[物理建模颗粒合成混合乐器插件]Physical Audio Tetrad v1.0.1 [WiN]（7.1MB）

下载地址
[Physical Audio 系列效果器插件合集]Physical Audio Plugins 2025-06 [WiN]
（其内已包含）

Team R2R | 22 June 2025 | 7.1 MB

安装方法：

0. 如有需要，请屏蔽对“physicalaudio.co.uk”的访问。
1. 卸载旧版本。
2. 使用我们的注册机注册。
3. 尽情使用！

注意：
自注册机 v1.5 版本起，我们使用 JUCE 官方生成代码来创建许可证文件。
许可证文件将存储在“%APPDATA%\(产品名称)\PAkey.txt”中。

TEAM R2R 2025

Tetrad 是一种基于物理建模和颗粒合成的混合仪器。独特的四总线信号链将 4 个建模板与完整的调制矩阵一起馈送，营造出值得实验的音景。

Tetrad 与您从未使用过的其他合成器不同。该插件是与作曲家和跨媒体艺术家 Gadi Sassoon 合作开发的，采用四个振荡器，通过一个 Quad AM 处理器将它们组合路由，该处理器的工作方式类似于伪音序器、一个专门定制的 Granulator 和四个物理建模的板谐振器。

正如在专辑 Modes of Vibration 中听到的那样，受到 Gadi 基于雕塑的合成器装置的启发，Tetrad 最初被设计为对实验装置的斜线板和声音发生器的补充，但已经发展成为一种插件乐器，将装置的功能放入 DAW 中的单个软件中。

Tetrad 的工作原理
它从振荡器开始，它提供五种模式的选择，每种模式每个声部有四个振荡器（因此得名 Tetrad）。在 Macro 视图中，您可以更改主振荡器波形，并应用频率调制。振荡器可以根据所选模式以各种方式进行调音，从基本音程到全音阶反转。ADSR 在进入混频器之前提供初始振幅整形。还有一个 Sidechain 音频选项，绕过振荡器并允许使用任何信号。

4×4 矩阵混音器将 4 路输入混合到 4 条总线上。接下来是具有 Depth、Shape 和 Rate 的 Quad Amplitude Modulation，它适用于音频范围，并且 Phase 为每个总线单独设置。在 Tetrad 的 Quad Granulator 中，信号被分成颗粒，以不同的方式重放。您可以影响颗粒的窗口形状、大小、间距，并更改造粒机的 Feedback。最后，这通过带有过载的前置放大器馈送 Plates。

特征

– 超过 100 个预设可立即开始。

– 通过 Basic、Chords 和 Modal 和弦、Free 和 Flex 模式生成声音。加上所有振荡器类型的 ADSR 包络、FM 频率和 FM 深度。

– Quad AM 模块用于“伪序列”或温和调制语音，可控制相位形状、深度、增益和速率（高达 250Hz），以及每个语音的相位位移。

– Quad Granulator 将四个声音单独或一起分解成新的纹理。Grain Size（颗粒大小）、Feedback（反馈）、Rate（速率）（最高 50Hz）或每个声部的 Grain Size （颗粒大小） 和 Pitch（音高）。

– 可以在虚拟声场上以图形方式驱动和定位的板式谐振器。全局设置 Decay、Metal Cuts、Preamp Drive;或每个板块的 Drive and Decay。

– 综合调制矩阵，具有超过 ## 个目标、八个 LFO 和三个包络跟随源，以及 MIDI 和 MPE 参数源。

– 三个滤波器 （LP/BP/HP） 可减少和雕刻音频速率调制失真和极端颗粒伪影的效果。

Tetrad is a hybrid instrument based on physical modelling and granular synthesis. A unique quad bus signal chain feeds 4 modelled plates alongside a full modulation matrix, creating a soundscape that rewards experimentation.

Tetrad is like no other synth you’ve ever used. Developed in collaboration with composer and transmedia artist Gadi Sassoon, the plugin takes four oscillators, routes them in combination through a Quad AM processor that works like a pseudo-sequencer, a specifically tailored Granulator, and four physically modelled plate resonators.

Inspired by Gadi’s sculpture-based synth installation, as heard on the album Modes of Vibration, Tetrad was originally devised as a complement to the slashed plates and sound generators of the experimental setup, but has grown into a plugin instrument that puts the capabilities of the installation into a single piece of software in a DAW.

How Tetrad Works
It starts with the oscillators, which give a choice of five modes, each with four oscillators per voice (hence the name Tetrad). In the Macro view, you can change the main oscillator waveshape, and apply frequency modulation. Oscillators can be tuned in various ways according to the chosen mode, from basic intervals to diatonic inversions. An ADSR provides initial amplitude shaping before heading down to the mixer. There is also a Sidechain audio option, bypassing the oscillators and allowing any signal to be used.

A 4×4 Matrix Mixer blends the four inputs onto four busses. Next is Quad Amplitude Modulation with Depth, Shape and Rate, which works well into the audio range, and Phase set individually per bus. In Tetrad’s Quad Granulator, the signal is split into grains that are replayed in different ways. You can affect the grains’ window shape, Size, Pitch, and change the Feedback of the granulator. Finally this feeds the Plates through a preamp with overdrive.

Features

– Over 100 presets to get started immediately.

– Generate voices through Basic, Chords and Modal chords, Free and Flex modes. Plus ADSR envelope, FM Frequency and FM Depth for all oscillator types.

– Quad AM module to ‘pseudo-sequence’ or gently modulation voices, with control over phase Shape, Depth, Gain and Rate (up to 250Hz), plus Phase Displacement per voice.

– Quad Granulator mangles the four voices into new textures individually or all together. Grain Size, Feedback, Rate (up to 50Hz), or individual Grain Size and Pitch per voice.

– Plate Resonators that can be driven and positioned graphically on the virtual sound stage. Set Decay, Metal Cuts, Preamp Drive globally; or Drive and Decay per plate.

– Comprehensive Modulation Matrix with over ## destinations, eight LFOs and three envelope-following sources, plus MIDI and MPE parameter sources.

– Three filters (LP/BP/HP) to curtail and sculpt effects from audio-rate modulation distortion and extreme granulation artefacts.

TeamR2R

🏠 HomePage