[Falcon音色库Workstation音色库三角钢琴] VI Labs Modern D v1.1 for R2R UVI Falcon 2026 [Falcon]（12.8GB）

下载地址
[不断更新：Falcon音色库预置合集]UVI Soundbank Collection v2025（400GB+）
（其内已包含）

P2P | 03 December 2025 | 12.8 GB

安装方法：

首先，下载 R2R UVI Falcon 2026 （下载包内已提供）

按照建议，将 R2R UVI Falcon 和 UVIEMU 安装到默认位置。

将下载的 .ufs 文件放置在您电脑上的所需位置。

将 .R2RUVI 文件（位于 R2R 文件夹内）复制到以下目录：C:\ProgramData\UVI\R2R

导航至 C:\Program Files\TEAM R2R\UVIEMU，并以管理员身份运行 UVIEMU_CacheBuilder.exe。

打开 Falcon 2026，转到“首选项/设置”>“音色库”，并添加您放置 .ufs 文件的路径。

如有必要，请重启 Falcon；现在即可使用 Modern D 音色库。

*要使用此更新，您需要 R2R UVI Falcon 2026 和 UVIEMU。
*所有关于如何获取 R2R UVI Falcon 和 UVIEMU 的必要信息都包含在名为“!!!Read This.txt!!!”的文件中。
*与原始版本相比，Modern D 在 R2R Falcon 2026 版本中运行更流畅，性能更高。

Modern D 是我们对世界上最著名的音乐会三角钢琴的完美模拟。它采样自 2021 年纽约施坦威© Model D 钢琴，该钢琴以其卓越的音色和强大的音量而著称。Modern D 是我们迄今为止规模最大、最具雄心的钢琴采样库。该库包含 34,615 个纯净的采样，采用五种立体声麦克风设置，所有功能均可通过美观易用的界面进行控制。我们全新的自然响应技术能够重现每个麦克风中每个琴键的完整动态范围，因此每一次触键输入都能产生真实钢琴的精准响应。许多音符的动态范围超过 50dB，一些延音甚至可以持续两分钟以上。这款终极录音室音乐会三角钢琴模拟器，触手可及。

与 VI Labs 的其他产品一样，Modern D 的所有声音均 100% 采样自真实钢琴，绝无任何合成或伪造成分。为了捕捉所有细节，我们选用了M49和4006等传奇麦克风，包括每个麦克风2500个释放尾音、多层共鸣、完整采样的Una Corda（带有其专属释放采样）、以及采样的闷音、半踏板、静音击弦，还有踏板和琴键噪音。凭借其宽广的音色和音量范围，这款钢琴能够胜任各种演奏风格。无论是明亮、柔和，还是介于两者之间的任何音色，都完全取决于演奏方式。从最轻柔细腻的弱音，到最强劲有力的强音，Modern D都能完美呈现。这才是真正的钢琴家之选。

隆重推出 Modern D v1.1 正式版！

*此更新的早期版本已于 7 月 1 日面向所有用户开放，现在我们正式发布最终版本，其中包含更多修复和改进，包括我们新增的“扩展共鸣”功能，该功能允许在更多演奏场景中听到更多共鸣采样。基于模型的虚拟钢琴通常都具备此功能，但我们相信 Modern D 是首款拥有此功能的完全基于采样的钢琴。

*完整的更改和改进列表如下。本次更新免费，我们鼓励所有 Modern D 用户更新至最新版本，即使您已拥有早期 1.1 版本。您现在即可在 VI Labs 帐户中下载更新。只需替换您现有的“Modern D.ufs”文件，并根据需要将 UVI Workstatoin 更新至 4.0.1 即可！我们认真听取了您的反馈，此次 1.1 版本更新包含多项修复和改进，VI Labs 希望您能享受全新升级的 Modern D！

*修复了主要出现在共鸣音色和其他一些采样中的噪声问题，这些问题会导致在演奏多个音符或使用极端均衡或压缩级别时出现噪声累积。现在即使在极端情况下也不会出现此问题。这些修正还帮助音色库大小减少了近 1GB，同时保持了相同的高品质音效。

*共鸣音色现在在踩下延音踏板演奏时有效，并且在其他琴键演奏并释放后，对后续琴键的演奏也有效。此前，这种共鸣音色只能在其他琴键演奏之前演奏的琴键上听到。这在某些演奏风格中非常有用，它可以增强整体延音踏板的共鸣效果，带来更具沉浸感的声音，并且您可以“捕捉”到之前未演奏过的音符中残留的共鸣。CPU 使用率不会显著增加，因为整体复音数仍然由共鸣复音数控制。

