你选择的音符值。

管弦乐效果（偶然性）
调色板的补充是一套为媒体作曲家和词曲作者设计的偶然效果虚拟乐器。我们有幸与来自全球的三位杰出作曲家（乔治·斯特雷佐夫、容尼克·邦坦普斯和特里斯坦·努恩）合作，为弦乐、铜管、木管和合唱分为六大类别——短、长、刺、质感、上升和下降——编排了大量实用的音效。

许多曲目由四个部分录制，便于叠加。总共有超过2400场独特的表演，你可以用它们为音乐注入即时的戏剧性、情感、个性和生命力。加载四个段落音色中的一个，切换键盘，从键盘上演奏单个采样。或者用强大的FX Builder补丁发挥创意，它允许你浏览、选择并叠加最多4个效果器，并有控制控制来调整音量、音高和时序。

6个完整的管弦乐、铜管和木管乐器
均以全尺寸和室内乐尺寸录制，细节丰富，动态度和循环演奏。

数十种打击乐器，
18种传统管弦乐打击乐器（大家、军鼓、通鼓、皮亚蒂鼓、塔姆塔姆等），5个拖车鼓合奏（大型鼓、军鼓、通鼓、太鼓、大鼓）、4种手打击乐器（卡洪鼓、非洲鼓、邦戈鼓、康加鼓）

独奏者及预编曲旋律组合：
独奏小提琴、大提琴、长笛、双簧管、小号和法国号，全部拥有真正的连奏。11种真正的连奏组合，如大提琴和低音提琴，6支法国号，小号+圆号，小号八度，低音单簧管和低音巴松管。

定制音效设计与预告片工具
超过250个独特的混合采样，分为7个类别——冲击、副爆、反向、呼啸与过渡、上升、低沉和爆发。

大钢琴、音乐会竖琴、合唱团。
所有作品细节丰富且富有情感，录制于与其他乐器同厅，与乐团整体完美融合与平衡。合唱团成员包括男女分开录制。

3个多功能麦克风混音
在中等规模的管弦乐厅录制，带有灵活的1.2秒混响尾部。独立混合接近、德卡和霍尔位置。

真实的管弦乐跑动与琶音
超过1500根弦乐、管乐乐段和琶音，精心组织，拥有多种音阶、调式和和弦。包括真实录音和MIDI。

偶然性管弦乐效果
超过2400个精心编排的“效果”，分为短音、长音、音色、音色、音效、起伏音，全部提供弦乐、铜管、木管和合唱。包括FX构建器。

需要 Native Instruments Kontakt Player 或 Kontakt FULL v6.7.1 及以上版本！

The ultimate collection of easy-to-use orchestral instruments to bring your ideas to life.
Everything you need to bring your cinematic orchestral ideas to life! Featuring strings, brass, woodwinds, percussion, choir, chamber & full ensembles, soloists, pre-orchestrated combos, runs, arps, and aleatoric effects, recorded in a beautiful hall with world-renowned performers and tons of articulation depth.

Includes the original Palette Symphonic Sketchpad, plus the Melodics, Runs & Arps, and Orchestral FX expansions, originally released by Red Room Audio!

About the Library
The Palette collection is the ultimate set of easy-to-use yet powerful orchestral scoring tools. Recorded in a dedicated hall with world-reknowned performers, it delivers world-class sound while making it as fast and simple as possible to get an authentic, realistic result.

Naturally, you can use Palette for everything from epic and dramatic soundtracks to intimate chamber pieces, soaring legato themes, tense underscore, and chilling atmospheres. However, thanks to its multiple mics and clarity of tone, it can work just as well in pop, rock, metal, or in any track where you need fantastic orchestral sounds without spending a ton of time on tweaking and programming.

With over 50 instrument patches, three mic positions, a lush room sound without too much ambience (1.2s reverb tail), extensive articulations, true legato, 3 dynamic layers and up to 7x round robins, this is truly a one-stop shop for your next orchestral production.

Palette Complete contains four libraries originally created & released by Red Room Audio: Palette Symphonic Sketchpad, Palette – Melodics, Palette – Orchestral FX, and Palette – Arps & Runs. These have been combined into a single product!

Core Ensemble Patches
The core of Palette Orchestra are the strings, brass and woodwinds ensemble patches. With our players in standard seating position across the stage we recorded the full range of each ensemble in unison, from lowest to highest note. Instruments play together when their ranges overlap and drop out when they reach their limits. We’ve dubbed this approach “True Ensemble Recording.” The result is a rich, playable patch that’s natural and full of life – instantly gratifying and perfect for quickly laying down ideas without sacrificing realism.

To provide you with an additional level of flexibility we recorded our ensembles in two sizes – Full and Chamber. These were not accomplished by layering samples – they are 2 unique sets of recordings, each featuring a different number of players. This allows you to achieve the ideal breadth for your score, be it powerful and dramatic or tranquil and moving.

Choir, Percussion, Piano, Harp & Bonuses
The 24-piece choir features separate Women & Men sections performing sustains and staccato articulations in 3 vowels (Ah, Oh and Mm).

Palette Orchestra also offers 23 essential tonal and atonal orchestral percussion instruments, sampled in up to 7 dynamics with 5 round robin for both left and right hand (where applicable). Standard hits, rolls and other unique articulations are included. The drums, cymbals and auxiliary instruments are combined in one simple GM-style patch to minimize your track count. We also added 6-player ensemble trailer drums and hand percussion patches.

