[更新：提琴音源]Strezov Sampling String Contours v1.1 [KONTAKT]（18.34GB+51.41GB）

UPDATE: P2P | 05 May 2025 | 18.34 GB
FULL: P2P | 26 September 2024 | 51.41 GB

安装方法：

将文件“K5_m3_Y8.nka”复制到目录（如有必要，请创建）

– macOS：/Users/_YOUR_USERNAME_/Library/Application Support/String Contours/Data
– Windows：C:\Users\_YOUR_USERNAME_\AppData\Local\String Contours\Data
– Windows Portable：Portable folder\UserData\String Contours\Data

弦乐轮廓 (String Contours)
超越传统弦乐采样！弦乐轮廓 (String Contours) 引领“情境采样”的新方向，无论是节奏还是表现力。无缝提升音轨音色，告别调整 CC 数据——让演奏本身承载编程，专注于音乐本身！

什么是轮廓？
轮廓是具有固定长度和动态形状的录制表演。例如，一个 1 小节渐强的海浪导致 1 小节的渐弱，中间有一个弓的变化。

String Contours 允许你演奏这些演奏并无缝地改变音符，而不会触发新的演奏。你总是保持在初始表演的动态形状和乐句中。这导致了真实而合适的颤音以及动态流，无需任何 MIDI CC 编程，从而获得高质量的结果，并且由于录音本身的表现力，采用了更简约的作曲方法。

不同的录音，不同的节奏
由于乐句的演奏在很大程度上取决于其上下文，尤其是在长度和速度上，我们希望将这种上下文引入虚拟乐器的世界。

每个轮廓都以多种速度（3 种不同的速度）和形状（4 种不同的动态形状）进行录制，以保留各部分现场表演的语境性以及整个系列的一致性。Kontakt 会根据主机音序器的速度自动选择正确的采样池，并在速度发生变化时无缝调整。时间紧张保持在绝对最低限度，因此几乎听不见。我们花费了大量时间来寻找合适的 tempi 量，需要记录下来才能达到最佳效果。

一个例外是库中的 “Normale Espressivo” 补丁，它们仅以非常快的速度 140 录制，但仍然 – 这些补丁也与 DAW 主机速度同步。

适应性
使用 String Contours，您可以在所选形状的轮廓上更改演奏的音符。该脚本根据琴弓期间音符变化的位置和方式，智能地在音符之间添加释音和上下文录制的起音，从而沿着录制的形状实现平滑的过渡。

这些录音都是在乐器范围内和各部分之间按照一致的演奏风格完成的，因此当组合起来时，你会达到一种单一的演奏意图和跨编曲线的统一乐句的感觉。

透明自然的
录音 录音只使用精心挑选的音乐家完成，他们最符合所需的音调和颤音美学，以及定制的麦克风阵列，汇总到 3 个不同的麦克风位置和完全制作的开箱即用的混合信号。大厅为中等环境大小，以获得电影般的声音，但仍保留尽可能多的细节。

由于该库不使用任何动态图层或循环，因此您始终可以获得真实现场录音的声音，而无需通常的堆叠式合奏垫声音。用大提琴独奏演奏一个三声部和弦，听起来就像三个大提琴一起演奏。

乐器
– 小提琴部分
– 中提琴部分
– 大提琴部分
– 低音提琴部分
– 小提琴独奏
– 大提琴独奏
– 完整合奏

弓形
– 师范
– Normale Espressivo
– Sul Pont 到 Normale 回到 Sul Pont
– Sul Tasto
– 颤音
– Sul Pont 颤音
– Loure
– Tenuto 叠加（可通过力度控制）在上下文中录制

动态形状 （可通过按键开关获得）
– 1-1 （一小节增强，一小节递减）
– 2-2 （两小节增强，两小节递减）
– 1-2 （一小节增强，两小节递减）
– 2-1 （两小节增强，一小节递减）

需要 Native Instruments Kontakt Player 或 Kontakt FULL v6.7.0 及更高版本！

STRING CONTOURS
Venture beyond traditional string samples! String Contours is a new trajectory in “contextual sampling”. Both in tempo and expression. Elevate the sound of your tracks seamlessly and stop tweaking CC data – let the performances carry the programming, and focus on the music itself!

WHAT IS A CONTOUR?
A contour is a recorded performance with a fixed length and dynamic shape. For example a swell with 1 bar of crescendo leading into 1 bar of diminuendo with a bow change in the middle of it.

String Contours allows you to play these performances and seamlessly change notes without triggering a new performance. You always stay within the initial performance’s dynamic shape and phrasing. This leads to a realistic and fitting vibrato as well as dynamic flow without any Midi CC programming allowing high quality results as well as a more minimalistic approach to composing due to the expressiveness of the recordings themselves.

DIFFERENT RECORDINGS FOR DIFFERENT TEMPI
As the performance of a musical phrase is heavily dependent on its context especially in length and tempo we wanted to introduce this contextuality into the world of virtual instruments.

Every contour was recorded at multiple speeds (3 different tempi) and shapes (4 different dynamic shapes) to retain the contextuality of a live performance across the sections along with cosistency across the entire collection. Kontakt automatically picks the correct sample pool based on the tempo of the host sequencer and seamlessly adjusts in case of tempo changes. Timestreching is kept to an absolute minimum, so it’s barely audible. A lot of time was spent on finding the right amount of tempi, which needed to be recorded in order to achieve the best results possible.

One exception are the “Normale Espressivo” patches within the library, which were recorded only in very fast tempo 140, but still – those are also synced to the DAW host tempo.

ADAPTABILITY
With String Contours you can change the notes of the performance across the contour of the selected shape. The scripting intelligently adds releases and contextually recorded attacks between the notes based on where and how the note change happens during the bow, leading to smooth transitions along the recorded shapes.

The recordings were all done to a consistent performance style within the range of the instrument and between the sections, so that when combined you reach a feeling of singular intent of performance and united phrasing across the lines of your arrangement.

TRANSPARENT AND NATURAL RECORDINGS
The recordings were done using only handpicked musicians best fit to the required aesthetic in tone and vibrato as well as custom microphone arrays summed down to 3 different mic positions and a fully produced out of the box mixed signal. The hall is of ambient medium size to get a cinematic sound, but still retain as much details as possible.

Due to the fact that this library doesn’t use any dynamic layers or Round Robins you always get the sound of a real live recording without the usual stacked ensemble pad sound. Play a three voiced chord with a solo cello and it will sound like three celli playing together.

INSTRUMENTS
– Violin Section
– Viola Section
– Cello Section
– Double Bass Section
– Solo Violin
– Solo Cello
– Full Ensemble

BOWINGS
– Normale
– Normale Espressivo
– Sul Pont to Normale back to Sul Pont
– Sul Tasto
– Tremolo
– Sul Pont Tremolo
– Loure
– Tenuto Overlays (controllable by velocity) recorded in context

DYNAMIC SHAPES (available through Keyswitches)
– 1-1 (One bar crescendo one bar decrescendo)
– 2-2 (Two bars crescendo two bars decrescendo)
– 1-2 (One bar crescendo two bars decrescendo)
– 2-1 (Two bars crescendo one bar decrescendo)

Requires Native Instruments Kontakt Player or Kontakt FULL v6.7.0 and higher!

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