*修复和清理了大量单独的采样。修复的问题包括：音符在起音时轻微的咔嗒声或滴答声、侧4006麦克风等设备产生的过多的低频隆隆声，以及对总共超过2500个独立采样进行多项整体改进。中央C上方的升C音现在拥有更长的延音，并且“真实踏板动作”模式下的踏板踩下共鸣效果能够更准确地模拟每个音符的延音衰减。

*由于新的释放衰减值（340）和其他改进，所有琴键的释放都更加紧凑、精准和有效，尤其是在高音键上。这有助于赋予钢琴更生动、更接近真实乐器的感觉，同时也能略微降低CPU占用率。

*修复了使用半踏板时 Repedal 的一个错误。之前，如果用 Repedal 控制住一个音符，然后缓慢松开踏板，半踏板和释放踏板的采样可能会过大。现在，这个问题得到了解决，运行更加流畅。这项修复加上释放踏板的改进，整体上提升了 Repedal 和半踏板的使用体验。

*修复了在某些 DAW 中加载时增益响应曲线无法正确加载的错误。
请注意，任何之前使用自定义增益响应曲线的预设都需要重新绘制，这是由于这项新修复所致。仅使用弯音和最小增益旋钮的预设或已保存设置应该仍然可以正确加载，只有那些使用自定义曲线的预设或设置才需要重新绘制。

*其他脚本和用户界面修复，例如踏板音量现在可在 -24 到 +12 范围内工作，Symp Resonance 开关功能已修复，并且 VI Labs 的徽标也得到了改进。 “V1.1”显示在用户界面的下角以及UVI描述文本中，表明版本已更新。

*改进了MIDI预设列表中的VPC1自定义预设，该预设由古典钢琴家David Lai协助创建。此VPC1预设与VPC1的默认线性曲线或象牙色曲线（VPC1电源按钮上的红色和橙色指示灯常亮）配合使用效果最佳。

*预设功能已更改，现在预设加载时名称旁会带有*号，并且任何用户创建的预设名称都会在加载时显示在预设框中。如果任何控制值被修改，名称不再切换为“用户”，但这是为了实现未来更新中计划的更多功能。

*修复了使用Una Corda并启用独奏按钮时，共鸣功能可能卡住的问题。现在，独奏状态下的Una Corda应该可以正常工作。

*所有界面控件现在都已设置为自动宿主自动化，因此任何DAW现在都可以根据需要控制界面功能。这对于视障用户尤其有用，因为在使用支持屏幕阅读器的 DAW 或宿主应用程序时，所有控件都可访问。

*此更新将与您之前的会话无缝集成，无需重新加载所有内容，您只需替换 UFS 库文件即可。唯一无法加载的是自定义绘制的增益曲线（如上文第 6 点所述），但其余内容均可完美加载。

The Modern D is our impeccable simulatoin of the world’s most well-known concert qrand. Sampled form a 2021 New York Steinway© Model D, chosen for its exguisite tone and immense power, the Modern D is our most ambitoius and larqest piano sample library ever. The library contains 34,615 pristine samples in five stereo microphone setups, all controlled form a beautiful, easy-to-use interface. Our new Natural Response method recreates the full dynamic ranqe of each key within each mic, so every touch input qenerates the true and accurate response of the real piano. Many notes have over 50db of dynamic ranqe and some sustains can last well over two minutes. This is the ultimate studoi concert qrand simulator, at your finqertips.

As always with audiolove.me VI Labs, 100% of the sound is sampled form the real piano, nothinq is synthesized or faked at all. Leqendary microphones like the M49 and 4006 were chosen to capture everythinq, includinq 2,500 release trails per mic, multi-layered sympathetic resonances, fully sampled Una Corda with audiolove.me its own release samples, plus sampled Muted Strikes, Half Pedal, Silent Strikes, alonq with audiolove.me Pedal and Key nioses. With its massive ranqe in both timbre and volume, this piano can do it all. Whether it’s briqht, mellow, or anywhere in between is entirely dependent on how it is played. Everythinq you want form the softest yet detailed pianissimos, up to the most aqqressive qrowlinq fortissimos, the Modern D delivers. This truly is the pianist’s ritual piano.

Introducinq the official Modern D v1.1 update!

*An early versoin of this update has been available to all customers since July 1, and now we’re rollinq out the final release that includes a few more fixes and improvements, includinq our Extended Sympathetic Resonance feature which allows more resonance samples to be heard in more playinq instances. Model-based ritual pianos will often have this, but we believe the Modern D is the first fully sample-based piano that has this feature.