Our piano is a beautiful Steinway B Grand, recorded in the hall with 6 dynamic layers and multiple round robins.

The concert harp patch features standard plucks and a unique “glissandi maker” script, which simulates realistic pedaling to produce hundreds of scales you can perform at any length or speed by simply sweeping your controller’s keys up and down.

And no modern all-in-one cinematic solution would be complete without a set of custom sound design and trailer tools for adding instant impact to your score. Palette Orchestra includes over 250 unique hybrid samples in 7 categories – Impacts, Sub-booms, Reverses, Whooshes & Transitions, Risers, Downers and Braaams – all custom created by our team of sound designers. There’s also a dual-layer subtractive synth patch to add extra grit or low-end to the orchestra.

Melodic Combos and Soloists
Write beautiful, dramatic, and powerful melodies with 18 melodic patches! This subset of the library includes 12 of the most dramatic and powerful pre-orchestrated combos plus 6 soloists, as selected from the works of our favorite film and classical composers. Each combo was recorded performing together (NOT artificially scripted!). Up to 9 essential articulations per instrument including true legato.

We recorded a soaring violin section playing octaves, regal trumpets with horns, playful flutes & piccolo, creepy bass clarinet & contrabassoon octaves, a gigantic and downright frightening low strings & low brass ensemble and many others. We felt it was also important to include soloists since they are so often used to deliver a melody, so we recorded 6 of those as well. 17 of the 18 instruments in the library have true legato (the exception being our Trombones & Tuba).

You are not, however, limited to using “Melodics” for melodies. The instruments feature up to 12 common articulations (most include 4 different kinds of short notes!) and can therefore also be used for traditional orchestral writing to add unique colors to your compositions.

Our soloists were recorded in standard orchestral seating position with 3 microphone perspectives – close, decca tree and hall. For the combos we added a second close mic (4 total mics) so you have some control of each individual instrument.

Runs and Arpeggios
We felt there was simply no better way to capture the emotion and subtle nuances of these unique articulations than to record them in their entirety, versus trying to cleverly combine samples to produce artificial phrases. Therefore we went the extra mile and recorded both strings and woodwinds ensembles playing scales in 6 primary modes – Major, Natural Minor, Harmonic Minor, Melodic Minor, Whole Tone and Chromatic – each with up to 13 variations.

There are also 20 kinds of arpeggios in 4 modes – Major, Minor, Diminished and Augmented. Every run/arp has 2 round robins and can be performed in every key and can sync to your host’s tempo. In total, the Runs & Arps tool set includes over 1600 performances!

The modern and easy-to-use GUI always displays the notation for the current run/arp so you can visualize exactly what the orchestra is doing. For composers creating mockups who plan to deliver finished scores to an orchestra, we’ve also included the ability to drag and drop MIDI data for every performance to your DAW. You could also use this to easily layer the performances with other samples.

We’ve added several convenient Settings features like Downbeat Sync, which ensures that the final note of the performance always lands on count 1 of the next measure. Tempo controls allow you to sync to your host tempo or set the BPM manually. The “In Quantize” knob quantizes the start of the performance to the note value of your choice.

Orchestral FX (Aleatoric)
Rounding out the patches of Palette is a set of aleatoric FX virtual instruments for media composers and songwriters. We were fortunate to work with three outstanding composers from around the globe (George Strezov, Jongnic Bontemps and Tristan Noon) who collaborated to orchestrate a slew of useful FX for strings, brass, woodwinds and choir in 6 categories – Short, Long, Sting, Texture, Rise and Fall.

Many were recorded by all 4 sections, allowing for easy layering. In total there are over 2,400 unique performances that you can use to provide instant drama, emotion, character and life to your music. Load up one of the 4 section patches and keyswitch through the categories to perform individual samples from your keyboard. Or get creative with the powerful FX Builder patch, which allows you to browse, select and layer up to 4 FX with controls to adjust their volume, pitch and timing.

6 complete orchestral ensembles
Strings, brass, and woodwinds, each recorded in both full and chamber sizes with detailed articulations, dynamics, and round robins.

Dozens of percussive instruments
18 traditional orchestral percussion instruments (gran casa, snare, toms, piatti, tam-tam, etc), 5 trailer drum ensembles (large drum, snare, tom, taiko, tupan), 4 hand percussion (cajon, djembe, bongos, congas)

Soloists and pre-orchestrated melodic combos
Solo violin, cello, flute, oboe, trumpet, and french horn, all with true legato. 11 true legato combos such as celli & double basses, 6 french horns, trumpets + horns, trumpet octaves, bass clarinet & contrabassoon.

Custom sound design and trailer tools
Over 250 unique hybrid samples in 7 categories – Impacts, Sub-booms, Reverses, Whooshes & Transitions, Risers, Downers and Braaams.

Grand piano, concert harp, choirs.
All beautifully detailed and emotive, recorded in the same hall as all other instruments for superb blending and balance with the rest of the orchestra. Choir includes both men and women recorded separately.

3 versatile mic mixes
Recorded in a medium orchestral hall with a nimble 1.2 second reverb tail. Independently mix between close, decca, and hall positions.

Real orchestral runs & arpeggios
Over 1,500 strings & wind runs and arpeggios, meticulously organized with multiple scales, modes and chords. Real recordings and MIDIs included.

Aleatoric orchestral FX
Over 2,400 expertly-orchestrated ‘effects’ categorized into shorts, longs, stings, textures, rises, and falls, all available in strings, brass, woodwinds, and choir. FX builder included.