[“即时均衡”教程] Udemy Instant Eq The Continuation（336MB）

P2P | 03 August 2026 | 336 MB

这是第一部分“即时均衡”的续篇。在第一部分中，我们专注于让歌曲达到发布标准。在用均衡器打好基础之后，我们现在探讨不同的方法来增强歌曲。我们会重点讲解压缩和多频段动态处理，但我强烈建议您先观看第一部分，以便更好地理解混音课程。

我会向您展示如何单独处理音轨以及如何通过相应的总线进行处理，并解释这样做的好处。在不进行过度处理的情况下，除了压缩器、齿音消除器、均衡器和人声混响之外，我几乎没用其他任何效果器，就完成了歌曲的混音。我甚至没有使用谐波增强器、失真器或磁带插件。正如我之前提到的，我的目标是保持简单直接，同时又能对混音效果感到满意。这并不是说使用谐波增强器没有好处，但对我来说，这次混音的目的是增强歌曲的律动感，并为歌声创造一个更合适的空间，我认为我做到了。

这首歌最初是由另一位制作人混音的，我完全尊重他在混音中所做的一切。我尽量保持与原曲相同的音色，以免与已发布的歌曲相差太远。我的目的仅仅是展示我自己的技巧以及如何运用这些技巧达到预期的效果。

你将学到：

• 乐器清晰度
• 人声空间
• 人声编辑
• 总线处理

This is the continuation of the first part called instant eq, where we focus on getting the track release ready, having established the foundation with eq, we now look at different ways to enhance the track, we focus alot on compression and multiband dynamics, but i strongly encourage you to watch the first part in order to get the most of the mixing class.

I show you how i process tracks both individually and thru respective busses, i explain the benefits of doing so, and withought overprocessing anything, barely using any effects aside from a compressor, a deesser, an eq, and the reverb on the vocal i finish off the track. I dont even touch harmonic enhancers, distortion or tape plugins, the aim was like i mentioned to keep it straightforward and still feel well about the mix. Thats not to say there is no benefit in using exiters but the change to me in this particular session was to enhance the groove of the song and to create s space for the vocal to sit in which i think i did achieve.

This song was originally mixed by another producer, and i give full credit to him in what he did in this mix, i tryed to stay within that same sound to avoid being to far off from the published song, and my intention is only to demostrate my own teqhniques and how they can achieve the desired results.

What you’ll learn

•Creating definition on instruments
•Creating space for vocals
•Vocal editing
•Buss processing

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