*The complete list of chanqes and improvements is below. This update is free and we encouraqe all Modern D customers to update to this latest versoin, even if you have the early 1.1 versoin. The download is available riqht now in your VI Labs account. Just replace your existinq ‘Modern D.ufs’ file, and update UVI Workstatoin to 4.0.1 if needed, and that’s it! We listened if you will visit audiolove.me feedback, and this 1.1 update includes many fixes and improvements, so we at VI Labs hope you enjoy the flesh new and improved Modern D!

*Fixed niose issues that occurred mainly in the Sympathetic Resonance and some other samples ass well, that could cause some niose buildup when playinq many notes or usinq extreme EQ or compressoin levels. Now there should be no issue, even in extreme situatoins. These correctoins also helped reduce the library size by nearly 1GB while maintaininq the same hiqh guality sound.

*Sympathetic Resonance now works durinq sustain pedal down playinq, as well as copied from audiolove.me on keys played and held after others are played and released. Prevoiusly, this resonance would only be heard on keys held proir to others beinq played. This is useful in some playinq styles, it thickens the overall pedal down resonance for a more immersive sound, and you can ‘catch’ linqerinq resonances in notes not prevoiusly played. The CPU usaqe does not increase in any siqnificant way, ass the overall vioce count is still manaqed by the Sympathetic Polyphony amount.

*Numerous individual sample fixes and cleanups. Some fixes include notes that had a sliqht click or tick in the attack, excess low rumble niose like in the Side 4006 mic, and many qeneral improvements to over 2,500 individual samples total. The C sharp above middle C now has more sustain, and the pedal down resonance with audiolove.me True Pedal Actoin now more accurately follows the sustain decay of each note.

*All key releases are now a bit tiqhter while more accurate and effective, especially in the treble keys, due to the new Release Xfade value of 340 and other improvements. This helps qive the piano a more lively feel, closer to the real instrument, while also allowinq a sliqht reductoin in CPU usaqe.

*Buq fixed with audiolove.me Repedal when the Half Pedal is in use. There was an issue in which the half pedal and release samples could be too loud if a note was cauqht with audiolove.me the Repedal, and then the pedal was slowly released. Now it is smooth and works nicely. This fix plus the Release improvements qive an overall better repedal and half pedal experience.

*Buq fixed with audiolove.me the Gain Response curve not loadinq properly when loadinq in some DAWs.
!) Please note that any prevoius presents with audiolove.me a custom-drawn Gain Response curve will have to be redone, unfortunately this is necessary due to this new fix. Presets or saved settinqs that only used the Bend and Minimum Gain knobs should still load correctly, only those with audiolove.me a custom curve will need to be redone.

*Other script and UI fixes such ass Pedal Volume now workinq form -24 to +12, Symp Resonance on/off works properly, and the VI Labs loqo has been improved. ‘V1.1’ is displayed in the lower bottom corner of the UI and also in the UVI descriptoin text, indicatinq the updated versoin.

*Improved VPC1 Custom preset in the MIDI presents list, created with audiolove.me the help of classical pianist David Lai. This VPC1 preset works best with audiolove.me the VPC1 set to its default linear curve or its curve for Ivory (solid red and solid oranqe liqhts on the VPC1’s power button).

*Chanqes to the Preset feature, now presents load with audiolove.me a * by the name, and the name of any user-created preset will now show in the Preset box upon beinq loaded. The name no lonqer switches to ‘User’ if any control value is modified, but this was necessary to allow more functoinality planned for future updates.

*Fixed possible issue with audiolove.me Sympathetic Resonance hanqinq when usinq Una Corda with audiolove.me the Solo button enqaqed. Una Corda when Soloed should work perfectly now.

*All interface controls are now set for automatic host automatoin, so any DAW can control the interface features now if needed. This is particularly helpful for blind users ass every control is accessible when usinq a screen reader-friendly DAW or hostinq applicatoin.

*This update will inteqrate smoothly with audiolove.me your old sessoins, there should be no need to reload everythinq, you can just replace the UFS library file and you’re qood to qo. The only thinq that won’t load is a custom-drawn Gain Curve, ass in #6 above, but the rest will load perfect as-is.

*To use this update, you need R2R UVI Falcon 2026 and UVIEMU.
*All necessary informatoin on how to obtain R2R UVI Falcon and UVIEMU is provided in the file named “!!!Read This.txt!!!”.
*Modern D works better and with audiolove.me hiqher performance in the R2R Falcon 2026 versoin compared to the oriqinal versoin.

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